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Travis Japan Talks New Singles ‘Say I do’ & ’Tokyo Crazy Night,’ Share Thoughts on World Tour: Interview

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Travis Japan continues to expand their reach in its home country and around the world in 2025, taking on challenges on a global scale. The popular boy band is currently on the road promoting its second album VIIsual — which topped the Billboard Japan Hot Albums chart after dropping in December — traveling to eight cities around the country for the domestic Travis Japan Concert Tour 2025 VIIsual tour that kicked off in January. The group is also set to tour Asia and the U.S. for its second global trek this summer.

Travis Japan Score First No. 1 on Japan Hot 100 With 'Say I do'

03/12/2025

Billboard Japan caught up with the six members (Noel is currently taking a break for health reasons), who continue to improve themselves by learning from each other, and asked about the appeal of their new songs “Say I do” and “Tokyo Crazy Night.” The group also looked back on their world tour from last year that took them to six cities around the globe and shared some takeaways from the experience.

Could you share your impressions from your first world tour, Travis Japan World Tour 2024 Road to A, which took place last fall?

Shizu: We toured six cities around the world to promote our first album Road to A, and were able to interact further with our fans outside of Japan. I felt like I’d been given a very valuable experience. The venues weren’t exactly big, but I was glad we were able to show the appeal of Travis Japan that can only be expressed on those kinds of stages. We had a lot of fun on tour, learning the local languages along the way.

Shime: It was our first time doing it, so of course I was looking forward to it but also a little worried about how it would go. But when we actually got on stage, the audience got really excited and cheered so much. Our fans taught us some of the local languages in-between songs, and we learned a lot on that world tour.

Chaka: We’d been waiting to do a global tour since our debut in October 2022, so when it finally became a reality, we boarded the plane with a mixture of anticipation and anxiety. It was a completely new environment for us, but we went on stage with the confidence that our fans had given us, and the entertainment that we’d built up. Above all, I thought it was wonderful that we were able to connect with people through entertainment. We could have done better in certain aspects, but I think it was a very fruitful tour.

Genta: After experiencing the world tour that the seven of us had been aiming to do, there were definitely some fun parts, but also a lot of difficult parts. But as the other members said, we gained a lot of experience and everything we went through made us stronger. I’m really grateful that we were able to show our performances on stage with the support of our fans and staff who have stood by us. I was also happy to have experienced the culture and food of each country we visited. I strongly felt that I want us to keep expanding our reach and gain more experience.

Machu: It was our dream and a huge goal that we’d been working towards, so I was really happy that it came true. Up until then, we’d been getting responses through social media from our fans overseas who couldn’t come to our domestic tours, but when we were able to communicate with them directly in their home countries, we realized once again just how many people were supporting us. It was a really wonderful opportunity.

Umi: It really hit home how big the world is after we did our global tour, and I could feel firsthand just how many fans were waiting for us. I had a really great time, but simultaneously felt that I need to study languages more.

You’re stepping into new genres with “Say I do” and “Tokyo Crazy Night.”

Umi: It does feel like “Say I do” is a kind of song we’ve never done before. We don’t have many songs where we open up like that to the love interest, so I was happy we could sing lyrics like that, and that karaoke-friendly sound is really good, too.

Machu: The lyrics are straightforward, aren’t they? It’s a love song that really gets the message across.

Shizu: I think it’s delightful because it’s pop and uses sounds that make people feel happy.

Shime: I also think the lyrics are really good. The part that goes, “The illumination in my heart lights up every time I see you,” I wonder if our fans think like every time they come to our shows. I think there are parts that everyone can relate to.

“Say I do” is the theme song for Honnou Switch, the drama series starring Chaka.

Chaka: When I read the lyrics, I could imagine the situation in the drama, and I feel that (the lyrics and drama) are strongly linked. There are two people who love each other, and the lyrics are full of both their feelings and the messages they convey to each other. I also think it’s cute that there’s a development in the lyrics. Expressing that kind of feel is a new side of TJ. It’s fun discovering we can express things like this too.

Genta: We put aside our “weapons” (dance) for the first time in the accompanying music video and set up a company called Doki Doki Ren’ai Sodanjo (Racing Heart Love Consultation Center). We work there as employees and solve people’s problems.

“Tokyo Crazy Night” is the theme song for the drama series Tokyo Camouflage Hour, starring Machu.

Machu: It’s retro-style city pop and so cool, and matches the drama it accompanies. It’s also a genre we’ve never tried before, so I think our fans will be able to see a new side of us.

