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Bad Bunny’s ‘Debí Tirar Más Fotos’ Returns to No. 1 on Billboard 200 After Vinyl Release

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Bad Bunny’s Debí Tirar Más Fotos returns to No. 1 on the Billboard 200 albums chart, jumping 7-1 on the May 17-dated chart, following the set’s release on vinyl. It’s the fourth total week atop the list for the Spanish-language project, which spent three consecutive weeks at No. 1 on the Jan. 25-Feb. 8-dated charts. In the tracking week ending May 8, Debí Tirar Más Fotos earned 84,500 equivalent album units (up 123%) in the United States, with more than half of the sum driven by vinyl purchases, according to Luminate.

It’s a historic week for Latin music, as Fuerza Regida — Billboard’s year-end top duo/group in both 2024 and 2023 — achieves its first top 10-charting set on the Billboard 200 with the band’s 111XPANTIA bowing at No. 2. In turn, for the first time in the 69-year history of the all-genre chart, Spanish-language albums are Nos. 1 and 2 at the same time. Further, 111XPANTIA marks the highest-charting Spanish-language album by a duo or group, and the highest-charting regional Mexican music album.

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Plus, rapper Key Glock notches his fourth top 10-charting effort on the Billboard 200 as Glockaveli premieres at No. 8.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 17, 2025-dated chart will be posted in full on Billboard‘s website on May 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Debí Tirar Más Fotos’ 84,500 equivalent album units earned in the week ending May 8, album sales — essentially all vinyl — comprise a little over 48,000 (up 15,099%, it reenters Top Album Sales for its first week at No. 1), SEA units comprise just over 36,000 (down 3%, equaling 50.27 million on-demand official streams of the set’s songs; it falls 5-6 on Top Streaming Albums) and TEA units comprise under 500 units (down 8%).

The album’s 48,000 sold marks the largest single-week sales for a Latin music album in nearly six years, since Santana’s Africa Speaks sold 57,000 copies in its first week (June 22, 2019-dated chart), driven by sales generated from a concert ticket/album sale redemption offer for the act’s then-upcoming tour. Such offers are no longer chart-eligible.

Debí Tirar Más Fotos surges back to No. 1 on the Billboard 200 after its vinyl shipments to customers impacted the tracking week — to the tune of nearly 48,000 copies. That’s the largest sales week for a Latin album on vinyl in the modern era (since Luminate began tracking sales in 1991). It surpasses the previous record, held by the opening week of Kali Uchis’ Orquídeas (20,000 sold across seven variants; on the Jan. 27, 2024-dated chart).

Debí Tirar Más Fotos’ lone vinyl edition — on blue-colored double-vinyl in a gatefold package — was sold exclusively via Bad Bunny’s official webstore for $29.98. It went up for pre-order in early February and was then (per the store) “estimated to ship on/around the end of April 2025.” The vinyl is currently sold out on the artist’s webstore, and it has not been announced if the vinyl will be restocked, or sold through any other seller. (The blue-colored vinyl is the only physical format on which the set has been released. It has yet to be issued on CD or any other physical format, and has only been available to purchase as a download.)

Since Debí Tirar Más Fotos debuted on the Jan. 18-dated Billboard 200 (at No. 2), it has yet to leave the top 10 after 18 weeks, with its chart fortunes largely fueled by continued strong streaming of its songs.

At No. 2 on the Billboard 200, Fuerza Regida debuts with its highest-charting album ever, and first top 10, as 111XPANTIA arrives with 76,000 equivalent album units earned — the band’s best week ever by units.

The set also becomes the highest-charting Spanish-language album by a duo or group (surpassing the No. 4 peak of Maná’s Amar Es Combatir in 2006), and for a regional Mexican music album (higher than the No. 3 peak of Peso Pluma’s Génesis in 2023).

111XPANTIA also earns the largest week, by units, for any Spanish-language album by a duo or group, and by a regional Mexican album, since the chart began ranking by units in December 2014. The previous high, in that span of time, for a Spanish language album by a duo or group was Santana’s Africa Speaks (57,000 in its opening week, in 2019), while the previous high for a regional Mexican title was Génesis (73,000 in its debut frame in 2023).

Of the 76,000 units earned by 111XPANTIA in its opening week, album sales comprise 39,000 (the band’s best sales week ever, and the biggest sales week for a regional Mexican album in the modern era; it debuts at No. 2 on Top Album Sales), SEA units comprise 37,000 (equaling 50.44 million on-demand official streams of the set’s songs; it debuts at No. 5 on Top Streaming Albums) and TEA units comprise a negligible sum.

With 39,000 copies sold, 111XPANTIA surpasses the previous largest sales week for a regional Mexican title, when Selena’s Amor Prohibido sold 36,000 copies on the chart dated May 6, 1995, in the wake of her death in March of that year.

