Doechii performs at Osheaga 2025 in Montreal.
Charlotte Rainville @jailli
It feels undeniable at this point: the first half of the decade belongs to Bad Bunny. Over the past five years, the Puerto Rican superstar has reigned as the most-streamed artist on the planet, his music serving as the soundtrack to millions across borders, cultures and languages. Year after year, he shatters records, breaks barriers, numerously reaches No. 1 on the Billboard 200, and carves out a legacy shared only by once-in-a-lifetime icons.
His latest milestone? A history-making residency kickoff on Friday night (July 11) at the Coliseo de Puerto Rico José Miguel Agrelot (aka El Choli) in San Juan. Dubbed No Me Quiero Ir De Aquí (I Don’t Want to Leave From Here), the event marks the beginning of an unprecedented 30-show series at Puerto Rico’s most iconic venue with a capacity crowd of 18,000. To a full house on opening night, Benito delivered three hours of spectacle, celebration, and pure corazón boricua, cementing Puerto Rico as the world’s main stage.
At times, the show felt like an immersive celebration of Puerto Rican history and identity. Before even kicking off his three-hour performance at 9 p.m. ET, a giant screen projected facts about the island’s roots, culture and resilience. Messages in Spanish like “Puerto Rico is an archipelago, not just an island” and “San Juan is one of the oldest cities in the Americas. It was founded in 1521” educated the crowd, fusing pride with context.
Others underscored the island’s distinctiveness: “Puerto Rico has two native musical genres: bomba and plena,” a tribute to its African and working-class traditions, and “In Puerto Rico, they celebrate the longest Christmas season in the world.” Even lighter truths got a moment in the spotlight: “Sancocho cures anything, according to our grandmothers.”
This mix of history and pride set the tone for an unforgettable night. Benito appeared on stage wearing a Taíno-inspired outfit — a beige ensemble with straw accents, dark shades and a winter-trapper-style hat — as if embodying the island’s ancient roots while stepping firmly into the modern world. With a set that featured lush green hills and intricate cultural motifs, the visuals matched the depth of his message: Puerto Rican culture was front and center — not for explanation but for celebration.
He opened with “DTmF” and spanned through hits from his latest album, DeBÍ TiRAR MáS FOToS, like “KETU TeCRÉ,” “EL CLúB,” “PIToRRO DE COCO” and “WELTiTA.” He also performed older classics including “La Santa” (originally feat. Daddy Yankee), “El Apagón,” “Si Estuviésemos Juntos” and “Ni Bien Ni Mal,” totaling up to over 30 songs — transitioning between bomba, plena, salsa, Latin trap and reggaetón.
He brought Puerto Rico’s ancestral rhythms to life with hypnotic percussion and dancers wearing traditional straw hats. And later, during a segment dedicated to salsa, the energy shifted to honor the Puerto Rican diaspora’s contributions to the genre. Rocking a classic cream suit styled from that ’70s era, he channeled the spirit of legends like Héctor Lavoe, Willie Colón, Rubén Blades and Tito Puente, Benito gave a nod to the iconic Fania All-Stars era — most importantly, to the generations of Puerto Ricans in New York City who sustained these sounds long after they left the island.
Throughout the night, Benito made clear that this residency wasn’t just about him — it was about the community and legends who paved the way. Midway through the performance, he paused to deliver a shoutout to the P.R. trailblazers who shaped reggaetón and Latin music: Tego Calderón, Daddy Yankee, Ivy Queen, Don Omar, Wisin y Yandel, Ñengo Flow and many others. “This is all for you. For us,” he said, pulling the crowd even closer to his vision.
And the surprises didn’t stop there. Basketball legends LeBron James and Draymond Green joined Benito on stage, lounging with him in a tiny recreation of a Puerto Rican casita — one of the standout set pieces of the night — that highlighted the island’s charm and the sense of “home” that resonated throughout the performance.
“This residency is more than a concert series — it’s a defining moment for our island,” Jorge L. Pérez, the venue’s general manager, told Billboard Español. “It’s an affirmation of our creative talent and our place in global entertainment.”
