Entertainment
Executive Turntable: Ex-UMG UK CEO Lands at Royal Nonprofit, Plus the Country Hall Elects Board

David Joseph, longtime chairman and CEO of Universal Music UK, has been appointed CEO of the Royal Society of Arts (RSA), beginning in September. Joseph brings over 17 years of leadership in the music industry, having transformed UMUK into a global force before leaving the biz completely late last year. Known for his collaborative approach, Joseph has also championed social impact initiatives, including neurodiversity in the workplace through UMG’s “Creative Differences” handbook and community advocacy as chair of the Grenfell Foundation. He served as executive producer of the Oscar-winning Amy documentary and has produced the acclaimed BRIT Awards. Joseph succeeds Andy Haldane and will lead the 271-year-old nonprofit’s global mission to drive social progress through ideas and action in education, the arts, manufacturing and commerce. “David’s commitment to effecting social change, his compassion and his commitment to nurturing people is exemplary,” said Lloyd Grossman, chair of the RSA. “We are thrilled that David will join us, knowing that he will foster a collaborative and caring culture that speaks to our fellows, partners, staff teams and the wider world.”
Chrysalis Records, part of the Reservoir group, bumped up Tina McBye to senior vice president of commercial music operations. Based in London, she will report to COO Alison Wenham and continue leading commercial music operations across the group, including Blue Raincoat Music, Blue Raincoat Artists and labels like New State and Tommy Boy. Since joining in 2023, Tina has built a robust department supporting releases, catalog acquisitions and neighboring rights management. With a background at PPL and PRS, she brings deep expertise in neighboring rights. “Since [McBye] joined the company, she has made an enormous and transformative contribution to the development of our operations capability,” said Alison Wenham, chief operating officer, adding that she’ll continue focusing on the Chrysalis roster but will also take the lead in shaping and overseeing commercial music operations across the broader Blue Raincoat Group.
Rusty Gaston, the CEO of Sony Music Publishing Nashville, was named to the Country Music Hall of Fame and Museum’s board of officers and trustees. Jody Williams Songs founder Jody Williams was reelected as board chair, while other re-elected executive officers include Vince Gill (president), Al Giombetti (evp), David Ross (secretary) and Ernie Williams (treasurer). Ross, Ernie Williams and Jody Williams were also reelected as trustees. Other returning trustees include Mark Bloom, David Conrad, J. William Denny, Rod Essig, Al Giombetti, Ken Levitan and Mary Ann McCready, while returning officers include Earl Bentz, Sara Finley, Becky Gardenhire, Lon Helton, Clint Higham, Cindy Mabe, Gary Overton, Jim Seabury, Bill Simmons, Clarence Spalding, Chris Stewart, Troy Tomlinson, Jay Turner, Marcus Whitney and Tim Wipperman. –Jessica Nicholson
NASHVILLE NOTES: PR executive Krista Dykes launched the podcast booking and publicity agency She Laughs Media. Dykes most recently served as senior media relations manager at PLA Media and served as media relations manager at the Country Music Association from 2015-2023 … Big Machine Label Group hired director of digital marketing Sarah Bertrand. She spent the last three years with UMGN, where she was a digital marketing manager … Ailie Birchfield joined MCA as a publicist, marking a return to the company. She served as director of media marketing when it was known as UMGN, prior to a 2021 move to New York. She also runs the Nashville-based PR firm The Birchfield Group. (Want more Nashville-centric industry news? Subscribe to Tom Roland’s Country Update newsletter here.)
WMA, a global digital marketing and creative agency, appointed Andy Saiker as head of PR, socia and marketing for the UK and Europe. Effective immediately, the Londoner will oversee the PR and social teams and help expand WMA’s global marketing operations in the region. He brings experience from Warner Music, BMG Production Music and most recently, TikTok, where as senior partnerships manager for the last few years he led successful campaigns like Team GB x TikTok and StemDrop. “Andy’s deep understanding of music and digital culture makes him an incredible addition to the agency,” said Crystina Cinti, global vp at WMA.
Sotaro Nishida is now executive officer and senior vp of audio at Yamaha Corporation of America (YCA), a newly established role in which he will lead both the consumer and professional audio divisions, focusing on expanding the company’s presence in the U.S. market.Previously CEO of Yamaha Unified Communications, Nishida brings over 20 years of global experience, including roles in Europe, Japan and Latin America. His leadership follows YCA’s 2024 integration of unified communications operations. Based in Southern California, Nishida is expected to drive growth in the U.S. market, building on Yamaha’s strong presence in live sound, commercial and home audio.
