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Andrew Schulz Says Kendrick Lamar Jokes Are Fair Game After Apparent ‘Wacced Out Murals’ Diss

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Andrew Schulz isn’t backing off from Kendrick Lamar after feeling targeted by the rapper on “Wacced Out Murals” last year.

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Four months after Dot rapped “Don’t let no white comedian talk about no Black woman, that’s law” on the GNX opener — a line Schulz and many fans assumed was aimed at the comedian due to his controversial quips about white men who “get slapped” by their Black girlfriends on an August episode of his Flagrant podcast — Schulz once again addressed the situation while guesting on The Breakfast Club Monday (March 10).

First, the comedian doubled down on his past remarks about wanting to “make love” to Lamar, saying in reference to the rapper’s 2025 Super Bowl Halftime Show outfit, “When I saw those jeans, I was like, ‘Bing-bop-boom-boom-boom-bop-bam,'” quoting the musician’s “peekaboo.”

Schulz had previously responded to Lamar’s apparent diss on a December episode of Flagrant by joking that he would like to have sex with the hip-hop titan, adding at the time that “the only thing [Lamar] could do is decide if it’s consensual or not.” Three months later on The Breakfast Club, he explained his intention behind the offensive comment: “People made that s–t racism so fast. I’m just saying he’s little … He’s itty bitty, so why is he telling people he’s gonna kill my friends?”

The stand-up went on to say that such jokes are fair game because, he claims, the Compton native was the one who “took it there” in the first place with his incendiary “Wacced Out Murals” lyrics. Also on the song, Lamar raps, “The n—as that c–n, the n—as that being groomed, slide on both of them,” which Schulz took to mean as Lamar inciting violence against his friends, specifically Breakfast Club host Charlamagne Tha God and Schulz’s Flagrant co-host Alexx Media.

“What does slide mean to y’all?” Schulz said on The Breakfast Club. “If you say kill my friends, everything after that is fine. You took it there … I don’t like this idea that like, I’m this big bully. You told your people to kill my friends. That’s the potential interpretation.”

For the record, Charlamagne isn’t as convinced as Schulz is that Dot was coming for them at all. “I appreciate my friend trying to stick up for me, but I don’t think he was talking about us,” the radio host responded after Schulz said his piece, laughing.

Billboard has reached out to Kendrick Lamar for comment.

The 22-time Grammy winner has never confirmed which “white comedian” he was talking about on “Wacced Out Murals.” The rapper surprise-dropped GNX in late November, and the album has spent three weeks at No. 1 on the Billboard 200 so far.

But while Schulz didn’t take kindly to the perceived diss — and is still talking about it months later — the comedian did put some respect on Lamar’s name on The Breakfast Club. “This whole thing got blown out of proportion,” he said. “To say [Lamar] is not fantastic at what he does is ridiculous, and I have a lot of respect for anyone who puts things out for judgement. That takes balls and I admire people that have balls.”

Watch Schulz share his thoughts on Lamar and “Wacced Out Murals” on The Breakfast Club above.

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Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

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Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.

Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.

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Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).

Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.

Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.

Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.

Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.

“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”

“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.

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Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

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Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.

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One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”

An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.

The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”

Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”

Billboard has reached out to Ice Cube’s team for comment.

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Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

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Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.

“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”

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Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”

“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”

Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.

CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.

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