Entertainment
Chappell Roan Thanks Fans for ‘Sticking With Me’ Through ‘Really Hard’ Year at Triumphant NYC Homecoming Show

“We’re going to teach you a dance,” Chappell Roan says, as if there’s anyone in the audience tonight who still doesn’t know her infamous “Hot to Go!” choreography.
In reality, the crowd of thousands at Saturday’s (Sept. 20) show at Forest Hills Stadium in Queens, New York, hasn’t just been waiting all night for this — many of them have been waiting several months. It’s been quite some time since the Missouri native performed in her home country, with the end of 2024 marking a particularly rough period for her. In addition to canceling two stateside shows for mental health reasons, she faced onslaughts of backlash for everything from speaking out about predatory fan behaviors to criticizing Kamala Harris amid the presidential race, leading to her largely stepping back from the internet.
Now, a packed audience dotted with pink cowboy hats and Lady Liberty crowns — nods to Roan’s getup at the 2024 Governor’s Ball, one of the last times she performed in New York — embraces her completely, every bump in the road forgotten. Looking out at a sea of arms eagerly forming the shapes of the letters “H-O-T-T-O-G-O” (“I think you get it,” she giggles, abandoning her dance tutorial after one run-through), she looks stronger than ever, strutting around the stage in a sexy Captain Hook-esque outfit without missing a note as flames erupt behind her.
Saturday’s concert is the first of eight pop-up performances in the U.S. that Roan has generously tacked onto her European Visions of Damsels & Other Dangerous Things Tour, and one of four dates slated for NYC. The setlist is full of high-octane numbers from her 2023 debut album, The Rise and Fall of a Midwest Princess, with “Super Graphic Ultra Modern Girl,” “Femininomenon,” “After Midnight,” “Naked in Manhattan” (“Can you believe it? We’re in New York!” she yells triumphantly midway through), “Guilty Pleasure” and “Casual” preceding “Hot to Go!,” as well as new single “The Subway,” which recently earned Roan her highest-ever peak on the Billboard Hot 100 at No. 3.
Later in the show, she writhes around on the stage floor while covering Heart’s “Barracuda,” sensually serenades a mic stand topped with a blonde wig for the waltzy “Picture You,” line dances with her bandmates to March single “The Giver” and fills up the stadium with impressive high note after high note during “Good Luck, Babe!,” the breakout hit that catapulted the pop singer to superstardom with unprecedented swiftness in spring 2024. The latter two tracks are expected to appear on Roan’s next LP, which she plans to start work on after the tour ends in October. (“It took me five years to write the first [album], and it’s probably going to take at least five to write the next,” she warned in a recent interview with Vogue.)
Though Roan is a total force on stage, polished and magnetic while trouncing around a set made to look like an illustrated fairytale castle, the show is not without her signature frankness. She hilariously breaks character at one point to inform the crowd that she’d totally forgotten her entire “a—s” was on display in her outfit until she was taken by surprise at the sight of her own rear-end on one of the big screens behind her. Toward the end, while singing the vulnerable and now-deeply-ironic “California” about worrying she’ll never make it in the music business, she interjects, “I just saw someone yawn — that’s crazy.”
She also takes a tender moment to address why her return home is so momentous. “It’s been quite a year,” she tells the crowd around the halfway point in the show. “I can’t believe we’re here, honestly. It’s crazy. Thank you for sticking with me through it, I know it was … it’s been really hard.”
“I’m so glad I can come to work like this,” she continues. “I just needed a place like this so bad when I was 13, 14. I just wanted to dress up however I wanted, and I wanted to wear makeup and look weird. So I hope you know that you’re welcome here, however you show up today. You are cherished.”
As Roan dives into “Kaleidoscope,” her fans band together to let her know that the feeling is very much mutual. A dazzling rainbow suddenly appears and winks back at her as she sings, with the concert-goers in the back several rows of the stadium holding up multicolored lights in one unified effort.
“Everyone look behind you,” she instructs the rest of the crowd before momentarily forgetting the song’s lyrics, distracted by the emotionally charged gesture — the only hiccup in an otherwise flawless show. “You’ve got the rainbow! It’s a kaleidoscope! It’s so beautiful!”
After her stay at Forest Hills, Roan will play two nights in Kansas City before closing out the Visions of Damsels & Other Dangerous Things Tour with two nights in Los Angeles. See Roan’s full setlist at the first night of her NYC shows below.
- “Super Graphic Ultra Modern Girl”
- “Femininomenon”
- “After Midnight”
- “Naked in Manhattan”
- “Guilty Pleasure”
- “Casual”
- “The Subway”
- “Hot to Go!”
- “Barracuda” (Heart cover)
- “Picture You”
- “Kaleidoscope”
- “Love Me Anyway”
- “The Giver”
- “Red Wine Supernova”
- “Coffee”
- “Good Luck, Babe!”
- “My Kink Is Karma”
- “California”
- “Pink Pony Club”
Entertainment
Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.
Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).
“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”
The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.
“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.
Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.
Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”
“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”
He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”
The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.
Entertainment
Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.
Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.
The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.
The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.
Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.
Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.
Entertainment
AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.
As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”
But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.
You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.
Other top stories this week…
BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”
DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”
LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.
SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.
FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.
HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.
LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.
NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”
SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”
MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.
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