Wiles + Taylor, a Nashville-based entertainment business management firm, elevated Lizzy Stone and Amy Gellick to account manager as part of five internal promotions. Stone, who joined in 2018, is active in several industry organizations and was part of the 2024 ACM LEVel Up Cohort. Gellick, with the firm since 2016, serves on the boards of the Women’s Music Business Association and SOLID. Karla Stafford, a 20-year veteran of the firm, is now director of financial reporting and compliance, while David Zeigler and David Murray have both been promoted to business manager. Zeigler joined in 2018 and is known for his passion for live music and travel, and Murray, a CPA, has been with W+T since 2016.
Audacy is shutting down Pineapple Street Studios, its podcast production arm, as part of a broader restructuring effort, resulting in approximately 30 layoffs. Founded in 2016 and acquired by Audacy (then Entercom) for $18 million in 2019, Pineapple Street was known for producing original and companion podcasts for major streaming platforms, including House of the Dragon, Severance and The Last of Us. The closure follows earlier reports of a potential sale and the February departure of co-founder Jenna Weiss-Berman, who has since joined Paper Kite Productions. Audacy will continue select Pineapple Street projects under its newly formed Audacy Podcasts division, including The Severance Podcast, now produced in collaboration with Red Hour and Great Scott.
Zebralution, a digital music distributor, announced key leadership changes to support its global expansion. William Hallström has been promoted to head of international business development while continuing as svp for the UK, Ireland and the Nordics. In this dual role, he’ll connect global teams with the Berlin headquarters and strengthen international operations. Hallström, who reports to Michael Schick in Berlin, brings experience from Universal Music and Sony Music. Additionally, Harry Barrett joins as sales and marketing manager UK/Dance Stores, bringing expertise from IDOL, while Zhenya Ivanova, formerly a playlist editor at Spotify, becomes sales and marketing manager in the U.S., based in New York. Both Barrett and Ivanov report to Lisa Riepe, head of sales and marketing.
The California Copyright Conference (CCC) announced its newly elected officers and board of directors for the 2025–2026 season. Carolyn Soyars (Disney Music Group) will serve as president, joined by Jonathan Lane, Alexandra Guzman, Sarah Brockman and Janelle Hawkes in key officer roles. Re-elected board members include Kristina Benson, Reggie Calloway, and Cheryl Dickerson. New board members are Lily Kline-Koenig, Melanie Santa Rosa, Patrick Smith, and alternate Jack Mangikyan. Several members are continuing their second terms. CCC, founded in 1953, has over 300 global members and provides educational events and resources on copyright and music industry developments.
Last Week’s Turntable: Jody Gerson Joins Ancestry Board
Entertainment
No ‘Good’ Deed Goes Unpunished for Ariana Grande’s Glinda in Final ‘Wicked: For Good’ Trailer

In the final trailer for Wicked: For Good, Ariana Grande‘s character learns that a big price comes with being Glinda the Good.
Released on Wednesday (Sept. 24) — about two months before the Wicked sequel finally premieres in theaters on Nov. 21 — the preview shows how the blonde leading lady wrestles with her new role as Oz’s spokeswoman, as Cynthia Erivo‘s Elphaba attempts to expose the Wizard’s evil agenda while living in hiding. At first, Glinda is “obsess-ulated” with the gorgeous gown, tiara and mechanical flying bubble her public-facing life affords her — but everything quickly comes crashing down when she realizes that she’s on the wrong side of history, and that she just might be too late to save her former schoolmate from the wrath of Oz’s brainwashed citizens.
“I’m a public figure now, people expect me to …,” Glinda tells Elphaba at one point, with Dorothy’s fallen house and the Yellow Brick Road visible in the background.
“Lie?” the green-skinned witch cuts in, to which Glinda says defensively, “Be encouraging.”
Grande’s character is less sure of herself when she is confronted by Jonathan Bailey’s Fiyero, who accuses, “You can’t resist this.”
“Who could?” Glinda asks, to which the Winkie prince replies, “You know who could.”
Arriving one year after the first Wicked hit theaters and shattered movie-musical box-office records, For Good will serve as the film adaptation of the second act of the Broadway musical on which the live-actions are based. The soundtrack will also drop on Nov. 21, complete with two brand new songs sung by Grande and Erivo.
As revealed when the tracklist dropped a week prior to the new trailer, the title of Glinda’s bonus song is “The Girl in the Bubble,” while Elphaba’s added balled is called “No Place Like Home.”
Watch the final trailer for Wicked: For Good above.
