Tech
FunkyFrogBait left their career as a software engineer for YouTube. It paid off.
Content creation wasn't in the plan for Kali, better known by their online handle FunkyFrogBait.
Growing up a child of YouTube, Kali looked up to creators like Jacksepticeye, dreaming of making videos themselves. But as college and the job market took priority, that dream started to feel more distant, replaced by the pressures of real-world responsibilities.
Then 2020 hit. With more time spent indoors and the rise of TikTok, Kali — affectionately known as "Funky" by their fans — decided to give content creation a shot. The gamble paid off. Today, Kali boasts millions of followers across platforms: 2.8 million on TikTok, 340K on Instagram, and 2.72 million on YouTube.
At VidCon 2025, we sat down with Kali to talk about their growth as a creator and how they pivoted to full-time once they hit it big.

Credit: Cole Kan/Mashable Composite; Funky Frogbait; Getty Images
When did you start creating content?
I started in 2020 'cause I was bored, and TikTok was popping off. I was in this theater group in college, and we were doing a performance of The Oregon Trail, which was super funny. In that group, there was somebody who was scrolling TikTok, and I have a distinct memory of them turning to look at me and being like, "Oh, I think you'd do great on TikTok. You should just make some videos."
And did you start on TikTok?
I started on TikTok. A lot of the stuff that was on my feed was sketch comedy, which I was like, "OK, I've done musical theater. I've done improv in college. This is kind of a convergence of a lot of my interests. This could be fun to do, and it's what I'm already watching." I feel like a lot of people, that's how they decide to make something, there's something they're already naturally gravitating toward.
I moved from random shitposting on TikTok, getting a few thousand views here and there, just using random audios, to writing some skits.
Most of them didn't do well for a while, but then one would pop off, and it was like, OK, what made this one work and not these? I kept following that formula of putting a sketch out and seeing if people liked the characters.
I did this series called "Nursing Homes in 2077." That's actually what I got the most well-known for. It was just a very simple concept: What are we gonna be like when we're in nursing homes one day? What little pieces of brain rot are gonna stay in our brains even after we've forgotten our grandchildren's names? That was the first sketch-comedy thing that I did that really popped off.
When did you migrate to YouTube?
I did that for a while, and it was really fun. Unfortunately, because of the nature of short-form content, and specifically the way that the TikTok algorithm works, it would be so unpredictable.
I would work really hard on a sketch, and it would get a few million views, and I would feel amazing about it. I would feel like this is the direction I need to go. I would do the same thing the next day and get less than 20,000 views. So it was just so up and down in a way that was so unpredictable that it started to get really discouraging. And I found myself posting less and less on there because it was just so much time spent on such a short video that would have very little payoff sometimes.
Then I was like, OK, I did this gaming channel as a little kid, I still like that type of content — let me try that. So I tried migrating my TikTok audience over to the FunkyFrogBeat YouTube channel, which was originally a gaming channel. I was posting myself; I would record myself playing a video game. It was impossible to move a TikTok audience over. TikTok has a very insulated platform.
Anytime you try to push out anything that even hints at presence on other social media, it immediately will lock it down and make sure nobody sees it. And once again, I hit a roadblock of just feeling really discouraged. I had like just this taste of like, "There is interest here, but I can't find it." I can't get this consistent community even though I'm having these little bumps of interest. I can't gather this audience into a single place and get that consistent viewership. And then over time, my personal consumption of the internet changed.
How so?
I spent most of my time watching gaming content. Then, probably around 2022, I started watching a lot of commentary creators—people who get in front of the camera and talk about weird things happening on social media.
I shifted my personal consumption of content, and I was starting to watch a lot more of that. And then one day, I'm scrolling TikTok, and this guy comes across my For You page. It's somebody who has convinced themselves and openly declared that they believe they are the reincarnation of Hitler. It's such an absurd thing that just came across my For You Page.
I'd had this idea of making commentary content for a while, but I didn't think that there was anything I specifically had to add. But then this was just one of those circumstances where it's like, "How is no one talking about this?"
People were reacting to it on TikTok, and they were getting like hundreds of thousands of views, but it hadn't migrated over to YouTube yet. I sit down at my desk, I prop my iPhone — I don't even have a tripod — and just sit and talk at my phone for a little over an hour.
I followed a similar formula to other commentary creators I'd seen, but I also was just like, I'm just talking and being weird and being myself. I'm writing dumb jokes. I'm doing little punchlines, you know? That video immediately got hundreds of thousands of views, which is like jumping from even millions on TikTok to hundreds of thousands on YouTube for a long-form video.
A lot of people who don't make content don't realize that views from different sites mean very different things. It was an immediate thing, and it was so unexpected. I actually almost didn't post the video 'cause I was almost done editing it, and I was talking to my partner at the time, and I was like, "Oh, I don't know, this is kind of stupid." And he convinced me to post it. It was such a cool moment of like, Wow, I'm so glad I did because it was an immediate yes from the universe that I'd been looking for — this is something that really works.
So I'm curious: What is your strategy now?
When I started out in commentary, it was more of a drama-focused angle because that was like a lot of commentary at that time. You're the underdog coming in, you're punching in all directions. You're making fun of people who are way more well-known in the space than you. And you're punching up at them.
