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Miley Cyrus Talks Pop Star Peers, ‘Winding Down’ Her Focus on Mainstream Success After ‘Something Beautiful’

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Next year things might look a bit different for Miley Cyrus, who says in a conversation with The New York Times that she’s looking forward to a “rebirth of how I look at my career.”

When asked about her relationship with mainstream success, Cyrus, who just released her ninth studio album, Something Beautiful, spoke of what she sees next for herself as an artist.

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“I think it’s winding down, my attachment to mainstream success,” Cyrus said in the video interview, published on Saturday, May 31. (A shortened version of the full interview was published on the outlet’s website.)

“I kind of feel like this album, it’s definitely not a ‘last lap’ — I’m definitely not going 180 in my career necessarily right now — but I think it’s potentially the last time I’ll do it exactly this way,” she noted.

The singer announced Something Beautiful in March, when she gave fans a first listen to album track “Prelude” and the set’s title track. She’s since released two more singles, “End of the World” and “More to Lose,” and just before the album’s release held a private concert hosted by TikTok at the Chateau Marmont in Los Angeles. Still to come is a visual component to the project, a film set to show in theaters for one night only on June 12 in the United States and Canada, and internationally on June 27.

Cyrus — whose previous full-length release, 2023’s Endless Summer Vacation, reached No. 3 on the Billboard 200 — said, “I’m taking a big bet on this one [Something Beautiful]. I’m all in. But I don’t think I’ll put myself in a position that I add this much pressure to myself again.”

“A lot of things are going to change about that for me, towards the end [of this year] and the beginning of next year. That’s really kind of my focus, of using this year to kind of wind that idea I’ve had of myself down. There’s a song on the album called ‘Reborn’ and it’s kind of about this. I feel like next year for me is gonna be kind of this rebirth of how I do things and how I look at my career,” said Cyrus.

The conversation clocked in at nearly an hour, between Cyrus’ in-person sit-down with the publication and a follow-up call. Among the many topics discussed with candor: her present-day relationship with each parent (Tish and Billy Ray Cyrus), whether she’s interested in being a parent one day, what happened when she did E.M.D.R. therapy, growing up as a child star and why finally winning her first Grammy (for “Flowers,” in 2024) was so significant, and — when interviewer Lulu Garcia-Navarro brought up Cyrus’ peers in the industry — her rapport with other female pop stars.

“I find the relationship between female pop stars to be really interesting and often very fraught,” Garcia-Navarro suggested, to which Cyrus joked: “Divas.”

“Is that what you think is happening?” she asked Cyrus.

“I mean, probably on my end,” the singer said, and then clarified, “I don’t mind the word diva. Maybe I’m a little diva.”

Cyrus added, “It’s kind of cool. It’s a fantasy. You don’t have to be famous to be a diva — just be a diva. Diva does not mean difficult for no reason.” When asked whether she thinks she’s difficult, she quipped: “I’m difficult, but not for no reason.”

The interviewer followed up by prompting, “You have said you don’t feel part of the cohort of singers of your generation and age group … You’ve held yourself apart in a certain way.” She asked Cyrus why.

“I don’t think it’s so much of a conscious choice,” Cyrus said. “I think for me, my persona — the public’s idea of me — is ‘on,’ in some way, but in my own time, I’m very off. I like no makeup, my hair up messy. I don’t even look in the mirror in my own time.”

“It’s not that I haven’t found it,” she said. “I haven’t looked very hard. I’m sure girls in my community are going like, ‘Well, that’s me too and you haven’t reached out.’ No, I haven’t … I like doing my two worlds.”

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Cyrus related her real life to that of her teenaged Hannah Montana persona.

“Maybe it’s something subconsciously from the show, like from Hannah Montana where I think my famous person has one life and then as a regular person I have another life,” she explained. “I think maybe subconsciously it programmed me — not even joking — to think who I am at home and who I am as a performer are kind of like two separate identities, and actually they are.”

