Entertainment
The 1975 Quietly Drop ‘Still… At Their Very Best’ Live Album on Streaming Services & Vinyl After Glastonbury Announcement

Glastonbury headliners The 1975 have a new live album that’s now streaming and available to pre-order on limited edition vinyl. Still… At Their Very Best (Live From The AO Arena, Manchester, 17.02.24) was released without promotion on Friday, March 7, a day after the Glastonbury 2025 lineup was announced with The 1975 in the Friday night headliner slot at the U.K. festival in June.
The vinyl version of the live album, recorded during one of the band’s hometown shows in Manchester last year in the midst of their Still… At Their Very Best Tour, is pressed on triple clear vinyl, according to its listing on The 1975’s website. It has an estimated May 30, 2024 release date via Dirty Hit.
The Still… At Their Very Best live set from Manchester follows the 2023 release of a live recording from The 1975’s prior tour, At Their Very Best, recorded at New York City’s Madison Square Garden in 2022.
Still… At Their Very Best kicks off with a smooth opening of songs performed from the band’s latest studio album, 2022’s Being Funny in a Foreign Language.
“Don’t be nostalgic. Do not. Don’t do it,” frontman Matty Healy says to the crowd as the set list shifts to “A Change of Heart,” from The 1975’s No. 1, and highest-charting, album on the Billboard 200, 2016’s I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It.
With Friday’s unveiling of Still… At Their Very Best live, The 1975 also debuted a band logo that’s stylized in an updated font on social media. They’ve seemingly been working on new music for an album that might be called God Has Entered My Body, with fans hopeful for a preview at Glastonbury, if not ahead of their performance at the fest.
“Ladies and gentlemen, I don’t know anything about legacy, or the future. I don’t know if anyone’s gonna remember us. But if we are remembered, I hope it’s for this,” Healy says on the newly-released live set, during a heartfelt introduction to one of the band’s early standouts, the carthatic “Robbers,” from their 2014 self-titled debut.
The first half of the 30-track album culminates on romance from the mainstage, with the gut-punch trio of “Fallingforyou,” “About You” and “When We Are Together,” before moving on to the “Consumption” section of the concert, an acoustic B-stage performance that starts with media noise and, at this show in Manchester, had Healy singing “I Like America & America Likes Me,” and 1975 tourmate Polly Money taking lead on the group’s Phoebe Bridgers duet “Jesus Christ 2005 God Bless America.”
“Hello,” Healy says here. “I haven’t really planned what to say. But I suppose this bit is supposed to be a bit awkward, ‘cause it’s just me under a spotlight.”
“You shouldn’t feel sorry for me, I’m a nepo baby,” he jokes. “My mum [Denise Welch] was on Coronation Street so they gave me a No. 1 album in America. That’s the way it works! That’s the way it works, baby!”
He tells the Manchester audience, “We’re very proud to be from here, and, um, sorry if I ever let you down or whatever.”
The latter half of the live album has The 1975 letting loose — “Let’s play a banger and then we can start taking requests, all right?” Healy says in banter with fans ahead of “It’s Not Living (If It’s Not With You) — and celebrating being there together, with the singer voicing sentiment for bandmates/best friends Adam Hann, Ross MacDonald and George Daniel.
“I’m gonna be serious right now for a second,” Healy says at one point. “There’s so many f—ing solo artists, and the reason is, is because all media is now individualized. So you won’t watch the TV with your mates or your mum and dad, you’ll watch your own media. So like every band, when they start with young people, they all have an Instagram, so there’s always this incentive of the individual behind this kind of group. Whereas we started when we were 13, so the idea of the individual wasn’t even a thing. Trust me. Bind together and make something bigger than yourself. That’s my advice — in all stuff. I’d be f—ed without them — I mean you know that! I’d be f—ing selling roses on Brent Cross Roundabout.”
The 1975’s latest live release closes with anthemic sing-alongs “Love It If We Made It” and “Sex,” leading to the high, screaming energy of “People.”
See the full track list below:
“The 1975”
“Looking for Somebody to Love”
“Happiness”
“Part of the Band”
“Oh Caroline”
“I’m In Love With You”
“Change of Heart”
“An Encounter”
“Robbers”
“Me”
“You”
“Fallingforyou”
“About You”
“When We Are Together”
“Consumption”
“I Like America & America Likes Me”
“Jesus Christ 2005 God Bless America”
“If You’re Too Shy (Let Me Know)”
“TOOTIMETOOTIMETOOTIME”
“It’s Not Living (If It’s Not With You)”
“Menswear”
“Chocolate”
“The Sound”
“Somebody Else”
“Guys”
“I Always Wanna Die (Sometimes)”
“Love It If We Made It”
“Sex”
“People”
Entertainment
Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.
Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.
Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).
Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.
Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.
Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.
Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.
“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”
“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.
Entertainment
Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.
One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”
An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.
The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”
Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”
Billboard has reached out to Ice Cube’s team for comment.
Entertainment
Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.
“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”
Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”
“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”
Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.
CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.
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