Tech
The Lowdown review: Sterlin Harjo and Ethan Hawke team up for a killer noir caper

When Ethan Hawke made a surprise guest appearance in the penultimate episode of Reservation Dogs, it wound up being one of my favorite TV episodes of all time.
Co-written by Reservation Dogs co-creator Sterlin Harjo and star Devery Jacobs, "Elora's Dad" saw Elora Danan (Jacobs) meet her estranged father (Hawke) for the very first time. He introduces her to her half-siblings, and she catches him up on her life, including her plans to go to college. The episode proved intimate and quietly electrifying, one of the best entries in one of the best shows of recent years. And at its heart were two beautifully grounded performances from Jacobs and Hawke.
So imagine my delight when Harjo and Hawke teamed back up for Harjo's new FX series, The Lowdown. Then imagine my downright joy when The Lowdown turned out to be some of the most fun I've had watching TV this year.
What's The Lowdown about?

Credit: Shane Brown / FX
Described as a "Tulsa noir," The Lowdown stars Hawke as Lee Raybon, a rare bookstore owner, citizen journalist, and so-called "truthstorian" determined to lay bare the rot at the heart of Tulsa's most corrupt power players. (Lee is based on the late journalist and public historian Lee Roy Chapman, whom Harjo worked with previously.)
Among Lee's targets is the Washberg family, headed up by slimy gubernatorial candidate Donald (Kyle MacLachlan). Lee uncovers the family's connections to white supremacists in a major exposé, and just days after its publication, Washberg family black sheep Dale (Tim Blake Nelson) dies under mysterious circumstances. For Lee, that can only mean one thing: He's onto something major. So off he goes into Tulsa's criminal underbelly, a journey that could lead to a major bombshell (or more likely, to severe bodily harm).
The Lowdown is part neo-noir, part hangout comedy, and all delightful.

Credit: Shane Brown / FX
Lee's investigation prompts Harjo to have some neo-noir fun, drawing inspiration from '70s films like The Long Goodbye and Night Moves. Smoke-veiled conversations abound, along with clandestine meetings with Dale's wife, Betty Joe (Jeanne Tripplehorn), and PI Marty (Keith David).
The Lowdown's madcap mystery provides a change of pace from Reservation Dogs, as does its city setting. Here, danger lurks around every corner, often in the form of skinheads who are angry at Lee for… publicly writing that they're skinheads.
Yet even with its moody noir atmosphere, The Lowdown also preserves the hangout feel that made Reservation Dogs so special, especially in scenes Lee shares with his daughter, Francis (Ryan Keira Armstrong). Francis spends most of her time with her mother, Samantha (Reservation Dogs' own Deer Lady, Kaniehtiio Horn), but when she shows interest in helping Lee with the Washberg case, who is he to say no?
Lee and Francis' sweet dynamic bears shades of that of Elora and her father's: tentative bonding attempts, even as Francis wonders whether Lee is a full-on deadbeat. However, it's also a perfect showcase for The Lowdown's ability to blend its noir mystery with character-driven hangouts. Case in point: A father-daughter trip to a lake that doubles as a mission to find key evidence.
In a similar vein, The Lowdown somehow manages to capture the wide range of human emotion, all within its mystery framework. In Lee's nightcap with a potential suspect, what starts as a drunken hook-up morphs from an investigation to a fight to a soul-baring discussion… then back to a hook-up. Elsewhere, Lee's reunion with frenemy Randall (Peter Dinklage) kicks off an investigation and a soul-searching tribute to an old friend.
So as much as The Lowdown is driven by the central mystery of Dale's death and his family's shady dealings, it's also fueled by the poetry of who we cross paths with. Like in Reservation Dogs, The Lowdown builds out a community of fascinating characters who add oodles of texture to the show's version of Tulsa, from antique dealer Ray (Michael Hitchcock) to The Tulsa Beat editor Cyrus (Killer Mike).
Ethan Hawke is a hilarious wild card in The Lowdown.