Entertainment
Priscilla Presley Says That Leaving Elvis Presley Was ‘The Only Way to Survive’ in New Memoir ‘Softly, As I Leave You: Life After Elvis’

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Priscilla Presley was with Elvis Presley for around 14 years before they split; however, the pair had known each other for years before they wed in 1967.
The time in between and following Priscilla and Elvis’ divorce was a tough spot for Priscilla, and one she wasn’t super open about — that is, until now. In her new memoir Softly, As I Leave You: Life After Elvis, the actress shares the difficult but inspiring journey beyond the walls of Graceland post-split with the King, choosing to put herself and her daughter, Lisa Marie Presley, first.
A hardcover version of the book is now on sale and can be purchased now on Amazon for $22.38, while paperback will run you $32. A Kindle version retails for $15.99. If you’re a superfan of Priscilla and the Presley family, you can also snag a signed version of the memoir via Barnes & Noble for $32. The piece makes a great gift for the avid Elvis collector in your life. If you’d rather listen to the memoir, we won’t judge, you can do so with Audible via a subscription which costs $7.95 a month, a price tag less than a physical copy.
Softly, As I Leave You: Life After Elvis
A new memoir by Priscilla Presley.
If you didn’t know, Priscilla met Elvis when she was just 14 and he was 24. The singer was serving in the U.S. Army in 1959 in Germany. The pair remained romantically connected for years, even with distance between them and in 1967, they were wed in a simple and very secret ceremony in Las Vegas. While their separation in 1973 was painful for Priscilla, this novel highlights why it was so important for the Naked Gun star to leave.
It seems that Priscilla lost touch with herself throughout her relationship with Elvis. Leaving allowed her to find herself again. Through the book, we are treated to snippets of Priscilla’s life pre- and post-Elvis and how she had to reinvent herself a second time as the single mother after the performer’s death in 1977.
Today, we are taken through how Priscilla was able to transform Graceland into an international destination and helped guide the development of Elvis Presley Enterprises, turning the King’s legacy into a full-on business. If you are an Elvis fan, this gives readers a unique perspective on his life, as told by his ex-wife. It also gives Priscilla’s story more context for those who aren’t too familiar with her life and career.
Entertainment
Calvin Harris’ Ex-Business Manager Denies $22M Fraud Claims: ‘Categorically False’

Calvin Harris‘ former longtime business manager is firing back against bombshell fraud claims, saying he never stole from anybody and that the Scottish DJ willingly agreed to invest in his Los Angeles real estate development project.
Thomas St. John, an entertainment industry-focused accountant who runs the eponymous firm Thomas St. John Group, is currently wrapped up in thorny arbitration proceedings with his former client Harris (Adam Wiles). He’s accused of abusing his access to Harris’ accounts in order to fund his side venture: the construction of a recording studio and office space complex in Hollywood.
Harris claims that St. John tricked him into investing $22.5 million in the project, known as CMNTY Culture Campus, which he says turned out to be a “complete boondoggle” that he “has not received a single penny in return for” — while suggesting that St. John pocketed much of the money for himself.
However, a representative for St. John says in a new statement that the allegations are “categorically false.” The rep denies that St. John engaged in any self-dealing, adding that Harris is one of nine above-board investors who “knowingly signed investment agreements” to get involved in CMNTY Culture.
“Not a single dollar has been misappropriated, all investor entitlements remain intact, and the project continues to advance within the normal entitlement timeline,” says St. John’s rep in the Tuesday (Sept. 23) statement. “We will continue to take every necessary step to set the record straight and to ensure that these malicious, bad-faith attacks are recognized for what they are: entirely without merit.”
While CMNTY Culture was initially designed to house a recording studio and office space, St. John has since shifted the plans and is now developing a residential apartment complex on the same tract of land in Hollywood. According to his rep, the project is proceeding apace and “is expected to approach a $1 billion valuation” upon completion.
“While the entitlement process has naturally taken longer than initially projected due to unprecedented interest, macroeconomic conditions and significant city red tape, it remains firmly within its promised schedule and is now on the verge of securing final entitlements, an important milestone that will unlock substantial value,” adds St. John’s rep.
Thomas St. John Group has offices in Los Angeles, London, Amsterdam and Stockholm. The management firm’s U.S. arm recently filed for bankruptcy, citing hundreds of thousands of dollars in unpaid rent in L.A. and multiple pending legal actions.
One creditor listed in the firm’s bankruptcy papers is Philip Lawrence, a songwriter and producer who made his name collaborating with Bruno Mars. Lawrence used to be a client of St. John’s and at one point invested $10 million from the sale of his catalog into CMNTY Culture Campus, according to court filings in Lawrence’s own personal bankruptcy case.
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