With Puerto Rico about to experience an influx of over 250,000 visitors during the residency’s run, Benito has positioned the island as an entertainment destination, creating waves that will benefit the local economy, uplift small businesses and draw global eyes to its unique identity.
Pérez continues: “It inspires the next generation to believe that success doesn’t require leaving home. They can dream big, build here, and be celebrated here. This is Puerto Rican pride in motion. It’s cultural relevance, economic momentum and artistic excellence — all rooted right where it matters most.”
By the time the final moments arrived near midnight, Bad Bunny stood shoulder to shoulder with his dancers, a massive Puerto Rican flag spread across the stage lights lit up the venue. It was a culmination of gratitude — a tribute to the land, the people, and the culture that shaped him into the artist the world knows today.
Osheaga has a knack for booking budding superstars right as they blow up. Last year, it was Chappell Roan. This year, it was Doechii.
The Grammy-winning, Florida-born rapper took the stage on the first night of the Montreal music festival on Friday (Aug. 1), and it felt like a star-making performance. The Killers headlined the mainstage, but unlike Chappell Roan, who played for 40,000 people at 3:30 in the afternoon last year, Doechii did have the honor of closing out the festival on the secondary Forest Stage.
Her set was pushed back slightly to start at 10:10 p.m., meaning she was the final performer of the night before the noise curfew at 11 p.m. And for those who wanted to catch both acts, The Killers made it easy by playing their belt-along favorite “Mr. Brightside” as their first song and packing the first hour of their two-hour, 9:10 p.m. set with hits.
Doechii’s stage set was decked out to fit her Swamp Princess persona, covered in greenery and a large, elevated swampy platform for her to stand on. The crowd was packed in, so the fans stuck at the back still had a visual feast. “I look good from the nosebleeds,” she rapped from her 2025 hit “Nosebleeds,” and this show proved it.
Doechii performs at Osheaga 2025 in Montreal.
Charlotte Rainville @jailli
For a full hour, Doechii kept the energy up. She rapped a mile a minute, all live with almost no reliance on a backing track. She showed off her full skill set, from pure hip-hop to sung R&B/pop hooks, and comedic banter to thought-out stagecraft. She brought unbridled charisma, taking time to dance and twerk and show off some vogue moves as well. She showed off a reverence for classic hip-hop, rapping over Wu-Tang’s “C.R.E.A.M.,” and later screaming over a distorted guitar sample — almost veering towards nu-metal. She showed she can do it all.
The audience stayed captivated, rapping along and matching her energy throughout. It was Doechii’s first time in Canada, and you could tell she was impressed by the reaction. “As an artist, you can get so much hate and negativity,” she said. “Then you go out in real life and see your real fans.”
She took some time to thank her gay fans, her female fans, and the fans who brought their boyfriends. “If your boyfriend hates female rappers, then leave him immediately,” she said.
Seeing all the phones out, she seized her moment. “Ya’ll can’t be scared to stand up for what you believe in, you can’t be scared to say what matters,” she said. “Free Palestine.”
Doechii performs at Osheaga 2025 in Montreal.
Charlotte Rainville @jailli
Doechii broke out her biggest hit, the Billboard Hot 100 top-10 charting “Anxiety,” and thanked all her fans for streaming it. The “Somebody That I Used To Know” sampling song is a bit of an outlier in her catalogue, but it’s a viral TikTok favourite, and she’s found a way to fit it perfectly into her set. After playing the song, she thanked Gotye for approving the sample.
The true highlight of the set was “Denial Is a River.” The song, which features Doechii rapping with her internal monologue, took on a whole new call-and-response dimension with fans chanting along to every word.
It felt like she was still just getting started when, midway through the next song, the beat cut out. “F— that, they cut me off!” she yelled. She put her thumbs down, inciting the crowd to boo, then threw her hands up. “Whatever,” she said, walking off the stage.
Unfortunately, Osheaga has a hard 11 p.m. noise curfew. It’s clear the next time she’s back, she’ll have to have a longer headliner-length set.
