Entertainment
BET Awards: A Look Back at the 25-Year Legacy of ‘Culture’s Biggest Night’

Given the ramp-up to tonight’s BET Awards — Kendrick Lamar leading the charge with 10 nominations; Lil Wayne, GloRilla, Playboi Carti and Leon Thomas performing; a salute to video countdown show 106 & Park and not one but four Ultimate Icon Award honorees: Mariah Carey, Jamie Foxx, Snoop Dogg and Kirk Franklin — no doubt more than a few people will be tuning in as “Culture’s Biggest Night” celebrates its 25th anniversary.
And that should come as no surprise. Because in the last 25 years, the BET Awards show has lived up to that lofty tag line while, in turn, cementing the show’s venerable legacy.
As Connie Orlando, BET’s executive vp of specials, music programming and music strategy, noted in a 2021 Billboard interview, “If you look at the BET Awards — ‘culture’s biggest night’ — it’s big. It’s Black excellence. It’s the best of the best. We want to thunder home a message about music, culture and everything.”
The show had accomplished just that the year before Orlando’s above-referenced comments when it went virtual in June 2020 — exceeding expectations and garnering fans’ and critics’ praise despite the challenges presented by COVID-19. In setting the show’s culturally empowering tone, host/actress Amanda Seales delivered a searing monologue about the deaths of George Floyd and Breonna Taylor while questioning renewed white fervor for civil rights in the wake of Juneteenth being designated as a national holiday: “…Y’all don’t let them Cinco de Mayo our day. If we ain’t watchful, every June 19th, folks going to be at the bar wearing Frederick Douglass wig hats, ordering ‘Harriettinis’ off the drink special.”
But that wasn’t the only reason that 3.7 million viewers tuned in that evening. The riveting performances and special awards were just as memorable. There was Megan Thee Stallion revving up an ATV in the desert — along with her formidable twerking prowess — for “Girls in the Hood” and “Savage (Remix),” riveting tributes to late pioneers Little Richard and Kobe Bryant and former First Lady Michelle Obama presenting that year’s Humanitarian Award to Beyoncé in recognition of the star’s charitable endeavors and fight against sexism and racism.
Other social media and water-cooler moments spring to mind as well. Like Michael Jackson trading fancy footwork (to rabid audience screams) with his idol James Brown before presenting the Godfather of Soul with BET’s Lifetime Achievement Award in 2003. Or Will Smith and wife Jada Pinkett being the first married couple to host the show in 2005. Then 19 years later Smith returned to the BET Awards stage last year for his first solo performance on a major awards show since his infamous Oscar slap in 2022 that got him banned from Academy Award events for 10 years.
Let’s not forget Jamie Foxx’s compassionate yet joyous turn as host for the 2009 ceremony, just days after Jackson’s untimely death. In a rousing tribute to the singer-songwriter, the Oscar winner donned a red jacket and one jeweled glove to perform “Beat It” before being joined onstage by an emotional Janet Jackson. “We’re going to celebrate this Black man,” Foxx declared at one point during what became one of the highest-rated BET Awards shows ever with more than 10 million viewers. “He belongs to us, and we shared him with everybody else.”
And the list goes on. Beyoncé and Kendrick Lamar opening the show in 2016 with an astonishing, splashy performance of “Freedom.” Prince hoisting one of Patti LaBelle’s high-heeled shoes in the air after her stirring interpretation of “Purple Rain” during his 2010 lifetime achievement induction. Charlie Wilson’s own bar-raising lifetime award presentation featuring Snoop Dogg, Pharrell and Justin Timberlake in 2013. Chris Brown’s electrifying dance moves in tribute to Jackson in 2010 and again in 2011 before taking home four statuettes as that year’s top winner. Not to mention illuminating performances in salute to lifetime achievement queens Chaka Khan and Mary J. Blige in 2006 and 2019. Not to mention surprise reunions over the years like New Edition and En Vogue.
Such memorable moments haven’t been limited to artist performances or the colorful cast of hosts along the way, including Taraji P. Henson, Kevin Hart (marking his second time as emcee tonight) and Anthony Anderson and Tracee Ellis Ross. Actor Samuel L. Jackson was at the helm in 2016 when Grey’s Anatomy star and activist Jesse Williams’ impassioned speech after accepting BET’s Humanitarian Award literally stole the show. “We’re done watching and waiting while this invention called whiteness uses and abuses us,” Williams declared in part, “burying Black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil — Black gold! — ghettoizing and demeaning our creations and stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit.”
