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‘No Me Quiero Ir De Aquí’: Bad Bunny Brings Pride, Power & Puerto Rican Excellence to Historic Residency Premiere at Coliseo

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It feels undeniable at this point: the first half of the decade belongs to Bad Bunny. Over the past five years, the Puerto Rican superstar has reigned as the most-streamed artist on the planet, his music serving as the soundtrack to millions across borders, cultures and languages. Year after year, he shatters records, breaks barriers, numerously reaches No. 1 on the Billboard 200, and carves out a legacy shared only by once-in-a-lifetime icons.

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His latest milestone? A history-making residency kickoff on Friday night (July 11) at the Coliseo de Puerto Rico José Miguel Agrelot (aka El Choli) in San Juan. Dubbed No Me Quiero Ir De Aquí (I Don’t Want to Leave From Here), the event marks the beginning of an unprecedented 30-show series at Puerto Rico’s most iconic venue with a capacity crowd of 18,000. To a full house on opening night, Benito delivered three hours of spectacle, celebration, and pure corazón boricua, cementing Puerto Rico as the world’s main stage.

At times, the show felt like an immersive celebration of Puerto Rican history and identity. Before even kicking off his three-hour performance at 9 p.m. ET, a giant screen projected facts about the island’s roots, culture and resilience. Messages in Spanish like “Puerto Rico is an archipelago, not just an island” and “San Juan is one of the oldest cities in the Americas. It was founded in 1521” educated the crowd, fusing pride with context.

Others underscored the island’s distinctiveness: “Puerto Rico has two native musical genres: bomba and plena,” a tribute to its African and working-class traditions, and “In Puerto Rico, they celebrate the longest Christmas season in the world.” Even lighter truths got a moment in the spotlight: “Sancocho cures anything, according to our grandmothers.”

This mix of history and pride set the tone for an unforgettable night. Benito appeared on stage wearing a Taíno-inspired outfit — a beige ensemble with straw accents, dark shades and a winter-trapper-style hat — as if embodying the island’s ancient roots while stepping firmly into the modern world. With a set that featured lush green hills and intricate cultural motifs, the visuals matched the depth of his message: Puerto Rican culture was front and center — not for explanation but for celebration.

He opened with “DTmF” and spanned through hits from his latest album, DeBÍ TiRAR MáS FOToS, like “KETU TeCRÉ,” “EL CLúB,” “PIToRRO DE COCO” and “WELTiTA.” He also performed older classics including “La Santa” (originally feat. Daddy Yankee), “El Apagón,” “Si Estuviésemos Juntos” and “Ni Bien Ni Mal,” totaling up to over 30 songs — transitioning between bomba, plena, salsa, Latin trap and reggaetón.

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He brought Puerto Rico’s ancestral rhythms to life with hypnotic percussion and dancers wearing traditional straw hats. And later, during a segment dedicated to salsa, the energy shifted to honor the Puerto Rican diaspora’s contributions to the genre. Rocking a classic cream suit styled from that ’70s era, he channeled the spirit of legends like Héctor Lavoe, Willie Colón, Rubén Blades and Tito Puente, Benito gave a nod to the iconic Fania All-Stars era — most importantly, to the generations of Puerto Ricans in New York City who sustained these sounds long after they left the island.

Throughout the night, Benito made clear that this residency wasn’t just about him — it was about the community and legends who paved the way. Midway through the performance, he paused to deliver a shoutout to the P.R. trailblazers who shaped reggaetón and Latin music: Tego Calderón, Daddy Yankee, Ivy Queen, Don Omar, Wisin y Yandel, Ñengo Flow and many others. “This is all for you. For us,” he said, pulling the crowd even closer to his vision.

And the surprises didn’t stop there. Basketball legends LeBron James and Draymond Green joined Benito on stage, lounging with him in a tiny recreation of a Puerto Rican casita — one of the standout set pieces of the night — that highlighted the island’s charm and the sense of “home” that resonated throughout the performance.

“This residency is more than a concert series — it’s a defining moment for our island,” Jorge L. Pérez, the venue’s general manager, told Billboard Español. “It’s an affirmation of our creative talent and our place in global entertainment.”

With Puerto Rico about to experience an influx of over 250,000 visitors during the residency’s run, Benito has positioned the island as an entertainment destination, creating waves that will benefit the local economy, uplift small businesses and draw global eyes to its unique identity.

Pérez continues: “It inspires the next generation to believe that success doesn’t require leaving home. They can dream big, build here, and be celebrated here. This is Puerto Rican pride in motion. It’s cultural relevance, economic momentum and artistic excellence — all rooted right where it matters most.”

By the time the final moments arrived near midnight, Bad Bunny stood shoulder to shoulder with his dancers, a massive Puerto Rican flag spread across the stage lights lit up the venue. It was a culmination of gratitude — a tribute to the land, the people, and the culture that shaped him into the artist the world knows today.

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Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

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Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.

Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).

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“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”

The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.

“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.

Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.

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Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”

“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”

He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”

The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.

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Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

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Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.

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Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.

The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.

The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.

Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.

Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.

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AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

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THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.

As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”

But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”

DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”

LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.

SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.

FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.

HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.

LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.

NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”

SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”

MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.

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