111XPANTIA was released on May 2 as a 12-song standard album, widely available as a digital download for purchase and via streaming services. On May 5, a deluxe edition of the set, with three bonus tracks, was issued via download services and streamers. The band’s official webstore carried the only physical format editions of the album: the 12-song version on four color vinyl variants, a standard CD, a signed CD (by the group’s lead singer, Jesús Ortíz Paz) and four deluxe boxed sets (two containing a branded T-shirt and a signed CD, two with a branded hat and a signed CD).

The new album was preceded by its hit single “Por Esos Ojos,” which reached No. 5 on Hot Latin Songs (March 1 chart), No. 3 on Hot Regional Mexican Songs (May 10), No. 5 on Latin Streaming Songs (March 1) and No. 79 on the all-genre Billboard Hot 100 songs chart (March 15).

111XPANTIA is the sixth charting effort on the Billboard 200 for Fuerza Regida, and the third to reach the top 40 (after PERO NO TE ENAMORES, No. 25 in 2024; and Pa las Baby’s y Belikeada, No. 14 in 2023). The group’s success has also extended to the Hot 100, where the act charted 13 song entries before the new album dropped.

Prior to the new album’s release, the group also logged eight top 10s (with one No. 1) on the Top Latin Albums chart, and 10 top 10s (with five No. 1s) on the Regional Mexican Albums chart.

Fuerza Regida’s success on the Billboard 200 and Hot 100 over the past few years has been so significant that the act finished 2024 as the top duo/group artist of the year — among all genres — for the second year in a row. In 2023, the act made history when it became the year’s top duo/group — the first time an act that primarily records in Spanish had ever achieved the feat.

(Latin and regional Mexican albums are defined as those that are eligible for, or have charted on, Billboard’s Top Latin Albums and Top Regional Mexican Albums charts, respectively.)

Nos. 2-7 on the latest Billboard 200 are all former chart-toppers. SZA’s SOS slips 2-3 (52,000 equivalent album units, though up 1%), Morgan Wallen’s One Thing at a Time is steady at No. 4 (46,000; down less than 1%), Kendrick Lamar’s GNX dips 3-5 (45,000; down 7%), Sabrina Carpenter’s Short n’ Sweet falls 5-6 (41,000; down 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U descends 6-7 (40,000; down 7%).

Key Glock lands his fourth top 10-charting effort on the Billboard 200 at Glockaveli debuts at No. 8 with 34,000 equivalent album units earned. Of that sum, SEA units comprise 28,000 (equaling 37.28 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums), album sales comprise 6,000 (it enters at No. 9 on Top Album Sales) and TEA units comprise a negligible sum.

Glockaveli was released on May 2 as a standard 18-song album, widely available as a digital download to purchase and via streaming services. The standard set was also available on CD (both signed and unsigned), vinyl (standard, color vinyl and signed color vinyl) and a deluxe boxed set containing a branded T-shirt and a CD. A deluxe edition of the album, with three bonus tracks, dropped mid-week — first via the artist’s webstore on May 4, and then wide the following day to general download services and streamers.

Rounding out the top 10 of the latest Billboard 200 are Morgan Wallen’s former leader Dangerous: The Double Album (rising 10-9 with 33,500 equivalent album units; up 1%) and Shaboozey’s Where I’ve Been, Isn’t Where I’m Going (falling 8-10 with 32,000; down 8%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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No ‘Good’ Deed Goes Unpunished for Ariana Grande’s Glinda in Final ‘Wicked: For Good’ Trailer

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In the final trailer for Wicked: For Good, Ariana Grande‘s character learns that a big price comes with being Glinda the Good.

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Released on Wednesday (Sept. 24) — about two months before the Wicked sequel finally premieres in theaters on Nov. 21 — the preview shows how the blonde leading lady wrestles with her new role as Oz’s spokeswoman, as Cynthia Erivo‘s Elphaba attempts to expose the Wizard’s evil agenda while living in hiding. At first, Glinda is “obsess-ulated” with the gorgeous gown, tiara and mechanical flying bubble her public-facing life affords her — but everything quickly comes crashing down when she realizes that she’s on the wrong side of history, and that she just might be too late to save her former schoolmate from the wrath of Oz’s brainwashed citizens.

“I’m a public figure now, people expect me to …,” Glinda tells Elphaba at one point, with Dorothy’s fallen house and the Yellow Brick Road visible in the background.

“Lie?” the green-skinned witch cuts in, to which Glinda says defensively, “Be encouraging.”

Grande’s character is less sure of herself when she is confronted by Jonathan Bailey’s Fiyero, who accuses, “You can’t resist this.”

“Who could?” Glinda asks, to which the Winkie prince replies, “You know who could.”

Arriving one year after the first Wicked hit theaters and shattered movie-musical box-office records, For Good will serve as the film adaptation of the second act of the Broadway musical on which the live-actions are based. The soundtrack will also drop on Nov. 21, complete with two brand new songs sung by Grande and Erivo.

As revealed when the tracklist dropped a week prior to the new trailer, the title of Glinda’s bonus song is “The Girl in the Bubble,” while Elphaba’s added balled is called “No Place Like Home.”