Like other award ceremonies, BET has also endured its share of bumps and bruises in the ongoing tug of war between captivating audiences in a 24/7 media world and lower ratings. In 2022, Lil Nas X tweeted his dismay (“Thank you bet awards. an outstanding zero nominations again”) and even released a song, “Late to Da Party,” about the matter. In a statement, BET cited his 2020 nomination and performances on the show in 2019 and 2021 and added in part, “We love Lil Nas X … At BET, we are passionate advocates for the wonderful diversity that exists within our community.”
Speaking of ratings, the 2024 BET Awards claimed bragging rights as the No. 1 cable awards show, drawing more than 3 million viewers, according to Nielsen — and its highest viewership in the coveted 18-49 demographic in five years. In addition to Usher receiving the lifetime achievement award, the boost was further propelled by Will Smith’s first performance on the BET stage and country artists being spotlighted for the first time as well with performances by Shaboozey and Tanner Adell. “This groundbreaking inclusion of country music highlighted Black music’s rich history, diversity and landscape” and “celebrated the fullness of Black music,” BET said in a statement.
Ultimately, it’s the cultural impact that stands at the heart of the BET Awards’ legacy, not ratings. As BET itself marks its 45th anniversary at a time when diversity, equity and inclusion initiatives are being erased, books are being banned and revisionist history is becoming a popular pastime, it’s imperative that Black voices not be silenced but celebrated and chronicled.
“For 25 years, the BET Awards has stood as the most coveted and authentic stage for celebrating Black culture; not just in music but in all its dynamic expressions,” Orlando tells Billboard ahead of tonight’s show. “No other award show carries the same responsibility, resonance or expectation. [The audience] comes for joy, for protest, for healing; to see Black Excellence in all its complexity, creativity and power. That’s what makes the BET Awards unlike anything else — and why it continues to matter so deeply.”
So stay tuned for what “Culture’s Biggest Night” has in store this time around.
Entertainment
Luke Combs Was Once Forced to Choose Between Music & A College Frat: ‘I Made the Right Choice’

With his stadium-packing shows and massive hits including “Beautiful Crazy,” “When It Rains It Pours” and his rendition of Tracy Chapman’s “Fast Car,” it may seem obvious that music has been Luke Combs‘ passion his whole life.
But even as a sophomore at Appalachian University in Boone, North Carolina, Combs was already having to make tough choices when it came to following that passion.
During a recent episode of The Dog Walk With Eddie, Combs recalled that he had rushed at Kappa Alpha Order, but was quickly forced to make a decision between the fraternity and music, due to a scheduling conflict in which the frat’s “Big Brother” reveal was the same night as his a cappella group’s concert.
“On Big Brother reveal night we had a concert for the a cappella group, the same night that was gonna be at the same time,” he said, adding that he was “already kind of over” the process of pledging for a fraternity.
“Why does anyone really join a fraternity? To go to parties and meet chicks is kind of the deal, right?” Combs said. “So I tell the guys, ‘Hey, I really gotta do this concert tonight.’ Because there’s only like 12 people in the group; it’s not like there’s a thousand guys in the a cappella group. I’m like, ‘Your boy’s got solos. I can’t just not go,’ [but] they were like, ‘You’re either doing this or that.'”
When he was forced by his potential fraternity brothers to choose, it seems his decision was quickly made.
“I was like, ‘Well, I’m doing that, dude. I’m out,’” Combs said. Reflecting on it, he said, “It was tough, but I made the right choice. … I ended up here … but I would have loved to do both. … There was no wiggle room.”
Though he added in the interview that he held “no hard feelings” after having made the decision, he noted, “I was just like, ‘I kind of already sing and I’m already kinda good at that. All I’m doing with you guys is paying to be your friend, which I already have a lot of friends anyways.’ It just didn’t line up.”
Of course, pursuing music has paid off for Combs. He just released his new song “Back in the Saddle,” and has had three top 10 hits on the all-genre Billboard Hot 100 (so far). Four of his albums have reached the pinnacle of the Top Country Albums chart, while he’s garnered 18 No. 1 Country Airplay hits. After spearheading his Growin’ Up and Gettin’ Old Tour, Combs is playing shows in 2025 including Austin City Limits Music Festival in Austin, and his own Bootleggers Bonfire event, slated for October.
