Entertainment
Bad Bunny’s ‘Debí Tirar Más Fotos’ Returns to No. 1 on Billboard 200 After Vinyl Release
Bad Bunny’s Debí Tirar Más Fotos returns to No. 1 on the Billboard 200 albums chart, jumping 7-1 on the May 17-dated chart, following the set’s release on vinyl. It’s the fourth total week atop the list for the Spanish-language project, which spent three consecutive weeks at No. 1 on the Jan. 25-Feb. 8-dated charts. In the tracking week ending May 8, Debí Tirar Más Fotos earned 84,500 equivalent album units (up 123%) in the United States, with more than half of the sum driven by vinyl purchases, according to Luminate.
It’s a historic week for Latin music, as Fuerza Regida — Billboard’s year-end top duo/group in both 2024 and 2023 — achieves its first top 10-charting set on the Billboard 200 with the band’s 111XPANTIA bowing at No. 2. In turn, for the first time in the 69-year history of the all-genre chart, Spanish-language albums are Nos. 1 and 2 at the same time. Further, 111XPANTIA marks the highest-charting Spanish-language album by a duo or group, and the highest-charting regional Mexican music album.
Plus, rapper Key Glock notches his fourth top 10-charting effort on the Billboard 200 as Glockaveli premieres at No. 8.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 17, 2025-dated chart will be posted in full on Billboard‘s website on May 13. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Debí Tirar Más Fotos’ 84,500 equivalent album units earned in the week ending May 8, album sales — essentially all vinyl — comprise a little over 48,000 (up 15,099%, it reenters Top Album Sales for its first week at No. 1), SEA units comprise just over 36,000 (down 3%, equaling 50.27 million on-demand official streams of the set’s songs; it falls 5-6 on Top Streaming Albums) and TEA units comprise under 500 units (down 8%).
The album’s 48,000 sold marks the largest single-week sales for a Latin music album in nearly six years, since Santana’s Africa Speaks sold 57,000 copies in its first week (June 22, 2019-dated chart), driven by sales generated from a concert ticket/album sale redemption offer for the act’s then-upcoming tour. Such offers are no longer chart-eligible.
Debí Tirar Más Fotos surges back to No. 1 on the Billboard 200 after its vinyl shipments to customers impacted the tracking week — to the tune of nearly 48,000 copies. That’s the largest sales week for a Latin album on vinyl in the modern era (since Luminate began tracking sales in 1991). It surpasses the previous record, held by the opening week of Kali Uchis’ Orquídeas (20,000 sold across seven variants; on the Jan. 27, 2024-dated chart).
Debí Tirar Más Fotos’ lone vinyl edition — on blue-colored double-vinyl in a gatefold package — was sold exclusively via Bad Bunny’s official webstore for $29.98. It went up for pre-order in early February and was then (per the store) “estimated to ship on/around the end of April 2025.” The vinyl is currently sold out on the artist’s webstore, and it has not been announced if the vinyl will be restocked, or sold through any other seller. (The blue-colored vinyl is the only physical format on which the set has been released. It has yet to be issued on CD or any other physical format, and has only been available to purchase as a download.)
Since Debí Tirar Más Fotos debuted on the Jan. 18-dated Billboard 200 (at No. 2), it has yet to leave the top 10 after 18 weeks, with its chart fortunes largely fueled by continued strong streaming of its songs.
At No. 2 on the Billboard 200, Fuerza Regida debuts with its highest-charting album ever, and first top 10, as 111XPANTIA arrives with 76,000 equivalent album units earned — the band’s best week ever by units.
The set also becomes the highest-charting Spanish-language album by a duo or group (surpassing the No. 4 peak of Maná’s Amar Es Combatir in 2006), and for a regional Mexican music album (higher than the No. 3 peak of Peso Pluma’s Génesis in 2023).
111XPANTIA also earns the largest week, by units, for any Spanish-language album by a duo or group, and by a regional Mexican album, since the chart began ranking by units in December 2014. The previous high, in that span of time, for a Spanish language album by a duo or group was Santana’s Africa Speaks (57,000 in its opening week, in 2019), while the previous high for a regional Mexican title was Génesis (73,000 in its debut frame in 2023).
Of the 76,000 units earned by 111XPANTIA in its opening week, album sales comprise 39,000 (the band’s best sales week ever, and the biggest sales week for a regional Mexican album in the modern era; it debuts at No. 2 on Top Album Sales), SEA units comprise 37,000 (equaling 50.44 million on-demand official streams of the set’s songs; it debuts at No. 5 on Top Streaming Albums) and TEA units comprise a negligible sum.