Watch the final trailer for Wicked: For Good above.


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Priscilla Presley Says That Leaving Elvis Presley Was ‘The Only Way to Survive’ in New Memoir ‘Softly, As I Leave You: Life After Elvis’

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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Priscilla Presley was with Elvis Presley for around 14 years before they split; however, the pair had known each other for years before they wed in 1967.

The time in between and following Priscilla and Elvis’ divorce was a tough spot for Priscilla, and one she wasn’t super open about — that is, until now. In her new memoir Softly, As I Leave You: Life After Elvis, the actress shares the difficult but inspiring journey beyond the walls of Graceland post-split with the King, choosing to put herself and her daughter, Lisa Marie Presley, first.

A hardcover version of the book is now on sale and can be purchased now on Amazon for $22.38, while paperback will run you $32. A Kindle version retails for $15.99. If you’re a superfan of Priscilla and the Presley family, you can also snag a signed version of the memoir via Barnes & Noble for $32. The piece makes a great gift for the avid Elvis collector in your life. If you’d rather listen to the memoir, we won’t judge, you can do so with Audible via a subscription which costs $7.95 a month, a price tag less than a physical copy.

Softly, As I Leave You: Life After Elvis

Buy Now on amazon $22.38 $22.38
Buy Now at Barnes & noble $32 $32
Buy Now on audible $7.95 a month $7.95 a month

A new memoir by Priscilla Presley.


If you didn’t know, Priscilla met Elvis when she was just 14 and he was 24. The singer was serving in the U.S. Army in 1959 in Germany. The pair remained romantically connected for years, even with distance between them and in 1967, they were wed in a simple and very secret ceremony in Las Vegas. While their separation in 1973 was painful for Priscilla, this novel highlights why it was so important for the Naked Gun star to leave.

It seems that Priscilla lost touch with herself throughout her relationship with Elvis. Leaving allowed her to find herself again. Through the book, we are treated to snippets of Priscilla’s life pre- and post-Elvis and how she had to reinvent herself a second time as the single mother after the performer’s death in 1977.

Today, we are taken through how Priscilla was able to transform Graceland into an international destination and helped guide the development of Elvis Presley Enterprises, turning the King’s legacy into a full-on business. If you are an Elvis fan, this gives readers a unique perspective on his life, as told by his ex-wife. It also gives Priscilla’s story more context for those who aren’t too familiar with her life and career.

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Calvin Harris’ Ex-Business Manager Denies $22M Fraud Claims: ‘Categorically False’

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Calvin Harris‘ former longtime business manager is firing back against bombshell fraud claims, saying he never stole from anybody and that the Scottish DJ willingly agreed to invest in his Los Angeles real estate development project.

Thomas St. John, an entertainment industry-focused accountant who runs the eponymous firm Thomas St. John Group, is currently wrapped up in thorny arbitration proceedings with his former client Harris (Adam Wiles). He’s accused of abusing his access to Harris’ accounts in order to fund his side venture: the construction of a recording studio and office space complex in Hollywood.

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Harris claims that St. John tricked him into investing $22.5 million in the project, known as CMNTY Culture Campus, which he says turned out to be a “complete boondoggle” that he “has not received a single penny in return for” — while suggesting that St. John pocketed much of the money for himself.

However, a representative for St. John says in a new statement that the allegations are “categorically false.” The rep denies that St. John engaged in any self-dealing, adding that Harris is one of nine above-board investors who “knowingly signed investment agreements” to get involved in CMNTY Culture.

“Not a single dollar has been misappropriated, all investor entitlements remain intact, and the project continues to advance within the normal entitlement timeline,” says St. John’s rep in the Tuesday (Sept. 23) statement. “We will continue to take every necessary step to set the record straight and to ensure that these malicious, bad-faith attacks are recognized for what they are: entirely without merit.”

While CMNTY Culture was initially designed to house a recording studio and office space, St. John has since shifted the plans and is now developing a residential apartment complex on the same tract of land in Hollywood. According to his rep, the project is proceeding apace and “is expected to approach a $1 billion valuation” upon completion.

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“While the entitlement process has naturally taken longer than initially projected due to unprecedented interest, macroeconomic conditions and significant city red tape, it remains firmly within its promised schedule and is now on the verge of securing final entitlements, an important milestone that will unlock substantial value,” adds St. John’s rep.

Thomas St. John Group has offices in Los Angeles, London, Amsterdam and Stockholm. The management firm’s U.S. arm recently filed for bankruptcy, citing hundreds of thousands of dollars in unpaid rent in L.A. and multiple pending legal actions.

One creditor listed in the firm’s bankruptcy papers is Philip Lawrence, a songwriter and producer who made his name collaborating with Bruno Mars. Lawrence used to be a client of St. John’s and at one point invested $10 million from the sale of his catalog into CMNTY Culture Campus, according to court filings in Lawrence’s own personal bankruptcy case.

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