Elsewhere in the conversation the former Disney star talked about the younger generation of pop singers, including Sabrina Carpenter, whom she’s met and sometimes worries about due to the hectic schedule the “Espresso” hitmaker keeps. “Every time I see her I have the urge to ask her if she’s OK. I’ll see she’s performing in Ireland, and then the next day she’s doing a show in Kansas. And I’m like, ‘I don’t know how that could be physically OK,’ because I was in that situation. I know what it feels like to fry yourself, and I don’t want anyone else to get fried. But I like all the new girls. I think they’re all unique and are very found,” Cyrus said.

See her full interview with the New York Times in the video below.

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Doechii Performs a Star-Making Set at Montreal’s Osheaga Festival

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Osheaga has a knack for booking budding superstars right as they blow up. Last year, it was Chappell Roan. This year, it was Doechii.

The Grammy-winning, Florida-born rapper took the stage on the first night of the Montreal music festival on Friday (Aug. 1), and it felt like a star-making performance. The Killers headlined the mainstage, but unlike Chappell Roan, who played for 40,000 people at 3:30 in the afternoon last year, Doechii did have the honor of closing out the festival on the secondary Forest Stage.

Her set was pushed back slightly to start at 10:10 p.m., meaning she was the final performer of the night before the noise curfew at 11 p.m. And for those who wanted to catch both acts, The Killers made it easy by playing their belt-along favorite “Mr. Brightside” as their first song and packing the first hour of their two-hour, 9:10 p.m. set with hits.

Doechii’s stage set was decked out to fit her Swamp Princess persona, covered in greenery and a large, elevated swampy platform for her to stand on. The crowd was packed in, so the fans stuck at the back still had a visual feast. “I look good from the nosebleeds,” she rapped from her 2025 hit “Nosebleeds,” and this show proved it.

Doechii performs at Osheaga 2025 in Montreal.

Charlotte Rainville @jailli

For a full hour, Doechii kept the energy up. She rapped a mile a minute, all live with almost no reliance on a backing track. She showed off her full skill set, from pure hip-hop to sung R&B/pop hooks, and comedic banter to thought-out stagecraft. She brought unbridled charisma, taking time to dance and twerk and show off some vogue moves as well. She showed off a reverence for classic hip-hop, rapping over Wu-Tang’s “C.R.E.A.M.,” and later screaming over a distorted guitar sample — almost veering towards nu-metal. She showed she can do it all.

The audience stayed captivated, rapping along and matching her energy throughout. It was Doechii’s first time in Canada, and you could tell she was impressed by the reaction. “As an artist, you can get so much hate and negativity,” she said. “Then you go out in real life and see your real fans.”

She took some time to thank her gay fans, her female fans, and the fans who brought their boyfriends. “If your boyfriend hates female rappers, then leave him immediately,” she said.

Seeing all the phones out, she seized her moment. “Ya’ll can’t be scared to stand up for what you believe in, you can’t be scared to say what matters,” she said. “Free Palestine.”

Doechii Osheaga 2025

Doechii performs at Osheaga 2025 in Montreal.

Charlotte Rainville @jailli

Doechii broke out her biggest hit, the Billboard Hot 100 top-10 charting “Anxiety,” and thanked all her fans for streaming it. The “Somebody That I Used To Know” sampling song is a bit of an outlier in her catalogue, but it’s a viral TikTok favourite, and she’s found a way to fit it perfectly into her set. After playing the song, she thanked Gotye for approving the sample.

The true highlight of the set was “Denial Is a River.” The song, which features Doechii rapping with her internal monologue, took on a whole new call-and-response dimension with fans chanting along to every word.

It felt like she was still just getting started when, midway through the next song, the beat cut out. “F— that, they cut me off!” she yelled. She put her thumbs down, inciting the crowd to boo, then threw her hands up. “Whatever,” she said, walking off the stage.

Unfortunately, Osheaga has a hard 11 p.m. noise curfew. It’s clear the next time she’s back, she’ll have to have a longer headliner-length set.

Doechii performs tonight (Aug. 2) at Lollapalooza in Chicago, where she’s teased a special guest. If Osheaga was anything to go by, her set will likely be all over social media soon.

This article originally appeared on Billboard Canada.