With 39,000 copies sold, 111XPANTIA surpasses the previous largest sales week for a regional Mexican title, when Selena’s Amor Prohibido sold 36,000 copies on the chart dated May 6, 1995, in the wake of her death in March of that year.
111XPANTIA was released on May 2 as a 12-song standard album, widely available as a digital download for purchase and via streaming services. On May 5, a deluxe edition of the set, with three bonus tracks, was issued via download services and streamers. The band’s official webstore carried the only physical format editions of the album: the 12-song version on four color vinyl variants, a standard CD, a signed CD (by the group’s lead singer, Jesús Ortíz Paz) and four deluxe boxed sets (two containing a branded T-shirt and a signed CD, two with a branded hat and a signed CD).
The new album was preceded by its hit single “Por Esos Ojos,” which reached No. 5 on Hot Latin Songs (March 1 chart), No. 3 on Hot Regional Mexican Songs (May 10), No. 5 on Latin Streaming Songs (March 1) and No. 79 on the all-genre Billboard Hot 100 songs chart (March 15).
111XPANTIA is the sixth charting effort on the Billboard 200 for Fuerza Regida, and the third to reach the top 40 (after PERO NO TE ENAMORES, No. 25 in 2024; and Pa las Baby’s y Belikeada, No. 14 in 2023). The group’s success has also extended to the Hot 100, where the act charted 13 song entries before the new album dropped.
Prior to the new album’s release, the group also logged eight top 10s (with one No. 1) on the Top Latin Albums chart, and 10 top 10s (with five No. 1s) on the Regional Mexican Albums chart.
Fuerza Regida’s success on the Billboard 200 and Hot 100 over the past few years has been so significant that the act finished 2024 as the top duo/group artist of the year — among all genres — for the second year in a row. In 2023, the act made history when it became the year’s top duo/group — the first time an act that primarily records in Spanish had ever achieved the feat.
(Latin and regional Mexican albums are defined as those that are eligible for, or have charted on, Billboard’s Top Latin Albums and Top Regional Mexican Albums charts, respectively.)
Nos. 2-7 on the latest Billboard 200 are all former chart-toppers. SZA’s SOS slips 2-3 (52,000 equivalent album units, though up 1%), Morgan Wallen’s One Thing at a Time is steady at No. 4 (46,000; down less than 1%), Kendrick Lamar’s GNX dips 3-5 (45,000; down 7%), Sabrina Carpenter’s Short n’ Sweet falls 5-6 (41,000; down 6%) and PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U descends 6-7 (40,000; down 7%).
Key Glock lands his fourth top 10-charting effort on the Billboard 200 at Glockaveli debuts at No. 8 with 34,000 equivalent album units earned. Of that sum, SEA units comprise 28,000 (equaling 37.28 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums), album sales comprise 6,000 (it enters at No. 9 on Top Album Sales) and TEA units comprise a negligible sum.
Glockaveli was released on May 2 as a standard 18-song album, widely available as a digital download to purchase and via streaming services. The standard set was also available on CD (both signed and unsigned), vinyl (standard, color vinyl and signed color vinyl) and a deluxe boxed set containing a branded T-shirt and a CD. A deluxe edition of the album, with three bonus tracks, dropped mid-week — first via the artist’s webstore on May 4, and then wide the following day to general download services and streamers.
Rounding out the top 10 of the latest Billboard 200 are Morgan Wallen’s former leader Dangerous: The Double Album (rising 10-9 with 33,500 equivalent album units; up 1%) and Shaboozey’s Where I’ve Been, Isn’t Where I’m Going (falling 8-10 with 32,000; down 8%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
The only sure thing in this earnings season is unpredictability. While the global economy remains resilient in the face of U.S. tariffs, and U.S. gross domestic product grew 3% in Q2, stocks took a hit from a weak U.S. jobs report on Aug. 1, and some experts believe a constant drip, drip, drip of negative developments will cause “death by a thousand cuts.”
Music companies’ early results also offered mixed signals. Spotify, the first music company out of the gate on July 29, posted solid year-over-year growth but disappointed investors with weaker-than-expected guidance for the third quarter. Spotify shares dipped 11.6% as a result. Two days later, Universal Music Group (UMG) posted 4.5% revenue growth and 8.5% subscription growth. But investors were hesitant — was it a lack of margin improvement or concerns about cash flow? — and UMG’s share price dipped 5.2% the following day.