But then my platform exploded so quickly that I realized that the dynamic had shifted. I was now, "Oh, here's this asshole with a million subscribers being mean to this person." That was a weird thing for me because in my head, I was still doing the same thing I was before. I had to recognize my position in this space had changed, where I have to be so much more cognizant of the fact that I am a lot more zoomed out now, not putting a magnifying glass on one specific person. Maybe there's a trend that I think is annoying or harmful, and I show you 20 different examples of people doing it rather than one person.
I had a hard time processing that for a while. I was like, "This is unfair. I'm the same person, and I want to be able to approach things the same way that I always have." But it's a two-way street, where it's not just who you are; it's what the platform feeds back into you.
And if the platform says, no, this is where you're at now. You have this level of responsibility, you have this level of influence, and you don't get to say I don't care. You have to recognize the reality of your situation. And personally, I've just felt mentally a lot better with that change. It's been good to be able to have a broader outlook and to feel a lot more proud of the things that I put out, because I do have to now put up things that I've spent a lot more time thinking through and researching, because of that extra responsibility.
Do I miss the days where I could just like punch in all directions and be an asshole? Of course. Because that's fun. That's really fun to do. But, also, I feel like the impact that I get to have now is so much greater, and the amount of good I'm able to do is so much greater. It's ultimately a good trade-off.
You have this great perspective that really gives you empathy when you approach the topic.
It's great to hear. That's what I try to do. I try to have a perspective of tough love. Even if I do have to show a specific example of somebody doing something that they should not be doing, I still try to come from the angle that I have nothing personally against this person.
I try to dig into the reasoning of why they're doing it and add extra context of like, here are the reasons why I think that this has a negative impact. Or maybe this individual person doesn't have that much of an impact, but they're a part of a larger trend that is kind of a problem. I don't wanna talk about somebody just doing something stupid. I wanna talk about a whole movement that I see online that is really concerning. It's a lot harder, but it's more rewarding.
Are you all self-taught on editing?
I've never taken any kind of cinematography or editing class. Everything that I do in that realm is self-taught or involves me begging a friend to say, "Hey, can you explain this to me?" Previously, I edited everything on my own, but this past year and a half, I have had an editor to help.
But my vision for my videos is very specific. Basically, how it works is I will write out my full video and write in the edits exactly how I need them to be. So even if I'm not physically editing, if you see a thing pop up on screen, a gag, or a cutaway, it's probably because I told the editor to do so.
So, I still have a lot of creative control over the editing. And sometimes, I still go back and edit because sometimes my vision is so specific, and for a particular topic, it's impossible to communicate it effectively to another person. I really felt for a long time that incorporating an editor would take away my agency and ownership of the content. But it was just a matter of finding somebody who understood my vision.
Has there been a moment when you realized this was your full-time career now?
That happened shockingly fast after the first commentary video. I had no sense of ad revenue or anything like that. There are a lot of assumptions when you're watching YouTube that every YouTuber is rich. I didn't know what views translated to when it came to income. The analytics take a couple of days to catch up to what you're actually gonna get paid out.
I was starting to do calculations, and I was like, "This is matching my current income at a job that, let's be honest, is significantly harder." If I keep getting this amount of viewership on each of these days, I'm going to start making more than what I'm doing at this job that I went to school for four years to do. I remember looking at the analytics tab and showing my partner, dumbfounded. I had to show another person, because I was like, "Am I crazy?" I've done the math, and this is actually doable.
I was a YouTube kid. I grew up watching all of these YouTubers come into their own, and I idolized that lifestyle so much, but I'd put it aside for college. I'd put it aside for more realistic avenues.
I was a YouTube kid. I grew up watching all of these YouTubers come into their own, and I idolized that lifestyle so much, but I'd put it aside for college. I'd put it aside for more realistic avenues. In fact, I'd honestly shut off a lot of my creative passions completely to pursue this particular career path. I'd completely deadened myself in many ways to the things that really made me feel like myself, and to be able to look at the raw numbers and realize I could do content creation was amazing.
I worked as a software engineer for a telecommunications company. I got my boss in a meeting, and I was like, "They're gonna hate me. They're gonna be so mad at me." And they were actually so chill with it. They were so encouraging. They were like, "That's amazing, and if it doesn't work out for you, you can always come back and work here again. We love you. We really want this to work out for you." It was another yes from the universe — this is the direction, this is the path.
I feel so creatively fulfilled, and I've had so many amazing opportunities. It's been so good to know that this was the right path to take, even if it didn't feel like it at the time. It's a wonderful thing that I'm privileged to be able to do.
Mashable will be live at the Anaheim Convention Center this week, covering VidCon 2025. Check back in the days ahead at Mashable.com, where we’ll be talking to your favorite creators, covering the latest trends, and sharing how creators are growing their followings, their influence, and making a living online.
Tech
Hurdle hints and answers for September 24, 2025

