Entertainment
Southwest Is Ending Its Two Free Checked Bags Policy. For Touring Musicians, That’s a Big Loss
For years, singer-songwriter Sierra Hull has checked two bags of music gear for free as part of a longstanding Southwest Airlines policy allowing two free checked bags per passenger. But when the troubled, cost-cutting airline announced March 11 that it would strike the musician-friendly perk, the bluegrass mandolinist was outraged.
“The policies they’ve changed over the last year or so have made it tougher for musicians,” Hull says. “Now there’s going to be an extra several hundred dollars for most bands just to get where they’re going. Festivals are going to have to start paying the bands even more for the band to even say yes — which means they’re going to have to raise the ticket price.”
The Southwest announcement, coming when touring costs are “definitely staggering,” as one top agent puts it — particularly buses, hotels, food and fuel — has frustrated artists prepping for spring and summer tours, especially in Nashville. “We’ve got dozens of people on the crew that utilize that airline regularly. Most people have one to two bags,” says Bill Orner, manager of Billy Strings, who’s scheduled to headline arenas, festivals and amphitheaters this summer — most of them after Southwest’s policy takes effect May 28. “Think of the financial implications on any given tour. I guess they’ve got a reason for it, but [it’s] certainly not ideal.”
Although Southwest has yet to announce how much the checked bags will cost after May 28, Brian Ross, manager of Thievery Corporation, Blackalicious and others, estimates that a quartet traveling with two crew members will soon have to pay an additional $35 to $40 for each set of two bags, which adds up to $840 to $960 per round-trip flight. “It’s really bad,” he says. “You get diminishing benefits and increasing fees, and everything is getting like that on airlines.”
A-list touring stars won’t notice an additional $800 to $1,000 in costs, and smaller artists generally drive in vans and buses, meaning mid-level artists who play 1,500-to-2,000-seat theaters will be most impacted by Southwest’s policy change. “It’s a big bummer,” says Kevin Spellman, who manages bluegrass singer Molly Tuttle. He calls Southwest the “airline of choice for the musician community, particularly Nashville artists” — until now — and says artists traveling with a crew of 15 people could lose “a couple thousand dollars” from their bottom line. “If you’re doing really well, you’re trying to aim for 25% of the gross [ticket sales] as your profit margin,” he says. “It starts cutting into it tremendously.”
Reps for Southwest declined to comment, pointing to a company statement at a recent financial conference suggesting the change would lead to “significant new revenue initiatives.” The company took in $73 million from bag fees in 2023, according to the Department of Transportation, a crucial revenue source for an airline that laid off 1,750 employees in February. (Southwest will continue to offer two free bags for “A-List Preferred” customers.)
Some airlines see opportunity in Southwest’s change, although it’s too early to say whether they’ll go after the touring-musician community. On Tuesday (March 25), Frontier Airlines announced it would offer free bags for customers who book flights on its website, as well as “economy bundles” that include a free carry-on and other benefits. Kristi Gordon, owner of Fuzed Travel, which helps negotiate airfare, hotel and vehicle costs for touring artists, predicts top airlines such as American and United will pay close attention to Southwest’s revenue in the first two quarters of 2025 and consider promotions geared to lure the airline’s lost musician customers.
Until then, Gordon advises artists to sign up for frequent-flier programs at a particular airline and build up miles for future discounts. And if she could speak to a Southwest exec who authorized the free-bags policy change? “I would just say: ‘You lost an opportunity to have all the entertainment business.'”
Jelly Roll made his WWE in-ring debut this weekend, and teamed up with Randy Orton to battle Drew McIntyre and Logan Paul at SummerSlam 2025. Jelly didn’t disappoint, as the brute country force rattled McIntyre and Paul with a series of slams and elbow drops, before ultimately falling short in his Saturday night (Aug. 2) WWE match.
Ahead of the match, Jelly introduced tag partner Orton and performed his entrance theme song, “Voices,” electrifying the MetLife Stadium crowd in East Rutherford, N.J.
Kicking off the match against Paul, Jelly impressed early. Not only did he deliver some offense, including an impressive shoulder tackle on Paul, but he absorbed a flurry of attacks. The defining moment came when Paul sent Jelly crashing through the announcer’s table with a high-flying splash. Despite the setback, a hobbled Jelly Roll delivered a clinical performance: first chokeslamming Paul before issuing a punishing bodyslam. But Paul had the last laugh, connecting with a frog splash and scoring the 1-2-3.