Below are summaries, listed in alphabetical order, of every music company to report second quarter earnings as of Aug. 7. Billboard will update the page as more results are announced. (If the summary includes a hyperlink, click on it to get the full story.)
- Cumulus Media. The No. 3 radio company in the U.S. posted a 9.2% drop in revenue and an 11.3% decline in adjusted EBITDA. Broadcast radio revenue was down 13.0% and digital fell 1.4%. CEO Mary Berner referred to a “challenging” advertising environment for legacy media companies and noted that Cumulus created an additional $5 million in cost reductions in the quarter, bringing its total annualized cost cuts to $175 million over the last five years.
- Deezer: Total revenue was flat at 267.1 million euros ($298.1 million), and subscribers fell 7.6% to 9.2 million (subscriptions through B2B partnerships fell 21% to 3.9 million). But the French music streamer managed its costs, resulting in improved operating loss and adjusted EBITDA. The company reiterated its belief that it will finish 2025 with both positive cash flow (for the second consecutive year) and positive adjusted EBITDA. Go here for the full article.
- HYBE: South Korea’s HYBE said on Wednesday (Aug. 6) that its second quarter revenue rose 10.2% year-over-year to $516.7 million, while operating profit jumped nearly 30% to $48.3 million due to successful global tours and releases from several of its artists, including BTS members Jin and j-hope. Recorded music revenue fell by nearly 8.5%, but that was offset by double-digit year-over-year increases in merchandise and touring revenue. The company said news of BTS members completing their military service also drove record-high engagement for its superfan platform Weverse. For more, read the full article.
- Reservoir Media: Quarterly revenue rose 8% to $37.2 million in the first quarter of fiscal 2026 on strong recorded music and sync revenue. Adjusted earnings before interest, taxes depreciation and amortization (EBITDA), a popular measure of profitability, was up 10% to $13.9 million. Acquisitions in the quarter, which contribute to the company’s revenue from catalogs, include a strategic partnership struck with Fool’s Gold and an investment in an experiential entertainment company called Lightroom. Go here for more details.
- SiriusXM: SiriusXM reported that overall revenue of $2.14 billion in the second quarter fell 2% from the year-ago quarter, pressured by lower subscriber growth, a legal settlement and higher operating expenses. The satellite radio giant is rolling out a new $7 subscription option to try to boost lagging ad revenue and subscriber growth. SiriusXM CEO Jennifer Witz said they will cautiously roll out the new offering, as they push other initiatives aimed at improving their standing amid a “challenging…ad market.” The full story is here.
- SM Entertainment: Album sales and events revenue from RIIZE and NCT WISH helped SM Entertainment’s consolidated revenue increase 19.3% to $216.5 million. Album and digital music revenue jumped 37.9% to $70.8 million, and merchandise and licensing revenue rose 39.6% to $45.7 million. Concert revenue was flat at $24.0 million. For a breakdown of subsidiary revenue, check out the article.
- Sony Music: Led by Bad Bunny’s DeBÍ TiRAR MáS FOToS, SZA’s SOS and Sleep Token’s Even in Arcadia, Sony Music’s consolidated revenue up 5.3% to $3.22 billion in the first fiscal quarter ended June 30. A strong yen made year-over-year comparisons a challenge. Recorded music was up 0.7% to $2.09 billion but improved 8.4% on a dollar basis (Sony does not report results in constant currency). Music publishing revenue rose 2.1% as reported; on a dollar-denominated basis, is improved 9.8%. More info at the full article.
- Sonos. Revenue of $344.8 million was down 13.2% from the prior-year period, the company announced Aug. 7. Gross margin fell to 43.4% from 44.7% as CFO Saori Casey noted “a complex environment marked by tariffs and an uncertain macroeconomic backdrop.” Go here for Billboard‘s coverage of Sonos, its recent layoffs and how it cut sales projections after a disastrous app redesign in May 2024.
- Spotify: The streaming giant enjoyed another quarter in which it beat its own subscriber and monthly user growth targets, but a lukewarm financial forecast from executives and lower quarterly operating income due to currency fluctuations and taxes caused a sharp one-day selloff in its stock. Check out our article about the earnings release and a follow-up story with takeaways from the company’s second quarter results.