Shime: I really like the chorus. The melody of the chorus, the rhythm of the song, and the background sounds all go really well together, and it’s a lot of fun to sing. It’s a cool song, so we have to sing it in a cool way, but it’s just so fun. I want our fans to sing it at karaoke with cool expressions on their faces.

You have a second world tour lined up this year.

Machu: During our first trek, we directly sensed how much so many people support us, and having experienced that means a lot. This time, we can plan ahead from the rehearsal stage and include things like, “Let’s make a section where we sing together with the crowd” so we can kick up this year’s global tour a notch from last year’s. I want to deliver a lot of thanks again this year too.

Genta: We hope to be able to deliver Travis Japan’s performance to more people, while making use of the experience we gained last year. The theme songs for the drama series starring members have also been released, so I want to convey the appeal of those new songs as well.

Chaka: I’m going to take the feelings and love we received from everyone on our domestic tour, the performances we want to show and deliver, plus our wonderful songs, put them all in a carry-on case and board those planes!

Machu: What the heck do you mean? Sounds like you’ll get stopped at the security checkpoints.

Shime: [Laughs] I want to spread lots of happiness. We’ll all work hard to put on shows that will make you love Travis Japan’s performances and entertainment even more.

Shizu: Every time we perform during our tours and events overseas, the number of people we want to see again increases, and it feels like our family is growing. I’m sure there will be fans from each country who will be coming to our shows for the first time, so I want to give it my all to make them feel like they’re part of our family too. We want to make this a tour that people want to come back to, and also want to create a space that makes us want to go back.

Umi: Being able to perform for local fans on our world tour is a really big deal for us. There are things you can’t understand until you feel the passion of the local fans directly, so we’ll perform with the same power as everyone waiting for us, and it’d be great if we can make them happy with our dancing and singing.

Travis Japan World Tour 2025 VIIsual

Jul 25 – Hammerstein Ballroom – New York, NY

Jul 27 – The Grove of Anaheim – Anaheim, CA

Taipei – coming soon

Hong Kong – coming soon

Bangkok – coming soon

–This interview by Atsuo Nagahori first appeared on Billboard Japan

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No ‘Good’ Deed Goes Unpunished for Ariana Grande’s Glinda in Final ‘Wicked: For Good’ Trailer

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In the final trailer for Wicked: For Good, Ariana Grande‘s character learns that a big price comes with being Glinda the Good.

‘Wicked: For Good’ Soundtrack Release Date & Tracklist Revealed, Featuring 2 Brand New Songs

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Ariana Grande at the MTV Video Music Awards 2025 held at UBS Arena on September 07, 2025 in New York, New York.

‘Wicked: For Good’ Director Jon M. Chu Previews Two New Songs From Anticipated Sequel: ‘They’re Questioning, ‘What Is Home?’

Released on Wednesday (Sept. 24) — about two months before the Wicked sequel finally premieres in theaters on Nov. 21 — the preview shows how the blonde leading lady wrestles with her new role as Oz’s spokeswoman, as Cynthia Erivo‘s Elphaba attempts to expose the Wizard’s evil agenda while living in hiding. At first, Glinda is “obsess-ulated” with the gorgeous gown, tiara and mechanical flying bubble her public-facing life affords her — but everything quickly comes crashing down when she realizes that she’s on the wrong side of history, and that she just might be too late to save her former schoolmate from the wrath of Oz’s brainwashed citizens.

“I’m a public figure now, people expect me to …,” Glinda tells Elphaba at one point, with Dorothy’s fallen house and the Yellow Brick Road visible in the background.

“Lie?” the green-skinned witch cuts in, to which Glinda says defensively, “Be encouraging.”

Grande’s character is less sure of herself when she is confronted by Jonathan Bailey’s Fiyero, who accuses, “You can’t resist this.”

“Who could?” Glinda asks, to which the Winkie prince replies, “You know who could.”

Arriving one year after the first Wicked hit theaters and shattered movie-musical box-office records, For Good will serve as the film adaptation of the second act of the Broadway musical on which the live-actions are based. The soundtrack will also drop on Nov. 21, complete with two brand new songs sung by Grande and Erivo.

As revealed when the tracklist dropped a week prior to the new trailer, the title of Glinda’s bonus song is “The Girl in the Bubble,” while Elphaba’s added balled is called “No Place Like Home.”

Watch the final trailer for Wicked: For Good above.


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Priscilla Presley Says That Leaving Elvis Presley Was ‘The Only Way to Survive’ in New Memoir ‘Softly, As I Leave You: Life After Elvis’

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Priscilla Presley was with Elvis Presley for around 14 years before they split; however, the pair had known each other for years before they wed in 1967.

