Nashville’s artists will soon be getting a new creative space in Music City, when the artist-driven studio Createurs opens Aug. 25.

Founded by Nashville music industry veteran Jackie Stevens (who serves as the company’s CEO), artist Kylie Morgan and Los Angeles-based cinematographers William Carnahan and Sam Shimizu-Jones of Will Call Media, the 2,000-square-foot space will offer a destination for creators to record, shoot and edit content. The space offers flexible membership options, corporate membership packages and one-time booking availability.

Located at 305 14th Avenue North in Nashville, Createurs aims to serve as a creative hub for music artists, influencers, podcasters, visual creators, athletes and labels, among others. The space will offer a photography studio, a green screen room, a podcast suite, an education space, a performance space, dressing rooms, a collaborative social space and on-site creative experts to aid in supporting and curating content sessions.

“Content has changed every part of the way we do business in Nashville,” Stevens said in a statement. “But too many artists are priced out and need more support. We built Createurs as a place to remove that pressure so artists can focus on what matters, creating.”

Stevens previously served as executive producer for Westwood One’s The Big Time with Whitney Allen and Nights With Elaina. She also earned multiple ACM, CMA and Gracie Award wins and nominations along the way. In 2019, she joined UMG Nashville (now MCA) as director of promotions for EMI Records, working with artists including Eric Church, Brothers Osborne and Morgan, the latter known for her top 40 Country Airplay hit “If He Wanted to He Would” and her 2023 debut country album Making It Up As I Go.

The facility was designed and constructed by artist/designer Danielle Joy Art, while Shannon LaBrie of LaBrie Spaces added design elements.

Irish rap group Kneecap – which has drawn a storm of criticism, support, attention and legal action over the past half-year – continued to speak out about the war in Gaza during an afternoon set at the Øyafestivalen in Oslo, Norway, on Friday (Aug. 8).

Right before the trio of Mo Chara, Móglaí Bap and DJ Próvaí took the stage, an English-language white-text-on-black-background message played on a video screen, accusing the Norwegian government of “enabling” the “genocide” against the Palestinian people via investments held in the county’s sovereign wealth fund (referenced as “oil pension fund” in the message). “Over 80,000 people have been murdered by Israel in 21 months,” the band’s message continued. “Free Palestine.” The message was greeted readily by a cheering audience. Most estimates (including those from health officials in the area) place the Palestinian death toll at more than 60,000. That number does not distinguish between civilians and Hamas militants. An estimated 18,500 of those killed were children.

While conflict between Israel and Palestinian territory has been ongoing for decades, the conflict escalated on Oct. 7, 2023, when Hamas militants entered Israel and killed 1,200 people, more than 800 of whom were civilians, and took 251 hostages, at least 40 of whom have been killed; around 50 hostages, both dead and alive, remain unreleased. Israel’s ensuing invasion of Gaza has killed an estimated 60,000 and led to an ongoing humanitarian crisis, with hundreds of thousands of Palestinians displaced and facing starvation. Gaza health authorities have reported that almost 200 people have died of hunger since the conflict began and the United Nations has estimated that some 1300 were killed while seeking food, though Israel has frequently disputed the UN’s figures. Israel’s security cabinet recently approved a plan to take complete control of Gaza City and forcibly relocate at least 600,000 Palestinians, a move decried by many world leaders.

The Norwegian government’s connection to the war in Gaza is complicated. While Norway has broken with the United States and Israel by recognizing Palestine as a state, the Government Pension Fund of Norway – which invests surplus revenues from the country’s petroleum industry and has more than $1.9 trillion in assets – is under scrutiny after a recent piece by Aftenposten, Norway’s largest printed newspaper, reported that the sovereign wealth fund invested around $15.2 million in Bet Shemesh Engines Ltd., a jet engines parts manufacturer supplying the Israeli military, between 2023-2024. While Norway’s Finance Minister Jens Stoltenberg has ruled out wholesale divestment of Israeli companies, the newspaper’s revelation spurred the government to launch a review of the sovereign wealth portfolio to ensure that it was not investing in Israeli companies contributing to the war in Gaza.

Halfway through the Belfast group’s hour-long performance, they offered up more detailed thoughts on Norway’s purported connection to the conflict. “I don’t have to lecture you people,” said Kneecap’s Mo Chara, wearing a keffiyeh. “I can understand there’s people here like, ‘All right, we get it, I’m sick of yous going on.’ I wish I didn’t have to talk about this, I wish I didn’t have to get on stage every gig and talk about this. The fact is, as long as we’re on stage and as long as nothing is changing, Kneecap will always use this platform and this stage to call out the genocide and the war criminals. I don’t need to lecture you people when your oil fund is being used to fund the genocide.” The majority of Kneecap’s massive crowd greeted his speech with cheers and applause; many waved Palestinian flags as he spoke. The Israeli government has flatly denied committing genocide against Palestinians, and the term remains hotly debated. Some say those who accuse Israel of genocide are motivated by antisemitism, though two Israel-based human rights organizations recently began adopting the word with regards to the war in Gaza.

Mo Chara gave a “quick shout-out” to Øyafestivalen for “standing by Kneecap” despite calls for its removal from the lineup, but added that he thinks “it’s a disgrace and a shame that KKR” – a global investment firm that owns Superstruct Entertainment, which runs Øyafestivalen, among many other international music festivals – “is behind all these festivals. No company investing in Israel while they commit war crimes should be involved in and taking part in music festivals,” he concluded, with the crowd voicing its agreement.