If you like playing daily word games like Wordle, then Hurdle is a great game to add to your routine.
There are five rounds to the game. The first round sees you trying to guess the word, with correct, misplaced, and incorrect letters shown in each guess. If you guess the correct answer, it'll take you to the next hurdle, providing the answer to the last hurdle as your first guess. This can give you several clues or none, depending on the words. For the final hurdle, every correct answer from previous hurdles is shown, with correct and misplaced letters clearly shown.
An important note is that the number of times a letter is highlighted from previous guesses does necessarily indicate the number of times that letter appears in the final hurdle.
If you find yourself stuck at any step of today's Hurdle, don't worry! We have you covered.
Hurdle Word 1 hint
To creep around.
Hurdle Word 1 answer
SNEAK
Hurdle Word 2 hint
A long-legged bird.
Hurdle Word 2 Answer
STORK
Hurdle Word 3 hint
To throw.
Hurdle Word 3 answer
CHUCK
Hurdle Word 4 hint
More accurate.
Hurdle Word 4 answer
TRUER
Final Hurdle hint
They show when one smiles.
Hurdle Word 5 answer
TEETH
If you're looking for more puzzles, Mashable's got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.
Tech
Five burning questions we have for Alien: Earth Season 2

This summer, FX's Alien: Earth latched onto my brain like a Facehugger latches onto a new host.
Now, with the release of the show's Season 1 finale, you'd think that Facehugger would drop off and leave me be. You'd be wrong! Instead, the Season 1 finale leaves viewers with some major questions we'll be puzzling over until the show's potential return.
Here are the five biggest questions we have for Alien: Earth Season 2.
What does a Neverland run by hybrids look like?
Season 1 of Alien: Earth ends with the group of hybrids known as the Lost Boys in total control over the Neverland research facility. They've imprisoned Boy Kavalier (Samuel Blenkin), Kirsh (Timothy Olyphant), Morrow (Babou Ceesay), Dame Sylvia (Essie Davis), and Atom Eins (Adrian Edmondson). Now, with the adults out of the way, Wendy (Sydney Chandler) declares it's time for the hybrids to "rule."
But what will their rule entail? Will they stay on Neverland, or will they try to extend their authority to the rest of the world? Will they remain fast allies, or will they turn against one another and go full Lord of the Flies on their new island kingdom?
How will Weyland-Yutani and Alien: Earth's other corporations react to Boy Kavalier's plight?