Credit: Shane Brown / FX
At the center of these characters is, of course, Lee. And my goodness, is Hawke having the time of his life in the role.
Hawke plays his amateur sleuth like a total wild card. In some moments, Lee is effortlessly cool, rolling into investigations like suave is his middle name. In others, he's almost pathetic, running for his life after getting himself in too deep. Hawke's maniacal laughter after Lee's escapes or major discoveries is a forever reminder of what I love about the show: its ability to make me laugh my head off, even after watching a man get his head shot clean off.
Of course, between Lee's extremes lies a wealth of complexities that The Lowdown takes great pleasure in unspooling. He loves writing so much that he'll critique the prose in a murdered man's diaries. He adores Francis more than anything but occasionally puts his investigation before her. He's got an ironic Confederate flag tattoo.
All these details add up to create a fascinatingly layered new TV detective, one whose adventures we've only just begun to explore. Here's hoping that viewers can follow in Lee's footsteps and dive further still into the truths at the heart of Lee himself, and of his beloved community in Tulsa.
The Lowdown was reviewed out of its world premiere at the 2025 Toronto International Film Festival. It premieres Sept. 23 at 9 p.m. ET on FX. Episodes stream the next day on Hulu.
Tech
Hurdle hints and answers for September 24, 2025

If you like playing daily word games like Wordle, then Hurdle is a great game to add to your routine.
There are five rounds to the game. The first round sees you trying to guess the word, with correct, misplaced, and incorrect letters shown in each guess. If you guess the correct answer, it'll take you to the next hurdle, providing the answer to the last hurdle as your first guess. This can give you several clues or none, depending on the words. For the final hurdle, every correct answer from previous hurdles is shown, with correct and misplaced letters clearly shown.
An important note is that the number of times a letter is highlighted from previous guesses does necessarily indicate the number of times that letter appears in the final hurdle.
If you find yourself stuck at any step of today's Hurdle, don't worry! We have you covered.
Hurdle Word 1 hint
To creep around.
Hurdle Word 1 answer
SNEAK
Hurdle Word 2 hint
A long-legged bird.
Hurdle Word 2 Answer
STORK
Hurdle Word 3 hint
To throw.
Hurdle Word 3 answer
CHUCK
Hurdle Word 4 hint
More accurate.
Hurdle Word 4 answer
TRUER
Final Hurdle hint
They show when one smiles.
Hurdle Word 5 answer
TEETH
If you're looking for more puzzles, Mashable's got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.
Tech
Five burning questions we have for Alien: Earth Season 2

This summer, FX's Alien: Earth latched onto my brain like a Facehugger latches onto a new host.
Now, with the release of the show's Season 1 finale, you'd think that Facehugger would drop off and leave me be. You'd be wrong! Instead, the Season 1 finale leaves viewers with some major questions we'll be puzzling over until the show's potential return.
Here are the five biggest questions we have for Alien: Earth Season 2.
What does a Neverland run by hybrids look like?
Season 1 of Alien: Earth ends with the group of hybrids known as the Lost Boys in total control over the Neverland research facility. They've imprisoned Boy Kavalier (Samuel Blenkin), Kirsh (Timothy Olyphant), Morrow (Babou Ceesay), Dame Sylvia (Essie Davis), and Atom Eins (Adrian Edmondson). Now, with the adults out of the way, Wendy (Sydney Chandler) declares it's time for the hybrids to "rule."
But what will their rule entail? Will they stay on Neverland, or will they try to extend their authority to the rest of the world? Will they remain fast allies, or will they turn against one another and go full Lord of the Flies on their new island kingdom?
How will Weyland-Yutani and Alien: Earth's other corporations react to Boy Kavalier's plight?

