Entertainment
Lady Gaga & Bruno Mars’ ‘Die With a Smile’ Dominates Both Billboard Global Charts

Lady Gaga and Bruno Mars’ “Die With a Smile” continues atop the Billboard Global 200 chart, adding a 12th week at No. 1. It also rebounds for an 11th week atop Billboard Global Excl. U.S. The ballad first led both lists last September.
Meanwhile, two tracks debut in the top 10 of each survey: JENNIE’s “Like JENNIE” and Doechii’s “Anxiety.”
As previously reported, Gaga’s MAYHEM launches at No. 1 on the U.S.-based Billboard 200 albums chart, becoming her seventh leading set, and JENNIE’s Ruby begins at No. 7.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Die With a Smile” leads the Global 200 with 116.9 million streams (up 4%) and 9,000 sold (up 17%) worldwide March 7-13.
Nos. 2-4 on the Global 200 hold in place, with ROSÉ and Mars’ “APT.” at No. 2, after 12 weeks at No. 1 starting in November; Kendrick Lamar and SZA’s “Luther” at its No. 3 high; and Lamar’s “Not Like Us” at No. 4, following four weeks at No. 1 beginning last May.
JENNIE’s “like JENNIE” soars in at No. 5 on the Global 200 with 68.4 million streams and 6,000 sold worldwide. The BLACKPINK member adds her fourth solo top 10 on the chart; the group has likewise collected four top 10s, while fellow members LISA (three top 10s), ROSÉ (two) and Jisoo (one) have also hit the tier as soloists.
Also in the Global 200’s top 10, Doechii’s “Anxiety” bounds in at No. 6 with 56.9 million streams and 9,000 sold, becoming her first top 10. The history of the song – recorded in 2019 – is winding: When it was available only via YouTube, Sleepy Hallow co-opted its hook for the chorus of his own “A N X I E T Y”; billed to Sleepy Hallow featuring Doechii, it was released in 2023. The update experienced a TikTok-led revival in recent weeks, as users have soundtracked the “A N X I E T Y” chorus to a scene of Will Smith and Tatyana Ali dancing from an episode of The Fresh Prince of Bel-Air, the Smith-led sitcom that aired on NBC in 1990-96. “A N X I E T Y” falls 21-27 in its second week on the Global 200, led by 29.6 million streams worldwide (down 2%).
Meanwhile, the new attention for “A N X I E T Y” sent fans to Doechii’s solo, YouTube-only version, prompting the rapper/singer to release her original “Anxiety” wide to digital and streaming retailers on March 4. Her version debuts on the Global 200 following the first full tracking week (March 7-13) reflecting its wider release (and split consumption options with Sleepy Hallow’s take, which, as noted above, dips slightly in streams).
Additionally, “Anxiety” and “A N X I E T Y” prominently sample Gotye’s “Somebody That I Used To Know” (featuring Kimbra), the 2012 smash that topped the Billboard Hot 100 for eight weeks, was that year’s No. 1 Hot 100 song and went on to win two Grammy Awards, including record of the year. That hit vaults 191-130 on the Global 200, up 20% to 16.5 million streams and 27% to 1,000 sold worldwide in the tracking week.
On Global Excl. U.S., “Die With a Smile” rises 2-1 with 92.3 million streams (up 2%) and 4,000 sold (up 17%) outside the U.S. March 7-13.
“APT.” descends to No. 2 after a record 17 weeks atop Global Excl. U.S. beginning in November.
JENNIE’s “like JENNIE” enters Global Excl. U.S. at No. 3 with 61.5 million streams and 4,000 sold outside the U.S. She achieves her fifth solo top 10 on the chart – surpassing the four top 10s that BLACKPINK and the group’s LISA as a soloist have each notched; ROSÉ boasts two solo top 10s and Jisoo, one.
Billie Eilish’s “Birds of a Feather” holds at No. 4 on Global Excl. U.S., after three weeks on top last August, and Gaga’s “Abracadabra” magically reappears in the top five (8-5), after reaching No. 4.
Plus, Doechii’s “Anxiety” debuts as her first Global Excl. U.S. top 10 at No. 7, with 36.9 million streams and 4,000 sold outside the U.S.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated March 22, 2025) will update on Billboard.com tomorrow, March 18. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Additional reporting by Trevor Anderson.
Entertainment
Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.
Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.
Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).
Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.
Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.
Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.
Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.
“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”
“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.
Entertainment
Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.
One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”
An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.
The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”
Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”
Billboard has reached out to Ice Cube’s team for comment.
Entertainment
Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.
“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”
Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”
“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”
Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.
CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.
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