Credit: Patrick Brown / FX
By the end of Alien: Earth Season 1, Weyland-Yutani is closing in on Neverland in order to take back the specimens Boy Kavalier stole. But will Yutani (Sandra Yi Sencindiver) change tack when she realizes her rival is being held captive? Will she leave the island alone or try to stage a hostile takeover? Perhaps her priorities will change entirely, shifting from trying to capture the alien specimens to trying to perfect Boy Kavalier's revolutionary hybrid tech. Either way, her looming presence does not bode well for the newly independent hybrids.
Weyland-Yutani isn't the only other major corporation on the board in Alien: Earth, though. There are three other corporations we haven't truly met yet: Dynamic, Lynch, and Threshold. Could they be joining the party in Alien: Earth's future?
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What's next for the loose orchid and eyeball aliens?
While the Xenomorph may be under Wendy's control, there are still several alien threats running wild on the island. In the Season 1 finale, the orchid alien (aka D. Plumbicare) revealed that it could turn into a floating, octopus-like creature and got loose in Neverland. I would not want to be walking around the island with that out there, that's for sure.
But that's not all: Alien: Earth's breakout star, the eyeball alien T. Ocellus, found a new host in the corpse of Arthur Sylvia (David Rysdahl). We've seen T. Ocellus take over a cat corpse and a human body, but now we get to see it go full zombie mode in what might be Alien: Earth's coolest development yet. But what's T. Ocellus's plan while in Arthur's body? Will it try to find a new, stronger host in, say, a hybrid? (And what would that look like?) Will it finally have a conversation with its biggest fan, Boy Kavalier? And how in the world will Dame react when she sees her beloved husband with a massive new eyeball and a burst-open chest? Bring on the zombie shenanigans!
Will the Xenomorph continue serving Wendy, or will it rebel?

Credit: Patrick Brown / FX
For now, Wendy and her Xenomorph seem pretty tight. But what happens if the Xenomorph goes through a rebellious teenage phase and decides it doesn't want to serve its human mother figure anymore? Could the hybrids lose their grip on Neverland if the apex predator at their disposal decides to turn on them?
Wendy's Xenomorph also isn't the only Xenomorph on the island. There's also the specimen that burst out of Arthur's chest. As it grows, will it become territorial with Wendy's Xenomorph, or will it join the hybrid-Xeno family and view Wendy as its queen? If so, what are the odds Wendy tries to build a whole Xenomorph army?
How will Alien: Earth tie back to Alien?
The question hanging over any prequel is "how will this tie back to the original?" and with Alien: Earth, that question is especially pressing, given that it takes place two years before the events of Alien. By that point, there are no mentions of hybrid technology, nor are there any mentions of them in the sequels. So what will happen to the hybrids between then and now to render them obsolete? It's a daunting question, but it's one that Alien: Earth will certainly have to contend with as it closes in on the original films.
Alien: Earth is now streaming on Hulu.
Tech
Alien: Earths game-changing ending, explained

After eight episodes of terrifying new creatures, Alien homages, and existential questions about the future of humanity, Alien: Earth Season 1 has come to a close. And what a close it was.
The finale, titled "The Real Monsters," flips the power dynamic that's been in place for the entire season. By the end of the episode, the hybrid Lost Boys, led by Wendy (Sydney Chandler), have gained total control over their keepers, including Boy Kavalier (Samuel Blenkin) and Dame Sylvia (Essie Davis). This power shift has been in the cards since Alien: Earth's first episode, but how do we get here? Let's break it down.
Alien: Earth's hybrids finally realize how strong they are.

Credit: Patrick Brown / FX
From the first moment Alien: Earth introduces Wendy in her super-strong, super-fast, super-durable hybrid body, it's clear that she and her fellow Lost Boys could absolutely wreck Prodigy's Neverland security team if they wanted to. That idea doesn't cross their minds, though. Instead, the Lost Boys are still children in consciousness, and they believe Neverland to be a safe paradise for them.
However, this idea erodes over the course of Alien: Earth's first season, as the Lost Boys lose confidence in the people they've been told to trust. They're endangered and experimented on. Nibs' (Lily Newmark) traumatic memories were manipulated. Isaac (Kit Young) died while tending to the alien specimens. Morrow (Babou Ceesay) threatened to kill Slightly's (Adarsh Gourav) family. Each horrifying incident wears away at the Lost Boys' childlike innocence, turning the idyllic Neverland into a hell on Earth.
Ironically, these incidents only increase the Lost Boys' feelings of powerlessness, even though they're the most powerful beings on Prodigy's remote island. But it's also in one of those scenes of powerlessness — when Prodigy forces corner Nibs, Wendy, and her brother Joe aka Hermit (Alex Lawther) on their escape boat in episode 7 — that the Lost Boys begin to realize their power. Nibs fully rips a soldier's jaw off, leaving Hermit to shoot (but not kill) her. Here, a horrified Wendy learns two things. First: Humans, including her brother, are terrified of the hybrids. Second: They have good reason to be. The hybrids are extremely dangerous. So why not embrace that?
That's the realization Wendy comes to in Alien: Earth's Season 1 finale. "All this time, we've been afraid of them," she tells the Lost Boys as they sit trapped in a Neverland cage. "But I think they should be afraid of us."
The Peter Pan allegories come to a head in the Alien: Earth Season 1 finale.