Credit: Patrick Brown / FX
By the end of Alien: Earth Season 1, Weyland-Yutani is closing in on Neverland in order to take back the specimens Boy Kavalier stole. But will Yutani (Sandra Yi Sencindiver) change tack when she realizes her rival is being held captive? Will she leave the island alone or try to stage a hostile takeover? Perhaps her priorities will change entirely, shifting from trying to capture the alien specimens to trying to perfect Boy Kavalier's revolutionary hybrid tech. Either way, her looming presence does not bode well for the newly independent hybrids.
Weyland-Yutani isn't the only other major corporation on the board in Alien: Earth, though. There are three other corporations we haven't truly met yet: Dynamic, Lynch, and Threshold. Could they be joining the party in Alien: Earth's future?
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What's next for the loose orchid and eyeball aliens?
While the Xenomorph may be under Wendy's control, there are still several alien threats running wild on the island. In the Season 1 finale, the orchid alien (aka D. Plumbicare) revealed that it could turn into a floating, octopus-like creature and got loose in Neverland. I would not want to be walking around the island with that out there, that's for sure.
But that's not all: Alien: Earth's breakout star, the eyeball alien T. Ocellus, found a new host in the corpse of Arthur Sylvia (David Rysdahl). We've seen T. Ocellus take over a cat corpse and a human body, but now we get to see it go full zombie mode in what might be Alien: Earth's coolest development yet. But what's T. Ocellus's plan while in Arthur's body? Will it try to find a new, stronger host in, say, a hybrid? (And what would that look like?) Will it finally have a conversation with its biggest fan, Boy Kavalier? And how in the world will Dame react when she sees her beloved husband with a massive new eyeball and a burst-open chest? Bring on the zombie shenanigans!
Will the Xenomorph continue serving Wendy, or will it rebel?

Credit: Patrick Brown / FX
For now, Wendy and her Xenomorph seem pretty tight. But what happens if the Xenomorph goes through a rebellious teenage phase and decides it doesn't want to serve its human mother figure anymore? Could the hybrids lose their grip on Neverland if the apex predator at their disposal decides to turn on them?
Wendy's Xenomorph also isn't the only Xenomorph on the island. There's also the specimen that burst out of Arthur's chest. As it grows, will it become territorial with Wendy's Xenomorph, or will it join the hybrid-Xeno family and view Wendy as its queen? If so, what are the odds Wendy tries to build a whole Xenomorph army?
How will Alien: Earth tie back to Alien?
The question hanging over any prequel is "how will this tie back to the original?" and with Alien: Earth, that question is especially pressing, given that it takes place two years before the events of Alien. By that point, there are no mentions of hybrid technology, nor are there any mentions of them in the sequels. So what will happen to the hybrids between then and now to render them obsolete? It's a daunting question, but it's one that Alien: Earth will certainly have to contend with as it closes in on the original films.
Alien: Earth is now streaming on Hulu.
Tech
Alien: Earths game-changing ending, explained

After eight episodes of terrifying new creatures, Alien homages, and existential questions about the future of humanity, Alien: Earth Season 1 has come to a close. And what a close it was.
The finale, titled "The Real Monsters," flips the power dynamic that's been in place for the entire season. By the end of the episode, the hybrid Lost Boys, led by Wendy (Sydney Chandler), have gained total control over their keepers, including Boy Kavalier (Samuel Blenkin) and Dame Sylvia (Essie Davis). This power shift has been in the cards since Alien: Earth's first episode, but how do we get here? Let's break it down.
Alien: Earth's hybrids finally realize how strong they are.

Credit: Patrick Brown / FX
From the first moment Alien: Earth introduces Wendy in her super-strong, super-fast, super-durable hybrid body, it's clear that she and her fellow Lost Boys could absolutely wreck Prodigy's Neverland security team if they wanted to. That idea doesn't cross their minds, though. Instead, the Lost Boys are still children in consciousness, and they believe Neverland to be a safe paradise for them.
However, this idea erodes over the course of Alien: Earth's first season, as the Lost Boys lose confidence in the people they've been told to trust. They're endangered and experimented on. Nibs' (Lily Newmark) traumatic memories were manipulated. Isaac (Kit Young) died while tending to the alien specimens. Morrow (Babou Ceesay) threatened to kill Slightly's (Adarsh Gourav) family. Each horrifying incident wears away at the Lost Boys' childlike innocence, turning the idyllic Neverland into a hell on Earth.
Ironically, these incidents only increase the Lost Boys' feelings of powerlessness, even though they're the most powerful beings on Prodigy's remote island. But it's also in one of those scenes of powerlessness — when Prodigy forces corner Nibs, Wendy, and her brother Joe aka Hermit (Alex Lawther) on their escape boat in episode 7 — that the Lost Boys begin to realize their power. Nibs fully rips a soldier's jaw off, leaving Hermit to shoot (but not kill) her. Here, a horrified Wendy learns two things. First: Humans, including her brother, are terrified of the hybrids. Second: They have good reason to be. The hybrids are extremely dangerous. So why not embrace that?
That's the realization Wendy comes to in Alien: Earth's Season 1 finale. "All this time, we've been afraid of them," she tells the Lost Boys as they sit trapped in a Neverland cage. "But I think they should be afraid of us."
The Peter Pan allegories come to a head in the Alien: Earth Season 1 finale.

