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Taylor Swift Shares Live ‘Mirrorball’ as Eras Tour Is Declared Tour of the Century at 2025 iHeartRadio Music Awards

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At Monday night’s (March 17) 2025 iHeartRadio Music Awards, Taylor Swift‘s groundbreaking Eras Tour was given a title it will spend the next 75 years defending: tour of the century. And to celebrate the honor, Swift treated the iHeart audience to her live performance of “Mirrorball” from the acoustic set of her very first Eras Tour date in Glendale, Arizona.

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03/17/2025

The Eras Tour kicked off in March 2023 — two years ago today, in fact — and wrapped in December 2024. Swift’s record-setting global trek grossed more than $2 billion and sold over 10 million tickets. The Eras Tour is the highest-grossing tour of all time, by artists of any genre, and from any era in music history, per Billboard Boxscore. It surpasses the record of Coldplay’s ongoing Music of the Spheres World Tour, the only other tour to gross more than $1 billion.

Super Swiftie comedian Nikki Glaser announced the tour of the century honor by revealing that she attended 22 concerts of the trek. “Never in my childless dog lady life will I ever witness a live performance of that magnitude,” Glaser promised. “Every single show was a marathon of perfection, the vocals, the athleticism, the costumes, the secret songs, my bedazzled adult diaper — those are memories and a rash I’ll have forever. So it makes perfect sense why iHeartRadio is giving Taylor Swift the award for tour of the century.”

While Swift wasn’t in the building, she did send in a video message to thank iHeart and her dedicated fans.

“I’ve been doing a lot of processing since I’ve been off the road these last few months,” Swift said in the video. “And, you know, people often say that sometimes the greatest challenges in life end up being something you’re so proud of, or end up being the most gratifying feeling in the end, if you can rise to the occasion. And this tour was absolutely the most challenging thing I’ve ever done in my life. Three and a half hour show,s more shows than I’ve ever done on a tour, and it really was the most gratifying thing I’ve ever done.

“I think about that tour constantly,” she continued. “I’m so proud of it. And the only reason I was able to take on those challenges, among others, the ambition of the production, the length of the show, the amount of shows, all the different countries we played in, that’s all because of the fans. You made the songs for the last couple decades into what they became so that we could do a three and a half hour setlist. You had the passion and the generosity to care about traveling to see us on tour in all these places all over the world. It blows my mind. I’m never going to stop being grateful for it, and I appreciate this more than you know.”

Swift had a treat for the audience in her absence, sharing a video of her “Mirrorball” performance from night 1. Her second of two acoustic songs that night was her first single ever, “Tim McGraw.”

Earlier in the night, while accepting the breakthrough artist award, Gracie Abrams shouted out Swift for including her on The Eras Tour as an opening act throughout its two-year run, giving thanks “for the incredible artists who allowed me to share their stages at different times and in different ways — Taylor and Olivia [Rodrigo] and Noah Kahan and The National.”

Watch Swift’s acceptance speech below:

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Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

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Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.

Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.

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Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).

Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.

Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.

Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.

Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.

“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”

“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.

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Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

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Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.

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One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”

An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.

The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”

Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”

Billboard has reached out to Ice Cube’s team for comment.

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Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

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Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.

“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”

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Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”

“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”

Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.

CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.

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