Entertainment
Jonas Brothers Reveal 20th Anniversary Living the Dream Tour Dates

The Jonas Brothers have unveiled the North American dates for their upcoming 20th anniversary tour.
On Sunday (March 23), the sibling trio revealed the U.S. and Canadian itinerary for their JONAS20: Living the Dream Tour, which will see them perform at stadiums and arenas across both countries starting this summer.
The 43-date tour launches on Aug. 10 at MetLife Stadium in East Rutherford, N.J., and concludes on Nov. 14 at Mohegan Sun Arena in Uncasville, Conn. The full list of dates, announced during JONASCON in New Jersey, can be found below.
“We’re beyond excited to hit the road and celebrate 20 years of music,” the Jonas Brothers said in a statement. “Our fans have been with us through every chapter, and this tour is our way of honoring them, the memories we’ve made, and the ones we’ll create together. We can’t wait to make this our biggest, most unforgettable tour yet.”
Tickets for the JONAS20: Living the Dream Tour go on sale March 28 at ticketmaster.com. Opening acts in select cities include Marshmello, The All-American Rejects and Boys Like Girls.
The Jonas Brothers are also celebrating the release of their upbeat new single “Love Me To Heaven.” The upbeat track serves as the trio’s first new release of the year, following previous collaborations with Marshmello and Rascal Flatts.
In addition to rolling out the tour dates, JONASCON was an extravaganza of all things JoBro. The event features live performances, DJ sets, Q&A panels, fan activations, pop-up surprises, retail takeovers, a Jonas trading post, trivia, games, immersive experiences, an interactive art installation, keynote event, karaoke, a Camp Rock bar, special guests, mini golf and exclusive merch.
Check out the Jonas Brothers’ JONAS20: Living the Dream Tour dates below.
Aug. 10: East Rutherford N.J. (MetLife Stadium)
Aug. 12: Washington, D.C. (Nationals Park)
Aug. 14: Philadelphia (Citizens Bank Park)
Aug. 17: Hershey, Pa. (Hersheypark Stadium)
Aug. 21: Toronto (Rogers Centre)
Aug. 23: Boston (Fenway Park)
Aug. 26: Chicago (Wrigley Field)
Aug. 28: Detroit (Comerica Park)
Aug. 31: Arlington, Texas (Globe Life Field)
Sept. 6: Los Angeles (Dodger Stadium)
Sept. 18: Vancouver (Rogers Arena)
Sept. 20: Portland, Ore. (Moda Center)
Sept. 22: Seattle (Climate Pledge Arena)
Sept. 25: San Francisco (Chase Center)
Sept. 26: Sacramento, Calif. (Golden 1 Center)
Sept. 28: Phoenix (PHX Arena)
Oct. 2: Denver (Ball Arena)
Oct. 4: Omaha, Neb. (CHI Health Center)
Oct. 5: Des Moines, Iowa (Wells Fargo Arena)
Oct. 7: Kansas City, Mo. (T-Mobile Center)
Oct. 8: St. Louis (Enterprise Center)
Oct. 10: St. Paul, Minn. (Xcel Energy Center)
Oct. 12: Milwaukee (Fiserv Forum)
Oct. 14: Nashville (Bridgestone Arena)
Oct. 16: Tulsa, Okla. (BOK Center)
Oct. 17: Austin, Texas (Moody Center)
Oct. 18: San Antonio, Texas (Frost Bank Center)
Oct. 19: Houston (Toyota Center)
Oct. 22: Tampa, Fla. (Amalie Arena)
Oct. 24: Sunrise, Fla. (Amerant Bank Arena)
Oct. 26: Orlando, Fla. (Kia Center)
Oct. 28: Atlanta (State Farm Arena)
Oct. 29: Raleigh, N.C. (Lenovo Center)
Nov. 1: Lexington, Ky. (Rupp Arena)
Nov. 2: Indianapolis (Gainbridge Fieldhouse)
Nov. 4: Knoxville, Tenn. (Thompson-Boling Arena at Food City Center)
Nov. 5: Charlotte, N.C. (Spectrum Center)
Nov. 6: Columbia, S.C. (Colonial Life Arena)
Nov. 8: Columbus, Ohio (Schottenstein Center)
Nov. 9: Buffalo, N.Y. (KeyBank Center)
Nov. 11: Cleveland (Rocket Arena)
Nov. 12: Pittsburgh (PPG Paints Arena)
Nov. 14: Uncasville, Conn. (Mohegan Sun Arena)
Entertainment
Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.
Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.
Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).
Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.
Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.
Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.
Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.
“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”
“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.
Entertainment
Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.
One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”
An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.
The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”
Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”
Billboard has reached out to Ice Cube’s team for comment.
Entertainment
Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.
“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”
Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”
“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”
Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.
CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.
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