Entertainment
AI Revives Chalino Sánchez on ‘Rigo Campos’ Cover With Los Tucanes de Tijuana: ‘Technology Got Us Together’

Chalino Sánchez, the “King of Corridos,” would have turned 65 on Aug. 30. While his tragic murder in May 1992 ended his life, his musical legacy continues to thrive.
Thanks to technology, some of his timeless recordings are being brought back to life through collaborations with other artists. Fifteen of Sánchez’s tracks, owned by Cintas Acuario — a label based in Long Beach, California — are being reimagined for a new project.
“I bought the songs from him; they’re mine. That’s how we did business,” Pedro Rivera, owner of the label, shared exclusively with Billboard Español. (Rivera is the father of regional Mexican music stars Lupillo Rivera and the late Jenni Rivera.) “We respected each other deeply. Chalino was one of the most loyal men I’ve ever met — he always kept his word.”
The first release from this project is “Rigo Campos,” a song written more than 30 years ago by Mario Quintero, the lead singer of Los Tucanes de Tijuana. Chalino recorded his own version back in the day, but the two never met in person. Now, through the magic of technology, they’re singing together in a music video that premiered on Thursday, Aug. 28.
“It took over three years from the first meeting to today’s release,” Quintero, thrilled by the song’s reception, told Billboard Español. It has already become a trending topic in Mexico. “Unfortunately, I never got the chance to meet Chalino… [But] technology made it possible for Los Tucanes and Chalino to appear together in the video as if he were still here.”
Sánchez rose to fame in the late ’80s and early ’90s with his corridos in the California music scene. His raw, unpolished voice and straightforward style resonated with migrant communities and working-class listeners. Songs like “Nieves de Enero,” “Alma Enamorada” and “Baraja de Oro” became classics.
On May 16, 1992, he was murdered in Culiacán, Sinaloa, after a performance. He was only 31 years old.
Quintero, who as the leader of Los Tucanes heads one of the most respected norteño and corrido groups in the market, spoke to Billboard Español about “Rigo Campos,” the current restrictions on corridos in Mexico, and even a possible World Cup anthem in the works:
Billboard Español: What are the Origins of “Rigo Campos”?
Quintero: The song is based on a well-known event in Tijuana, I think it was around 1991. It was talked about a lot on the news in both Mexico and the U.S. Back then, we were just starting out, and even to this day, I draw inspiration from real-life events. I wrote the song, and it became popular locally. I used to go to record stores to check out new releases and see if anyone had recorded one of my songs. One day, I was surprised to find the song on a cassette by Chalino Sánchez. I remember opening it and seeing that it credited him as the author. My excitement immediately turned to disappointment. Turns out, he had heard it from us, liked it and recorded it with Cintas Acuario. The song was already registered to me, so we cleared everything up.
How did this particular collaboration come about?
Juan Rivera [Pedro Rivera’s son] reached out to invite me to take part in this album they’re producing with Chalino’s songs. I thought it was such an exciting idea, and of course, I was honored to include my song. It took over three years from our first meeting to now releasing “Rigo Campos.” We’re overjoyed with the public’s response. Unfortunately, I never got to meet Chalino. There was this one time he had a press conference in Tijuana, but we were busy working and couldn’t go. I had wanted to thank him for recording my song, but the opportunity never came up. Now, through technology, we were able to bring him back to life in the video, and it’s as if he’s really there with us. It was a huge effort by the teams at Cintas Acuario and Master Q Music to make it happen. The hardest part was bringing Chalino’s essence into the present, but they nailed it.
Why do you think Chalino’s legacy endures so many years after his death?
Chalino had this unique ability to take well-known songs and make them his own with his distinctive style. That’s what made him so successful. Of course, he was also heavily criticized, but people couldn’t ignore his authenticity. He wasn’t trying to imitate anyone — he was born to be an original, and that’s why he’s still such a massive influence in norteño and banda music. Producing this song was such a fulfilling experience. Listening to his voice straight from the original tapes, you realize how powerful it was. He didn’t need backing vocals; he was naturally in tune and simply incredible. Back then, there wasn’t the technology we have now, so hearing him sing was truly special. Recording this duet with him now feels like a dream come true. It didn’t happen before, but it’s happening now — and that’s what matters.
What do you think of the current bands and restrictions of corridos in Mexico?
We love corridos, but we also respect the rules in every place we perform. We understand the situation. The problem isn’t with corridos themselves; there are broader social issues at play. I think the authorities have good intentions, and we always follow any rules or restrictions. For example, at our recent show at the Auditorio Telmex in Guadalajara, we weren’t allowed to perform any corridos. Of course, some fans wanted to hear them, but we respect the law. At the end of the day, the law is the law, and we have to follow it as citizens. Where we’re allowed to perform corridos, we will. Where we’re not, we’ll just play “La Chona” three times, or “El Tucanazo,” or “Me Gusta Vivir de Noche.” We’ve got plenty of songs in our repertoire.
Speaking about “La Chona,” it’s become a major hit and played in many sporting events. Any plans to use it during the World Cup?
As the composer of “La Chona,” it’s such an honor and a privilege to see it still going strong. Every day, we get videos from all over the world of people dancing and singing along to it. When we first recorded it, I didn’t even like the song that much — I preferred others. But it carved out its own place, and now, more than 30 years later, new generations are still loving it. For the World Cup, we’re working on a project that I think fans are going to love. In the meantime, we’re heading to Chile, Colombia, Honduras, Guatemala and Bolivia this year, and next year we’ll be taking our music to Spain. Europe is becoming such an important market for regional Mexican music.
A few days ago you played for over 100,000 people. Why do Los Tucanes still draw big crowds?
I think we’ve earned the love of our fans through our music and the way we are. Los Tucanes are one of those groups that can do it all — romantic songs, corridos, cumbias — we mix norteño music with other genres. I think that’s why we have such a special place in people’s hearts. There are also people who grew up listening to our music but never got to see us live, so they come to our shows now. And it’s so touching to see multiple generations at our concerts — parents, kids, even grandparents. It’s such a blessing.
Entertainment
Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.
Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).
“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”
The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.
“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.
Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.
Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”
“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”
He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”
The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.
Entertainment
Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.
Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.
The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.
The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.
Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.
Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.
Entertainment
AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.
As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”
But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.
You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.
Other top stories this week…
BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”
DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”
LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.
SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.
FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.
HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.
LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.
NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”
SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”
MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.
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