Jelly, a lifelong wrestling fan, trained rigorously at WWE’s Performance Center ahead of his match, which contributed to his 230-pound weight loss.
“This is about belief — believing in myself — and wanting to selfishly be a part of a beautiful moment,” Jelly said earlier this week in an interview with WWE’s Jackie Redmond. “I love this business. I just wanna bring value. I’m not here to take nothing away. I’m not here to take nobody’s spot. I want to bring value. I think this is one of the greatest ages of storytelling I’ve seen in wrestling this decade.”
See clips of Jelly’s SummerSlam in-ring debut below.
A few hundred people gathered Friday (Aug. 1) to name a tiny San Francisco street after legendary Grateful Dead guitarist Jerry Garcia on what would have been his 83rd birthday, and as part of a citywide celebration to mark the band’s 60th anniversary.
Harrington Street, which is one block long, will also be called “Jerry Garcia Street.” Garcia died in 1995, but the band’s popularity has only grown as younger generations discover the Dead’s improvisational music, which blended rock, blues, folk and other styles.
Garcia spent part of his childhood in a modest home in the city’s diverse Excelsior neighborhood. He lived with his grandparents after the death of his father, Jose Ramon “Joe” Garcia.
“I hope that you all get a chance to enjoy the music, dance, hug, smile,” said daughter Trixie Garcia, growing emotional during her brief remarks. “Cherish what’s valuable, what’s significant in life.”
Tens of thousands of fans are in San Francisco to commemorate the Grateful Dead’s 60th anniversary with concerts and other activities throughout the city.
The latest iteration of the band, Dead & Company, with original Grateful Dead members Bob Weir and Mickey Hart, play Golden Gate Park’s Polo Field for three days this weekend (beginning with Friday’s show), with an estimated 60,000 attendees expected each day.
Formed in 1965, the Grateful Dead played often and for free in their early years while living in a cheap Victorian home in the Haight-Ashbury neighborhood. The band later became a significant part of 1967’s Summer of Love, and the Grateful Dead has become synonymous with San Francisco and its bohemian counterculture.
On Friday, fans in rainbow tie-dye and Grateful Dead T-shirts whooped and cheered as the sign was unveiled. Nonfans with shopping bags and some using walking canes maneuvered around the crowd on what was for them just another foggy day in the working-class neighborhood.
Afterward, devotees peeled off to pose for photos in front of Garcia’s childhood home.
Jared Yankee, 23, got the crowd to join him in singing “Happy Birthday.” Yankee said he flew in from Rhode Island for the shows. He got into the music about a decade ago.
“It’s a human thing,” he said of his impromptu singing. “I figure everyone knows the words to ‘Happy Birthday.’”
Entertainment
Fans Choose Mariah The Scientist & Kali Uchis’ ‘Is It a Crime’ as This Week’s Favorite New Music
“Is It a Crime,” the new duet from Mariah The Scientist and Kali Uchis, tops this week’s fan-voted music poll.
Music fans voted in a poll published Friday (Aug. 1) on Billboard, choosing the pair’s fresh collaboration as their favorite new release of the past week.
“Is It a Crime” rose above a plethora of new releases — among them, songs from hitmakers like Demi Lovato, Chappell Roan, Reneé Rapp and more. Mariah and Kali’s collab track topped the poll by a landslide, bringing in more than 57% of the vote.
“Is It a Crime,” a slow jam that has the two artists singing about the return of a past love — and defending the relationship if anyone’s got anything to say about it — dropped on July 31, with spicy, jail-themed single art. (“very intentional, very grown woman,” Uchis commented of their shoot on Instagram.)
The chorus of the song says it all: “And so what? I fell, you fell in love a couple times/ Tell me, what’s it to ya? Tell me, is it a crime/ To fall, to fall in love, in love a couple times?/ Tell me, what’s it to ya? Tell me, is it a crime to fall?”
Among the new releases trailing behind “Is It a Crime” on this week’s poll are Demi Lovato’s “Fast,” coming in with 17% of the vote; Chappell Roan’s “The Subway,” with 16% of the vote, and Reneé Rapp’s “Bite Me,” with 2% of the vote.
See the final results of this week’s poll below.
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