The time in between and following Priscilla and Elvis’ divorce was a tough spot for Priscilla, and one she wasn’t super open about — that is, until now. In her new memoir Softly, As I Leave You: Life After Elvis, the actress shares the difficult but inspiring journey beyond the walls of Graceland post-split with the King, choosing to put herself and her daughter, Lisa Marie Presley, first.

A hardcover version of the book is now on sale and can be purchased now on Amazon for $22.38, while paperback will run you $32. A Kindle version retails for $15.99. If you’re a superfan of Priscilla and the Presley family, you can also snag a signed version of the memoir via Barnes & Noble for $32. The piece makes a great gift for the avid Elvis collector in your life. If you’d rather listen to the memoir, we won’t judge, you can do so with Audible via a subscription which costs $7.95 a month, a price tag less than a physical copy.

Softly, As I Leave You: Life After Elvis

Buy Now on amazon $22.38 $22.38
Buy Now at Barnes & noble $32 $32
Buy Now on audible $7.95 a month $7.95 a month

A new memoir by Priscilla Presley.


If you didn’t know, Priscilla met Elvis when she was just 14 and he was 24. The singer was serving in the U.S. Army in 1959 in Germany. The pair remained romantically connected for years, even with distance between them and in 1967, they were wed in a simple and very secret ceremony in Las Vegas. While their separation in 1973 was painful for Priscilla, this novel highlights why it was so important for the Naked Gun star to leave.

It seems that Priscilla lost touch with herself throughout her relationship with Elvis. Leaving allowed her to find herself again. Through the book, we are treated to snippets of Priscilla’s life pre- and post-Elvis and how she had to reinvent herself a second time as the single mother after the performer’s death in 1977.

Today, we are taken through how Priscilla was able to transform Graceland into an international destination and helped guide the development of Elvis Presley Enterprises, turning the King’s legacy into a full-on business. If you are an Elvis fan, this gives readers a unique perspective on his life, as told by his ex-wife. It also gives Priscilla’s story more context for those who aren’t too familiar with her life and career.

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Calvin Harris’ Ex-Business Manager Denies $22M Fraud Claims: ‘Categorically False’

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Calvin Harris‘ former longtime business manager is firing back against bombshell fraud claims, saying he never stole from anybody and that the Scottish DJ willingly agreed to invest in his Los Angeles real estate development project.

Thomas St. John, an entertainment industry-focused accountant who runs the eponymous firm Thomas St. John Group, is currently wrapped up in thorny arbitration proceedings with his former client Harris (Adam Wiles). He’s accused of abusing his access to Harris’ accounts in order to fund his side venture: the construction of a recording studio and office space complex in Hollywood.

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Harris claims that St. John tricked him into investing $22.5 million in the project, known as CMNTY Culture Campus, which he says turned out to be a “complete boondoggle” that he “has not received a single penny in return for” — while suggesting that St. John pocketed much of the money for himself.

However, a representative for St. John says in a new statement that the allegations are “categorically false.” The rep denies that St. John engaged in any self-dealing, adding that Harris is one of nine above-board investors who “knowingly signed investment agreements” to get involved in CMNTY Culture.

“Not a single dollar has been misappropriated, all investor entitlements remain intact, and the project continues to advance within the normal entitlement timeline,” says St. John’s rep in the Tuesday (Sept. 23) statement. “We will continue to take every necessary step to set the record straight and to ensure that these malicious, bad-faith attacks are recognized for what they are: entirely without merit.”

While CMNTY Culture was initially designed to house a recording studio and office space, St. John has since shifted the plans and is now developing a residential apartment complex on the same tract of land in Hollywood. According to his rep, the project is proceeding apace and “is expected to approach a $1 billion valuation” upon completion.

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“While the entitlement process has naturally taken longer than initially projected due to unprecedented interest, macroeconomic conditions and significant city red tape, it remains firmly within its promised schedule and is now on the verge of securing final entitlements, an important milestone that will unlock substantial value,” adds St. John’s rep.

Thomas St. John Group has offices in Los Angeles, London, Amsterdam and Stockholm. The management firm’s U.S. arm recently filed for bankruptcy, citing hundreds of thousands of dollars in unpaid rent in L.A. and multiple pending legal actions.

One creditor listed in the firm’s bankruptcy papers is Philip Lawrence, a songwriter and producer who made his name collaborating with Bruno Mars. Lawrence used to be a client of St. John’s and at one point invested $10 million from the sale of his catalog into CMNTY Culture Campus, according to court filings in Lawrence’s own personal bankruptcy case.

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