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Alex Warren’s ‘Ordinary’ Holds at No. 1 on Global Charts, Sabrina Carpenter’s ‘Manchild’ Debuts at No. 2

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Alex Warren’s “Ordinary” remains the biggest song in the world, as it tallies a seventh week at No. 1 on the Billboard Global 200 and a fifth week atop Billboard Global Excl. U.S.

Sabrina Carpenter's 'Manchild' Debuts at No. 1 on Billboard Hot 100

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Meanwhile, Sabrina Carpenter’s “Manchild” debuts at No. 2 on both the Global 200 and Global Excl. U.S.; Ed Sheeran’s “Sapphire” starts at Nos. 8 and 7 on the respective rankings; and sombr’s “Back to Friends” hits the top 10 on Global Excl. U.S., rising 11-9, as it continues scaling the Global 200’s top 10.

The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Ordinary” leads the Global 200 with 70.4 million streams (essentially even week-over-week) and 12,000 sold (down 3%) worldwide June 6-12.

Carpenter’s “Manchild” launches at No. 2 on the Global 200 with 70.1 million streams and 8,000 sold worldwide June 6-12, following its release late on June 5. She claims her fourth top 10 on the chart with the song that introduces her next album, Man’s Best Friend, due Aug. 29.

Lady Gaga and Bruno Mars’ “Die With a Smile” drops 2-3 on the Global 200, after 18 weeks at No. 1 starting last September (second only to the 19 weeks at No. 1 for Mariah Carey’s “All I Want for Christmas Is You” since the chart began); ROSÉ and Bruno Mars’ “APT.” dips 3-4, after 12 weeks at No. 1 starting in November; and Billie Eilish’s “Birds of a Feather” swoops 4-5, following three weeks at No. 1 last August.

Sheeran’s “Sapphire” enters the Global 200 at No. 8 with 44.8 million streams and 7,000 sold worldwide in its first full week, following its June 5 release, ahead of his album Play, due Sept. 12. He adds his fifth top 10 on the chart and first in a lead role since 2021 (when “Bad Habits” led for a week and follow-up “Shivers” hit No. 3).

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“Ordinary” commands Global Excl. U.S. with 51.3 million streams (up 1%) and 5,000 sold (up 2%) outside the U.S.

“Manchild” debuts at No. 2 on Global Excl. U.S. with 43.7 million streams and 3,000 sold beyond the U.S., marking Carpenter’s fourth top 10.

“Die With a Smile” descends 2-3 after 17 weeks atop Global Excl. U.S. starting last September. Only “APT.,” which backtracks 3-4, has led longer: 19 weeks, beginning in November. “Birds of a Feather” rounds out the top five, falling 4-5, following three weeks at No. 1 last August.

“Sapphire” sparkles at No. 7 on Global Excl. U.S. with 38.2 million streams and 4,000 sold outside the U.S., becoming Sheeran’s fifth top 10.

Plus, sombr’s “Back to Friends” pushes 11-9 on Global Excl. U.S. top 10, thanks to an 8% boost to 30.9 million streams outside the U.S. The singer-songwriter (real name Shane Boose) scores his first top 10 on the chart; it likewise became his first top 10 on the Global 200, where it lifts 7-6 for a new high.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated June 21, 2025) will update on Billboard.com tomorrow, June 17. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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Entertainment

Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

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Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.

Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.

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Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).

Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.

Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.

Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.

Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.

“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”

“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.

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Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

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Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.

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One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”

An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.

The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”

Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”

Billboard has reached out to Ice Cube’s team for comment.

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Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

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Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.

“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”

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Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”

“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”

Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.

CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.

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