Entertainment
Tate McRae Sweeps 2025 Juno Awards, But Isn’t at the Ceremony to Accept: Full Winners List

The biggest winner at the 2025 Juno Awards wasn’t there to accept her awards.
Tate McRae won four awards – for artist, single, album and pop album of the year – but was not able to make it to the Vancouver, British Columbia awards ceremony on Sunday (March 30) or the untelevised gala the night before to accept. That’s an ongoing issue at the Junos, where the responsibilities of the biggest international superstars often keep them from their home country’s award show.
Stars like Drake, The Weeknd and Shawn Mendes were not at Rogers Arena for the show, but there was an ongoing theme of Canadian excellence. At a time when U.S. President Donald Trump imposes tariffs on Canada and threatens to annex it as the 51st state, many used the Junos as a chance to wave the cultural flag.
McRae won four out of five of her nominations, taking artist of the year for the second year in a row, single of the the year for the second year in a row (with “Exes” taking the award won last year by “Greedy”) and album of the year and pop album of the year for the first time (with Think Later). She missed out only on the fan choice award. That was won by the perpetually viral rapper bbno$, a hit on TikTok, which sponsored the award. He used the acceptance speech to create another viral moment, using his time to call billionaire and top Trump advisor Elon Musk a “piece of garbage.”
That was a more direct criticism of the American administration than what ran through most of the show, where a more nationalistic “Canada is not for sale” message rang through. Accepting the award for country album of the year, breakout Ontario singer Josh Ross thanked his label Universal Music both in Canada and south of the border, reminding them that “friends are better than enemies.”
Host Michael Bublé began the show with a medley of his hits in four different languages, duetting with Canadian artists including Elisapie, Jonita Gandhi, Roxane Bruneau and Maestro Fresh Wes. That recognized the diversity of sounds and genres, while his opening monologue recalled the famous “I Am Canadian” ad with Canadian pride and an affirmation that Canada is “the greatest nation on earth.”
Other than special awards, only four awards were presented on CBC’s Sunday broadcast, with the vast majority given out at the industry gala the night before. One of those was for group of the year. While Sum 41 seemed like a safe prediction given that they also were inducted into the Canadian Music Hall of Fame on the show and closed it with a medley of their pop-punk classics, it was instead awarded for the second year in a row to The Beaches. That continued a hot few years for the Toronto band, who broke out with their hit “Blame Brett” in 2023 and haven’t looked back since.
The other big award of the night was for breakthrough artist of the year. That accolade went to Nemahsis, the Palestinian-Canadian artist who was reportedly dropped from her major label for her refusal to silence her pro-Palestinian advocacy after Oct. 7. The singer, who also won alternative album of the year and performed on the broadcast, dedicated the award to her fellow hijabis and said all she ever wanted was to turn on Canadian TV and see someone who looked like her. “I didn’t think it would take this long or that I would be the one to do it,” she said. She thanked OVO Sound producer Noah “40” Shebib and artist Jad El Khoury for helping her finish her album Verbathim when she was suddenly fully independent and didn’t have the money to do so on her own.
Anne Murray was given the lifetime achievement award, marking only the second time in Junos history the award has been given (the other was to the architect of Canadian Content regulations and the namesake of the Junos, Pierre Juneau). Wearing a bedazzled Canada hockey jersey, the singer – who holds the record for most-ever Junos ahead of The Weeknd – talked about the importance of Canada to her multi-decade career and called the country her “safety blanket.” Producer Boi-1da won the international achievement award, recognizing his huge hits on the global stage – including four No. 1s on the Billboard Hot 100 – for artists like Rihanna, Drake and Eminem.
Other performances on the show included Haida Nation rap album of the year winners Snotty Nose Rez Kids with Tia Wood, Sunday night winners bbno$ and Josh Ross and an all-star Punjabi performance that featured Gminxr, Jazzy B, Inderpal Moga and Chani Nattan. Karan Aujla winning the fan choice award in 2024 showed the institution’s recognition of the Punjabi Wave, and the Junos implemented the new South Asian recording of the year award this year. AP Dhillon won for The Brownprint; however, the award was unfortunately not televised.