Doechii performs tonight (Aug. 2) at Lollapalooza in Chicago, where she’s teased a special guest. If Osheaga was anything to go by, her set will likely be all over social media soon.
This article originally appeared on Billboard Canada.
Olivia Rodrigo was joined by surprise guest Weezer during her headlining set at Lollapalooza 2025.
On Friday (Aug. 1), the 22-year-old pop superstar made her debut on the second day of the Chicago music festival at Grant Park. Toward the end of her evening set, she surprised the crowd by inviting Weezer to join her on stage.
In a fan-captured video on TikTok, Rodrigo shared with the crowd that Weezer was the first band she ever saw live.
“You always remember your first concert. It’s a very, very special moment,” the “Drivers License” singer said. “I remember my first concert. It was a very memorable night. I watched this incredible band and I am so over the moon, because that incredible band is actually here tonight to play a few songs. Will you please say hello to Weezer?”
Weezer then joined Rodrigo for performances of their classic hits “Buddy Holly” and “Say It Ain’t So,” both from the group’s 1994 self-titled album. She played guitar and harmonized alongside frontman Rivers Cuomo during the collaboration. Check out clips from the performances here and here on X.
This marked Weezer’s first Lollapalooza performance since they headlined alongside Widespread Panic in 2005.
This isn’t the first time Rodrigo has brought out surprise guests during her recent festival appearances. She recently invited David Byrne onstage at New York’s Governors Ball to perform Talking Heads’ 1983 hit “Burning Down the House,” and welcomed The Cure’s Robert Smith at this year’s Glastonbury Festival to perform “Friday I’m In Love” and “Just Like Heaven.”
During her Lolla set on Saturday, Rodrigo opened with “Obsessed” and “Ballad of a Homeschooled Girl,” and also performed hits including “Driver’s License,” “Traitor,” “Bad Idea, Right?” and “Love Is Embarrassing.”
The Chicago festival continues Saturday (Aug. 2) with headliners Rüfüs Du Sol and TWICE, followed by closers Sabrina Carpenter and A$AP Rocky on Sunday.
Kelly Osbourne is paying tribute to her father, Ozzy Osbourne, just days after his funeral.
On Friday (Aug. 1), the 40-year-old TV personality shared an NSFW photo on her Instagram Story in memory of the rock legend, who passed away on July 22 at the age of 76.
The outdoor image featured a beautiful display of purple flowers arranged to spell out “Ozzy F—ing Osbourne,” set beside a serene pond surrounded by a rolling hill and trees.
In a second post, Kelly shared a heartfelt clip from The Osbournes, the MTV reality series that aired from 2002 to 2005. The snippet shows Ozzy lying in bed with his wife, Sharon Osbourne, offering words of wisdom.
“Listen, all you got to worry about is getting through today,” the Black Sabbath frontman says. “That’s all you got to worry about.”
Just days earlier, Kelly attended her father’s funeral procession in his hometown of Birmingham, England, where fans flooded the streets to pay their respects. Sharon, along with Ozzy’s other children — Aimeé and Jack — laid flowers at the Black Sabbath Bridge, which had been covered with tributes from mourners.
Shortly after Ozzy’s passing, Kelly posted another emotional tribute to her Instagram Story on July 24. “I feel unhappy I am so sad,” she wrote. “I lost the best friend I ever had,” the Fashion Police alum added, along with a heartbroken emoji. Her words echoed lyrics from Black Sabbath’s ballad “Changes,” which she and her father released as a duet in 2003.
Ozzy Osbourne died at age 76, just weeks after performing his final concert. His family confirmed the news in a joint statement. “It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” they wrote. “He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time.”
Just a month before his death, Kelly had honored her dad on Father’s Day with an Instagram post that included a slideshow of Ozzy spending time with her young son, Sidney, whom she shares with fiancé Sid Wilson.
“Happy Father’s Day daddy,” she wrote at the time. “I love you more than anyone or anything in the world! I am so proud to be your daughter and Beyond honored to watch you be the best #Papa in the world to my son!”
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