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Tyler, The Creator’s ‘DON’T TAP THE GLASS’ Debuts at No. 1 on Billboard 200 Albums Chart

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Tyler, The Creator scores his fourth No. 1, all earned consecutively, on the Billboard 200 albums chart as his latest album, DON’T TAP THE GLASS, debuts atop the tally (dated Aug. 2). The set launches with 197,000 equivalent album units earned in the United States in the week ending July 24, according to Luminate.

After teasing a new project on social media, the artist announced the album on Friday, July 18, with a release date slated for an off-cycle Monday, July 21. In turn, the album arrives on the Billboard 200 with only four days of activity in its first tracking week toward the chart. Most albums are released on Friday of each week; Luminate’s tracking week for the chart runs Friday through Thursday. (It’s the second off-cycle release in a row to debut at No. 1, following the JACKBOYS 2 project a week ago, which dropped on a Sunday.)

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07/27/2025

More than half of DON’T TAP THE GLASS’ first-week activity is owed to album sales (it’s the top-selling album of the week with 128,000 sold). Those sales are largely from five physical offerings exclusively sold via the artist’s official webstore (a vinyl LP, CD and three deluxe boxed sets containing a piece of branded clothing and a copy of the CD). The five physical sets went up for sale in the webstore shortly after the album’s announcement. All physical versions of the album contained one bonus track as compared to the standard 10-song widely available digital download and streaming edition of the album.

Tyler, The Creator previously topped the chart with CHROMAKOPIA (2024), CALL ME IF YOU GET LOST (2021) and IGOR (2019). In total, GLASS is Tyler, The Creator’s eighth top 10-charted effort, the entirety of his charting titles on the Billboard 200.

Elsewhere in the top 10 of the latest Billboard 200, Alex Warren hits the top 10 for the first time with You’ll Be Alright, Kid; the late Ozzy Osbourne is remembered as The Essential Ozzy Osbourne jumps 134-7 (marking his 10th top 10); Jessie Murph collects her first top 10 with the arrival of Sex Hysteria; and BTS notches its eighth top 10 with the bow of PERMISSION TO DANCE ON STAGE (LIVE).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 2, 2025-dated chart will be posted in full on Billboard‘s website on July 29. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of DON’T TAP THE GLASS’ 197,000 equivalent album units earned in the week ending July 24, album sales comprise 128,000 (it debuts at No. 1 on the Top Album Sales chart), SEA units comprise 69,000 (equaling 93.34 million on-demand official streams of the set’s songs — it debuts at No. 4 on Top Streaming Albums) and TEA units comprise a negligible sum.

Morgan Wallen’s chart-topping I’m the Problem bumps 3-2 on the latest Billboard 200, earning 142,000 equivalent album units (down 4% — though it returns to No. 1 on Top Streaming Albums for a ninth nonconsecutive week on top). The KPop Demon Hunters soundtrack rises 5-3 (89,000; up 5%) and JACKBOYS and Travis Scott’s JACKBOYS 2 falls 1-4 in its second week (78,000; down 66%).

Alex Warren hits the top 10 of the Billboard 200 for the first time as You’ll Be Alright, Kid jumps 19-5 after it was expanded with 10 added songs. The set earned 73,000 equivalent album units in the tracking week (up 207%). Of that sum, SEA units comprise 59,000 (up 157%, equaling 80.19 million on-demand official streams of its songs — it moves 15-5 on Top Streaming Albums), album sales comprise 13,000 (up 9,483% — it debuts at No. 7 on Top Album Sales) and TEA units comprise 1,000 (up 71%).

You’ll Be Alright, Kid includes Warren’s smash single “Ordinary,” which has spent seven weeks atop the Billboard Hot 100 chart (through the most recently published list, dated July 26). The expanded album’s sales got a boost from its availability across five vinyl variants (including a signed editions) and two CD editions (one of them signed).

Justin Bieber’s SWAG shifts 2-6 in its second week on the Billboard 200, earning 72,000 equivalent album units (down 55%).

The Essential Ozzy Osbourne vaults 134-7 the Billboard 200, following Osbourne’s death on July 22. The best-of collection reaches the top 10 for the first time (it previously peaked at No. 81 in 2003, the year it was released) and marks the 10th top 10-charted set for the late metal god. Essential earned nearly 44,000 equivalent album units in the July 18-24 tracking week (up 309%). Of that sum, SEA units comprise 35,000 (up 287%, equaling 48.70 million on-demand official streams of the set’s songs — it debuts at No. 9 on Top Streaming Albums), TEA units comprise 6,000 (up 888%) and album sales comprise 3,000 (up 197% — it re-enters at No. 30 on Top Album Sales).

Osbourne previously hit the top 10 on the Billboard 200 with Patient Number 9 (No. 3 in 2022), Ordinary Man (No. 3, 2020), Scream (No. 4, 2010), Black Rain (No. 3, 2007), Down to Earth (No. 4, 2001), Ozzmosis (No. 4, 1995), No More Tears (No. 7, 1991), Tribute (with Randy Rhoads, No. 6 in 1987) and The Ultimate Sin (No. 6, 1986). Osbourne was also the longtime frontman for Black Sabbath, which claimed two top 10s: 13 (No. 1 in 2013) and Master of Reality (No. 8, 1971).

Jessie Murph achieves her first top 10 on the Billboard 200 as Sex Hysteria debuts at No. 8 with 44,000 equivalent album units earned. Of that figure, SEA units comprise 35,000 (equaling 48.23 million on-demand official streams of the set’s songs — it debuts at No. 10 on Top Streaming Albums), album sales comprise 9,000 (it debuts at No. 10 on Top Album Sales) and TEA units comprise a negligible sum.

Sex Hysteria is the third-charted project for Murph on the Billboard 200, following That Ain’t No Man That’s the Devil (No. 24 in 2024) and Drowning (No. 162 in 2023). The new album was preceded by a pair of Hot 100 hits in “Blue Strips” (her highest-charted song and first top 20, hitting No. 15 in May) and “Touch Me Like a Gangster” (No. 56 in June).

Sex Hysteria was issued as a 13-song widely available digital download album, a 15-song version (widely available as a download and on streamers; it includes two additional tracks: “Donuts” with Gucci Mane and “Ain’t But a Thing”) and a 15-song physical version (on CD and vinyl, with two additional tracks: “Ur a Bitch” and “No Chance”). The album was pressed on two vinyl variants (one signed by the artist) and two CD iterations (one signed).

Clipse’s Let God Sort Em Out falls 4-9 in its second week on the Billboard 200, earning 43,000 equivalent album units (down 63%).

Closing out the top 10 is BTS’ PERMISSION TO DANCE ON STAGE (LIVE), debuting at No. 10. The act’s first live album also marks its eighth top 10-charted project. The live set launches with 43,000 equivalent album units earned, with album sales comprising 36,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 5,000 (equaling 6.58 million on-demand official streams of its songs) and TEA units comprise 2,000. The album was issued as a standard 22-track project via streamers, and to purchase as a digital download and CD (across five variants, each containing branded collectible ephemera, some randomized). This is the second live album to reach the top 10 in 2025, following Taylor Swift’s Lover: Live From Paris, which hit No. 2 in January.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

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Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.

Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).

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“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”

The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.

“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.

Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.

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Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”

“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”

He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”

The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.

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Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

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Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.

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Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.

The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.

The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.

Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.

Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.

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AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

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THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.

As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”

But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”

DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”

LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.

SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.

FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.

HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.

LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.

NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”

SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”

MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.

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