Credit: Patrick Brown/FX
Embracing the Neverland staffers' fear of them is the final stage in the Lost Boys' loss of their childish innocence. Or, in terms of Boy Kavalier's relentless Peter Pan references, this is them finally "growing up." However, that's exactly what the Prodigy founder and the rest of Neverland don't want to happen. As Wendy puts it, "We're all in this cell because we can't be kids anymore, but they won't let us be adults."
Nibs has another suggestion for what they are, one that's especially fitting after seeing the graves of their dead human bodies. "We're all ghosts," she says.
So what do these ghosts do? They turn Neverland into a haunted house, with Wendy using her in-built connection to the facility to manipulate video feeds, elevators, and doors to terrify every last soldier and scientist. Of course, having a Xenomorph at your beck and call helps too.
The entire episode serves as both a liberation for the Lost Boys and an identity crisis for Wendy, otherwise known by her human name, Marcy. She tells her brother, "I don't know what I am. I'm not a child. I'm not a grown-up. I'm not Marcy. I'm not Wendy. And I can't be what everyone wants me to be."
(Earlier in the season, Joe even questions whether Wendy truly holds his sister's consciousness, yet another blow to one of the pillars of Wendy's identity.)
Wendy's statement reflects the binaries in the world of Alien: Earth. Child and adult. Human and synthetic. Hybrids exist somewhere in between, blurring boundaries and creating a new kind of personhood. Wendy and the Lost Boys have spent the entire series having not just new names but entirely new identities imposed on them by exterior forces. Now, they get to make their own. Fellow hybrid Curly (Erana James) embraces her former name, Jane, as Wendy reminds each of the Lost Boys of theirs — a move the late Isaac, formerly Tootles, only enjoyed for an afternoon.
Wendy's identity crisis also explains her affinity for the Maginot aliens, whom she considers "honest." These creatures are wholly themselves, unlike liars such as Boy Kavalier. As Wendy points out, he considers himself Peter Pan, but he was never truly a boy. He was always a "mean, angry little man," just like his abusive father. Ouch. I'm not sure he'll be picking up a copy of Peter Pan any time soon after that.
"Now we rule."

Credit: Patrick Brown / FX
"The Real Monsters" ends with Wendy and the Lost Boys holding all of the authority figures in their lives hostage in the same cage they were formerly incarcerated in, prompting Wendy's declaration that, "now, we rule." Even Kirsh (Timothy Olyphant), their Prodigy synth senior, and Morrow, their cyborg antagonist, now answer to them.
The hybrids finally taking control is undoubtedly worthy of Alien: Earth's last hard-rocking needle drop. But it's certainly not the end of the Lost Boys' story. After all, the Weyland-Yutani forces are still encroaching on the island with numerous Prodigy forces still left, hinting at more conflict ahead. Plus, the alien orchid is loose, and T. Ocellus has found a new host in the chestburst corpse of Arthur Sylvia (David Rysdahl). That's a lot of threats for these still-young hybrids to deal with. How will they be able to fight off their enemies and learn how to rule their island?
That question of what it will look like for hybrids to "rule" hints at an intriguing new literary reference point for a possible Alien: Earth Season 2. If Season 1 was the Lost Boys growing up in the style of Peter Pan, then Season 2 might just see them learning to survive on an island in the vein of Lord of the Flies. With that in mind, who's Piggy, who's Ralph, and will the Xenomorph's head somehow wind up on the end of a pointy stick?
Alien: Earth is now streaming on Hulu.
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