- Universal Music Group: Revenue increased 4.5% to $3.38 billion while recorded music subscription revenue rose 8.5% to $1.36 billion (all growth figures in constant currency). Elsewhere, music publishing soared 14.5% with a boost from Chord Music Partners, but both merchandising and physical recorded music dipped. For more, read our earnings story and a follow-up article with takeaways from the results.
- Warner Music Group: WMG reported revenue grew to $1.7 billion in the last quarter thanks to a double-digit increase in publishing revenue and strong subscription streaming returns. That helped offset the impact of losing BMG as a distribution client and helped push Warner’s stock price up by 3.5%. All the details at the full article. More insights are in the follow-up article.
Selena Gomez is looking back on her music catalog with fondness.
Before launching her solo career, the 33-year-old singer and actress fronted the pop-rock band Selena Gomez & the Scene, releasing three studio albums between 2009 and 2012. Now, she’s reflecting on a standout track from those early days.
In an interview on the Therapuss podcast, released Wednesday (Aug. 6), Gomez told host Jake Shane that her favorite song from her time with the band is “Who Says,” the lead single from their final album, When the Sun Goes Down. The track peaked at No. 21 on the Billboard Hot 100 in July 2011.
“It’s the most powerful moment when I get to perform it,” the Only Murders in the Building actress said. “That’s honestly the only reason I would ever do a tour again … is if I could perform ‘Who Says.'”
Gomez, who hasn’t toured since 2016, said she’d need to “take it down an octave from each year I’ve sang it” if she were to perform it today. She’s also open to re-recording the track, noting that her voice on the original sounds “young.”
“I need to redo it,” she said. “I should recut it.”
The Emilia Pérez star also opened up about the song’s empowering message and revealed that she once teared up while hearing it on the radio during a trip abroad.
“I was like, ‘Why the f—k am I tearing up to my own song?'” she said. “But it was because it was the little me who was there saying these really powerful messages that I still need to hear.”
Elsewhere in the interview, the Rare Beauty founder reminisced about how she first bonded with longtime friend Taylor Swift nearly two decades ago — after both experienced breakups with the Jonas Brothers.
“She and I like to say the best thing we got out of those relationships was each other,” Gomez told Shane. “We became best friends, bonded over the breakup, as girls do. Then we just stuck around for all the ups and downs that came after, and here we are now 16 years later.”
Most recently, the Wizards of Waverly Place alum dropped a joint album with fiancé Benny Blanco, I Said I Love You First, which debuted at No. 2 on the Billboard 200 albums chart in May.
Watch Gomez talking about “Who Says” at the 21-minute mark in the Therapuss interview below.
Justin Bieber is soaking up some quality time with his 11-month-old son, Jack Blues.
On Saturday (Aug. 9), the 31-year-old pop superstar shared a series of heartwarming selfies on social media, showing sweet moments with Jack Blues, who will celebrate his first birthday on Aug. 22.
In the Instagram carousel, Bieber posted three photos featuring the father-son duo, with Jack’s face intentionally kept out of view. In the first snapshot, the “Dadz Love” singer gazes into the camera while his son’s tiny feet peek into the frame. The next two images capture tender moments, with Bieber lovingly kissing the back of his Jack Blues’ head.
Last month, Bieber — who shares Jack Blues with his wife, Hailey Bieber — also gave fans a peek at their little one during a visit to the recording studio, where he was likely working on his latest album, Swag. The project dropped on July 11 and debuted at No. 2 on the Billboard 200.
Jack Blues and Hailey also appear in the music video for Justin’s new song “Yukon,” released on Aug. 5. The black-and-white visual, directed by Cole Bennett, shows the Bieber family basking in the sun aboard a sleek yacht resembling the logo of Justin’s new apparel brand Skylrk. The video captures tender moments as the couple cuddles their son and kisses his tiny toes while creating an adorable family portrait.
“We shot this a couple weeks back over the course of a few days in Spain & Italy. Shot on FX3 & GoPro, printed on 16mm film. I’ll remember these memories for the rest of my life. Thank you for everything,” Bennett wrote on Instagram, tagging both Justin and Hailey.
“Yukon” marks Jack Blues’ official music video debut, while Hailey has previously made appearances in several of her husband’s visuals, including DJ Khaled and Drake’s “Popstar,” Dan + Shay and Bieber’s “10,000 Hours,” and Ariana Grande and Bieber’s “Stuck with U.”
Check out Bieber’s adorable father-son selfies on Instagram here.
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