Entertainment
Teyana Taylor to Undergo Vocal Cord Surgery After Noncancerous Growth Discovered: ‘This Moment Hurts’

Teyana Taylor revealed on Wednesday (Aug. 6) that she’ll be undergoing emergency surgery after a noncancerous growth was discovered on her vocal cords.
The rapper-actress shared the health update to her Instagram Story, but promised that while she’ll need to cancel some upcoming appearances, like an upcoming podcast with Michelle Obama, her Escape Room album rollout is going to continue with the project scheduled to arrive on Aug. 22.
“I’ve been quietly dealing with some vocal challenges for a while now. And after a lot of back and forth with my doctors, I’ve been told I need vocal surgery immediately,” she wrote. “They found a noncancerous growth on one of my cords that’s been messing with my voice and causing real discomfort. Thankfully, we caught it & it’s treatable—but it does mean I need to pause and give myself time to fully heal.”
The 34-year-old continued: “That honestly breaks my heart. I don’t take lightly what it means to show up for y’all. I’ve poured so much of myself into this next chapter—especially the Escape Room, which is still dropping August 22! So no worries there. It’s the most personal body of work I’ve ever created. and the timing… it’s not lost on me. Just as I was getting ready to finally share this with you, life handed me my own unexpected ‘escape room’—one I didn’t ask for, but one I now have to find my way out of with patience, rest, and faith.”
Even amid the health battle, Taylor says she put her “whole heart into this music, this film, this rollout. And when I return, it’ll be with even more fire, more purpose, and the best version of me. Thank you for rocking with me through it all.”
Escape Room is set to boast 22 tracks, including her previously released “Bed of Roses” and “Long Time” singles and skits from Issa Rae and Lala Anthony.
The project serves as Spike Tee’s first LP since 2020’s The Album, which reached No. 8 on the Billboard 200 and No. 6 on Top R&B/Hip-Hop Albums.
2025 is shaping up to be another busy campaign for the Harlem native, who is starring in Paul Thomas Anderson’s One Battle After Another film alongside Leonardo DiCaprio and Sean Penn, due out later this year.
Entertainment
An Oral History of Pink Slip’s ‘Freakier Friday’ Reunion: Where Are Lindsay Lohan & The Rest of the ‘Girls in the Garage’ Now?

One of the most beloved bands of the early 2000s wasn’t even a real band.
When the Lindsay Lohan and Jamie Lee Curtis-starring Freaky Friday remake premiered in 2003, moviegoers were introduced to the teen garage band Pink Slip, led by Lohan’s Anna and her two besties Maddie (Christina Vidal) and Peg (Haley Hudson). Their song “Take Me Away” — originally released by Australian alt-punk band Lash in 2001 — was introduced in the film during a garage rehearsal, before Pink Slip takes the House of Blues stage for their big Wango Tango audition and Lohan and Curtis’ body-swap switch-back.
Now, Pink Slip and “Take Me Away” are back in Freakier Friday, Disney’s 23-years-in-the-making sequel that hits theaters on Friday. This time around, Lohan’s Anna is still pals with Maddie and Peg, but she’s left Pink Slip behind to focus on her life as a mom to Harper (Julia Butters) and music manager to gen Z pop superstar Ella (Maitreyi Ramakrishnan). But the band finds its way back together in the film, starting with Anna’s karaoke-fueled bachelorette party and concluding, once again, on a big Los Angeles stage, this time upgrading to The Wiltern for the musical grande finale.
Ahead of the sequel’s release, Billboard caught up with the three women behind Pink Slip — Lohan, Vidal and Hudson — as well as film producer Kristin Burr (credited with reuniting all five of the original Pink Slip bandmates for Freakier Friday) and music producer Suzy Shinn (who channeled her previous work with pop/rock heavyweights like Weezer, Panic! at the Disco, Fall Out Boy and Katy Perry into a revamped recording of “Take Me Away” and three different versions of brand-new song “Baby,” a centerpiece of the movie’s new mother-daughter storyline between Lohan and Butters).
Below, find Billboard‘s oral history of the epic Pink Slip reunion for Freakier Friday.
–Additional reporting by Lyndsey Havens
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