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Olivia Rodrigo Rocks Out With Weezer During Her Headlining Set at Lollapalooza 2025

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Olivia Rodrigo was joined by surprise guest Weezer during her headlining set at Lollapalooza 2025.

On Friday (Aug. 1), the 22-year-old pop superstar made her debut on the second day of the Chicago music festival at Grant Park. Toward the end of her evening set, she surprised the crowd by inviting Weezer to join her on stage.

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In a fan-captured video on TikTok, Rodrigo shared with the crowd that Weezer was the first band she ever saw live.

“You always remember your first concert. It’s a very, very special moment,” the “Drivers License” singer said. “I remember my first concert. It was a very memorable night. I watched this incredible band and I am so over the moon, because that incredible band is actually here tonight to play a few songs. Will you please say hello to Weezer?”

Weezer then joined Rodrigo for performances of their classic hits “Buddy Holly” and “Say It Ain’t So,” both from the group’s 1994 self-titled album. She played guitar and harmonized alongside frontman Rivers Cuomo during the collaboration. Check out clips from the performances here and here on X.

This marked Weezer’s first Lollapalooza performance since they headlined alongside Widespread Panic in 2005.

This isn’t the first time Rodrigo has brought out surprise guests during her recent festival appearances. She recently invited David Byrne onstage at New York’s Governors Ball to perform Talking Heads’ 1983 hit “Burning Down the House,” and welcomed The Cure’s Robert Smith at this year’s Glastonbury Festival to perform “Friday I’m In Love” and “Just Like Heaven.”

During her Lolla set on Saturday, Rodrigo opened with “Obsessed” and “Ballad of a Homeschooled Girl,” and also performed hits including “Driver’s License,” “Traitor,” “Bad Idea, Right?” and “Love Is Embarrassing.”

The Chicago festival continues Saturday (Aug. 2) with headliners Rüfüs Du Sol and TWICE, followed by closers Sabrina Carpenter and A$AP Rocky on Sunday.

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Kelly Osbourne Honors Dad Ozzy Osbourne With NSFW Post Days After His Funeral

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Kelly Osbourne is paying tribute to her father, Ozzy Osbourne, just days after his funeral.

On Friday (Aug. 1), the 40-year-old TV personality shared an NSFW photo on her Instagram Story in memory of the rock legend, who passed away on July 22 at the age of 76.

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Tributes are left prior Ozzy Osbourne's funeral cortege is set to travel through his home city of Birmingham on July 30, 2025 in Birmingham, England.

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The outdoor image featured a beautiful display of purple flowers arranged to spell out “Ozzy F—ing Osbourne,” set beside a serene pond surrounded by a rolling hill and trees.

In a second post, Kelly shared a heartfelt clip from The Osbournes, the MTV reality series that aired from 2002 to 2005. The snippet shows Ozzy lying in bed with his wife, Sharon Osbourne, offering words of wisdom.

“Listen, all you got to worry about is getting through today,” the Black Sabbath frontman says. “That’s all you got to worry about.”

Just days earlier, Kelly attended her father’s funeral procession in his hometown of Birmingham, England, where fans flooded the streets to pay their respects. Sharon, along with Ozzy’s other children — Aimeé and Jack — laid flowers at the Black Sabbath Bridge, which had been covered with tributes from mourners.

Shortly after Ozzy’s passing, Kelly posted another emotional tribute to her Instagram Story on July 24. “I feel unhappy I am so sad,” she wrote. “I lost the best friend I ever had,” the Fashion Police alum added, along with a heartbroken emoji. Her words echoed lyrics from Black Sabbath’s ballad “Changes,” which she and her father released as a duet in 2003.

Ozzy Osbourne died at age 76, just weeks after performing his final concert. His family confirmed the news in a joint statement. “It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” they wrote. “He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time.”

Just a month before his death, Kelly had honored her dad on Father’s Day with an Instagram post that included a slideshow of Ozzy spending time with her young son, Sidney, whom she shares with fiancé Sid Wilson.

“Happy Father’s Day daddy,” she wrote at the time. “I love you more than anyone or anything in the world! I am so proud to be your daughter and Beyond honored to watch you be the best #Papa in the world to my son!”

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