Criticism of KKR wasn’t limited to Kneecap’s set. Outside the festival entrance on Friday, a small but vocal group of protestors gathered to urge people to boycott Øyafestivalen over KKR. At a different stage, more than an hour later Kneecap wrapped, Irish rockers D.C. Fontaines flashed an onscreen message of “Free Palestine,” which was also greeted enthusiastically by the crowd.

Mo Chara is currently facing a terrorism charge from the British government over purportedly waving a Hezbollah flag at a concert in November 2024, where the group allegedly said “up Hezbollah, up Hamas.” Since then, the punk-leaning rap group released a statement declaring “we do not, and have never, supported Hamas or Hezbollah” and described video footage as “deliberately taken out of context.” Mo Chara alluded to the charges during the show, saying, “we love the English people, it’s the English government we don’t like.” Not long after Kneecap first hit the Øyafestivalen stage, they urged the audience to give them more of a response: “For f—k sake, we’re up in court on terrorism charges – give me a bit of energy.”

In July, Kneecap were banned from performing in Hungary over what a Hungarian politician described as “antisemitism and glorifying terror,” calling them a “national security threat.”

“The authoritarian government of Viktor Orban say we ‘pose a national security threat,’” the group wrote in a statement after the ban. “There is no legal basis for his actions, no member of Kneecap has ever been convicted of any crime in any country. We stand against all hate crimes and Kneecap champions love and solidarity as well as calling out injustices where we see it…. It’s clear this is political distraction and a further attempt to silence those who call out genocide against the Palestinian people.”

Two months after reports alleging Michael Tait sexually assaulted several people over the course of decades rattled the Contemporary Christian Music community, some of the singer’s accusers are speaking out again — and one of them says he believes there could be more than 1,000 other people who share their experiences.

In a vulnerable interview with People published Friday (Aug. 8), Shawn Davis — who alleges that Tait drugged and raped him in 2003 — said that he is involved in building a legal case against the disgraced CCM star, whom Davis believes has more than 1,000 total victims, according to the publication. He also said that the Brentwood Police Department in Tennessee is currently carrying out an active investigation into Tait.

“We’re trying to head this and do everything we can in our power to take him down,” Davis told People. “Ultimately, in the end, the goal is to see him go to prison. We need every single victim possible to come forward. They deserve to know that they’re not the only ones, and they deserve to tell their story.”

Billboard has reached out to the Brentwood Police Department for comment. A rep for Tait could not immediately be reached.

Davis was one of a handful of men who detailed allegations of sexual assault against Tait in a June report from The Guardian, which followed on the heels of a similar investigation into the singer by The Roys Report. Despite Tait building his career on releasing music that encouraged abstinence and sobriety, both reports were filled with accusations that he had groomed, drugged and molested multiple people while partaking in drug and alcohol use for many years.

Soon after they were published, Tait responded to the allegations in a lengthy statement posted to Instagram. “Recent reports of my reckless and destructive behavior, including drug and alcohol abuse and sexual activity are sadly, largely true,” he wrote at the time. “For some two decades, I used and abused cocaine, consumed far too much alcohol and, at times, touched men in an unwanted sensual way. I am ashamed of my life choices and actions, and make no excuses for them. I will simply call it what God calls it — sin.”

Tait also noted that he had been seeking treatment since stepping down from his former band, the Newsboys, in January, adding that he’s now living a “clean and sober” life. (Following the reports, the remaining Newsboys members issued a statement saying they were “horrified, heartbroken and angry” to learn of Tait’s alleged behavior.)

His accusers, however, indicated to People that they won’t be satisfied until the singer is fully brought to justice.

“Why does Michael do what he does? Because Michael thought he was invincible,” said Randall Crawford, who alleges that Tait invited him over, roofied his drink and assaulted him while he was blacked out one night in 2000. “It was so traumatic. It did something to me spiritually, mentally and physically.”

“Look at the trail of destruction that he’s left behind,” Crawford added. “I have to speak up. I have kids that are the age of some of these victims. This is for the future generation. This is for those that are scared to speak up. I want more victims to come forward. I want Michael to find true repentance and remorse and feel terrible and not deny what he’s done to me.”

Another accuser, Jason Jones, told People that he thinks Tait’s statement following the Guardian and Roys Report investigations was “hogwash.” “I saw nothing but protection for himself,” added the music manager, who claims he was “blacklisted” by his industry after claiming that Tait had drugged and assaulted him in 1999.

As the men continue to band together and speak out about their experiences, Crawford said he hopes other artists in particular will rise up to condemn the star’s behavior. One of them, Hayley Williams, already has; in June, the Paramore frontwoman said that she believes the CCM industry at large is at fault for enabling predators, adding that she hopes the genre “crumbles” after hearing about Tait’s alleged crimes.

Crawford expressed something similar. “This is a problem,” he told People. “I want justice. I don’t want this to happen to another kid. I’ve seen what it does. It destroyed my career. I didn’t deserve this, what he did to me. I’ve held this shame for many years, [but] I have nothing to be ashamed of.”

If you or someone you know has experienced sexual assault, you can call the National Sexual Assault Hotline at 1-800-656-HOPE (4673).