Entertainment
Morgan Wallen’s ‘I’m the Problem’ Spends First Two Months at No. 1 on Billboard 200

Morgan Wallen’s I’m the Problem has spent its first two months on the Billboard 200 at No. 1 as the set holds atop the chart dated July 19, earning 151,000 equivalent album units in the United States in the week ending July 10 (down 12%). The album opened at No. 1 on the May 31 chart.
Cumulatively, Wallen’s three No. 1 albums (I’m the Problem, One Thing at a Time and Dangerous: The Double Album) have spent a total of 37 weeks at No. 1 on the Billboard 200. That sum ties him with Harry Belafonte and Drake for the fifth-most weeks at No. 1 among male artists in the history of the Billboard 200 (since it began publishing on a regular, weekly basis in March 1956). Among the gents, the leaders are: Elvis Presley (67 weeks), Garth Brooks (52), Michael Jackson (51), Elton John (39), Belafonte, Drake and Wallen (37 each). Among all artists, The Beatles have the most weeks at No. 1, with 132 across 19 No. 1 albums.
Also in the top 10 of the latest Billboard 200, the KPop Demon Hunters soundtrack hits a new peak, climbing 3-2 in its third week on the chart. Meanwhile, Toby Keith’s chart-topping 35 Biggest Hits surges 43-9 in the wake of streaming gains generated by Independence Day festivities.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 19, 2025-dated chart will be posted in full on Billboard‘s website on July 15. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of I’m the Problem’s 151,000 equivalent album units earned in the week ending July 10, SEA units comprise 143,500 (down 12%, equaling 188.69 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for an eighth week), album sales comprise 6,500 (down 12% — it rises 11-5 on Top Album Sales) and TEA units comprise 1,000 (down 23%).
The KPop Demon Hunters soundtrack climbs 3-2 — a new peak — in its third week, earning 75,000 equivalent album units (up 21%). It’s the first soundtrack to debut in the top 10 on the Billboard 200 and then see unit increases in its second and third weeks since the Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 album in 2017.
In the 2020s, only four soundtracks have reached the top two on the Billboard 200: KPop Demon Hunters, Wicked (which debuted and peaked at No. 2 in 2024), Barbie (also No. 2 debut and peak, in 2023) and Encanto (nine weeks at No. 1 in 2022).
Of the KPop Demon Hunters soundtrack’s 75,000 units earned in its third week, SEA units comprise 70,000 (up 24%, equaling 96.33 million on-demand official streams of the set’s songs — it holds at No. 2 on Top Streaming Albums), album sales comprise 4,000 (down 6% — it rises 21-9 on Top Album Sales) and TEA units comprise 1,000 (up 6%).
As the KPop Demon Hunters soundtrack racked up 96.33 million streams for its songs in its third week, it scores the biggest streaming week for a soundtrack in more three years. The last soundtrack to post a bigger streaming figure was Encanto, on the March 12, 2022-dated chart, when it rang up 101.16 million streams for its songs in its eighth week at No. 1 on the Billboard 200.
KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S., and on Netflix, alongside its soundtrack. In the tracking week ending July 6, KPop Demon Hunters held at No. 2 in its third week on Netflix’s Top 10 Movies in United States chart.
Wallen’s former leader One Thing at a Time climbs 6-3 on the latest Billboard 200 (with 39,000 equivalent album units earned; down 2%); SZA’s chart-topping SOS rises 7-4 (36,000; down 7%); Sabrina Carpenter’s former No. 1 Short n’ Sweet bumps 9-5 (35,000; up 6%); Wallen’s chart-topping Dangerous: The Double Album ascends 11-6 (29,000; down 4%); Bad Bunny’s former No. 1 Debí Tirar Más Fotos jumps 16-7 (nearly 29,000; up 3%); and Karol G’s Tropicoqueta falls 5-8 (just under 29,000; down 29%).
Toby Keith’s 35 Biggest Hits returns to the top 10, rallying 43-9 with 26,000 equivalent album units earned (up 56%) following streaming gains generated by Independence Day celebrations. The album, released in 2008, hit No. 1 on the Feb. 17, 2024-dated chart in the wake of Keith’s death that Feb. 5.
Of 35 Biggest Hits’ 26,000 units earned, SEA units comprise 24,000 (up 59%, equaling 32.93 million on-demand official streams of the set’s songs — it jumps 43-11 on Top Streaming Albums). The rest of the album’s 2,000 units were generated by album sales and TEA units. About one-third of the album’s streams for the week were generated by Keith’s 2002 No. 1 Hot Country Songs hit “Courtesy of the Red, White and Blue (The Angry American),” which was also his most-streamed song of the week.
Closing out the top 10 of the latest Billboard 200 is PARTYNEXTDOOR and Drake’s former No. 1 $ome $exy $ongs 4 U, rising 17-10 with 26,000 equivalent album units earned (down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Entertainment
Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.
Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).
“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”
The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.
“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.
Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.
Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”
“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”
He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”
The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.
Entertainment
Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.
Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.
The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.
The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.
Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.
Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.
Entertainment
AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.
As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”
But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.
You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.
Other top stories this week…
BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”
DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”
LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.
SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.
FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.
HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.
LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.
NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”
SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”
MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.
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