Credit: Patrick Brown/FX
Embracing the Neverland staffers' fear of them is the final stage in the Lost Boys' loss of their childish innocence. Or, in terms of Boy Kavalier's relentless Peter Pan references, this is them finally "growing up." However, that's exactly what the Prodigy founder and the rest of Neverland don't want to happen. As Wendy puts it, "We're all in this cell because we can't be kids anymore, but they won't let us be adults."
Nibs has another suggestion for what they are, one that's especially fitting after seeing the graves of their dead human bodies. "We're all ghosts," she says.
So what do these ghosts do? They turn Neverland into a haunted house, with Wendy using her in-built connection to the facility to manipulate video feeds, elevators, and doors to terrify every last soldier and scientist. Of course, having a Xenomorph at your beck and call helps too.
The entire episode serves as both a liberation for the Lost Boys and an identity crisis for Wendy, otherwise known by her human name, Marcy. She tells her brother, "I don't know what I am. I'm not a child. I'm not a grown-up. I'm not Marcy. I'm not Wendy. And I can't be what everyone wants me to be."
(Earlier in the season, Joe even questions whether Wendy truly holds his sister's consciousness, yet another blow to one of the pillars of Wendy's identity.)
Wendy's statement reflects the binaries in the world of Alien: Earth. Child and adult. Human and synthetic. Hybrids exist somewhere in between, blurring boundaries and creating a new kind of personhood. Wendy and the Lost Boys have spent the entire series having not just new names but entirely new identities imposed on them by exterior forces. Now, they get to make their own. Fellow hybrid Curly (Erana James) embraces her former name, Jane, as Wendy reminds each of the Lost Boys of theirs — a move the late Isaac, formerly Tootles, only enjoyed for an afternoon.
Wendy's identity crisis also explains her affinity for the Maginot aliens, whom she considers "honest." These creatures are wholly themselves, unlike liars such as Boy Kavalier. As Wendy points out, he considers himself Peter Pan, but he was never truly a boy. He was always a "mean, angry little man," just like his abusive father. Ouch. I'm not sure he'll be picking up a copy of Peter Pan any time soon after that.
"Now we rule."

Credit: Patrick Brown / FX
"The Real Monsters" ends with Wendy and the Lost Boys holding all of the authority figures in their lives hostage in the same cage they were formerly incarcerated in, prompting Wendy's declaration that, "now, we rule." Even Kirsh (Timothy Olyphant), their Prodigy synth senior, and Morrow, their cyborg antagonist, now answer to them.
The hybrids finally taking control is undoubtedly worthy of Alien: Earth's last hard-rocking needle drop. But it's certainly not the end of the Lost Boys' story. After all, the Weyland-Yutani forces are still encroaching on the island with numerous Prodigy forces still left, hinting at more conflict ahead. Plus, the alien orchid is loose, and T. Ocellus has found a new host in the chestburst corpse of Arthur Sylvia (David Rysdahl). That's a lot of threats for these still-young hybrids to deal with. How will they be able to fight off their enemies and learn how to rule their island?
That question of what it will look like for hybrids to "rule" hints at an intriguing new literary reference point for a possible Alien: Earth Season 2. If Season 1 was the Lost Boys growing up in the style of Peter Pan, then Season 2 might just see them learning to survive on an island in the vein of Lord of the Flies. With that in mind, who's Piggy, who's Ralph, and will the Xenomorph's head somehow wind up on the end of a pointy stick?
Alien: Earth is now streaming on Hulu.
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