Find a full list of 2025 Juno Award winners below:
TikTok Juno Fan Choice
WINNER: bbno$ (Independent*Stem)
Dean Brody (Starseed)
Jade Eagleson (Starseed)
Josh Ross (Universal)
Karan Aujl (Independent)
Les Cowboys Fringants (Les Disques de La Tribu*Propagande)
Preston Pablo (Universal)
Shawn Mendes (Universal)
Tate McRae (RCA*Sony)
The Weeknd (XO*Universal)
Artist of the Year
Josh Ross (Universal)
Kaytranada (RCA*Sony)
Shawn Mendes (Island*Universal)
WINNER: Tate McRae (RCA*Sony)
The Weeknd (XO*Universal)
Single of the Year
“Single Again,” Josh Ross (Universal)
“Winning Speech,” Karan Aujla (Independent)
“Why Why Why,” Shawn Mendes (Island*Universal)
WINNER: “exes,” Tate McRae (RCA*Sony)
“Timeless,” The Weeknd & Playboi Carti (XO*Universal)
Album of the Year
Inuktitut, Elisapie (Bonsound*Sony)
Complicated, Josh Ross (Universal)
Submergé, Roxane Bruneau (Disques Artic*Sony)
UNDISPUTED, Sukha (GK*Universal)
WINNER: THINK LATER, Tate McRae (RCA*Sony)
Group of the Year
Crash Adams (Warner)
Mother Mother (Warner)
Spiritbox (BMG*Universal)
Sum 41 (Rise/BMG*Universal)
WINNER: The Beaches (Independent*AWAL)
Breakthrough Artist or Group of the Year
Alexander Stewart (FAE*The Orchard)
AP Dhillon (Republic*Universal)
AR Paisley (Warner)
Chris Grey (Rebellion Records)
EKKSTACY (Dine Alone*The Orchard)
WINNER: Nemahsis (Independent)
Owen Riegling (Universal)
Sukha (GK*Universal)
Tony Ann (Decca*Universal)
Zeina (Artist Partner Group)
Jack Richardson Producer of the Year
Aaron Paris — “intro (end of the world)” (Ariana Grande), “Bought the Earth” (Yeat), “Let it Breathe” (Ski Mask the Slump God), “Tiger Eye” (Loony), “Dishonored” (Sean Leon and Jessie Reyez, “R e a l W o m a n” (PartyNextDoor)
Akeel Henry — “Spin” (Megan Thee Stallion), “Smoke” (Ari Lennox), “Shake” (Chlöe), “Oh, Wait…” (Shae Universe), “I Choose You” (Melanie Fiona), “Love Ain’t Guaranteed” (Mist)
Evan Blair — “Pretty Slowly” (Benson Boone), “Beautiful Things” (Benson Boone), “club heaven” (Nessa Barrett), “No High” (David Kushner), “this is how a woman leaves” (Maren Morris), “i hope i never fall in love” (Maren Morris)
WINNER: Jack Rochon — “II Hands II Heaven” (Beyoncé), “Protector” (Beyoncé), “Jolene” (Beyoncé), “My Way” (Charlotte Day Wilson), “Crash” (Kehlani), “Tears” (Kehlani)
Shawn Everett — “II Most Wanted” (Beyoncé), “Found Heaven” (Conan Gray), “Bright Lights” (The Killers), “I Don’t” (Brittany Howard), “Eye of the Night” (Conan Gray), “Prove It to You” (Brittany Howard)
Recording Engineer of the Year
George Seara — “Soft Spot” (Keshi), “Dream” (Keshi)
Hill Kourkoutis — “Ghost” (Sebastian Gaskin), “Should We” (Emi Jeen)
Mitch McCarthy — “Good Luck, Babe!” (Chappell Roan), “Make You Mine” (Madison Beer)
WINNER: Serban Ghenea — “Please Please Please” (Sabrina Carpenter), “Lose Control” (Teddy Swims)
Shawn Everett — “Don’t Forget Me” (Maggie Rogers), “Deeper Well” (Kacey Musgraves)
Songwriter of the Year
Abel Tesfaye (The Weeknd) — “Dancing in the Flames,” “Timeless,” “São Paulo”
AP Dhillon — “Old Money,” “Losing Myself,” “Bora Bora”
Jessie Reyez — “Child of Fire,” “Ridin,” “Shut Up”
WINNER: Mustafa Mustafa — “Name of God,” “Leaving Toronto,” “I’ll Go Anywhere”
Nemah Hasan (Nemahsis) — “stick of gum,” “you wore it better,” “coloured concrete”
Songwriter of the Year (Non-Performer)
Evan Blair – “Beautiful Things” (Benson Boone), “Pretty Slowly” (Benson Boone), “i hope i never fall in love” (Maren Morris)
WINNER: Lowell – “Texas Hold ‘Em” (Beyoncé), “Bodyguard” (Beyoncé), “Takes One to Know One” (The Beaches)
Nathan Ferraro— “Texas Hold ‘Em” (Beyoncé), “Smoke” (Ari Lennox), “Who Do I Call Now? (Hellbent)” (Sofia Camara)
Shaun Frank – “Love Somebody” (Morgan Wallen), “Training Season” (Dua Lipa), “Sideways” (Gordo)
Tobias Jesso Jr.”Houdini” (Dua Lipa), “push me over” (Maren Morris), “Come Show Me” (Camilla Cabello)
Music Video of the Year
“Human,” Adrian Villagomez, Apashe & Wasiu (Kannibalen*Create)
“Nasty,” Jonah Haber, Tinashe (Independent)
“GRAVITY,” Jorden Lee, Sean Leon (Independent)
WINNER: “Name of God,” Mustafa, Mustafa (Arts & Crafts*Universal)
“Jump Cut,” Winston Hacking, Corridor (Bonsound*Sony/The Orchard)
Album Artwork of the Year
Erik M. Grice (Art Director), Vanessa Elizabeth Heins (Photographer); Chandler – Wyatt C. Louis (Independent*Universal)
Gabriel Noel Altrows (Art Director, Illustrator); Good Kid 4 – Good Kid (Independent/The Orchard)
Kee Avil, Jacqueline Beaumont (Art Director), Fatine-Violette Sabiri (Photographer); Spine – Kee Avil (Constellation*Secretly Canadian)
WINNER: Keenan Gregory (Art Director); Altruistic – Royal Tusk (MNRK)
Kevin Hearn, Lauchlan Reid (Art Director), Antoine Jean Moonen (Designer), Lauchlan Reid (Illustrator); Basement Days – The Glacials (Celery*IDLA)
GENRE-SPECIFIC AWARDS
Country Album of the Year
The Compass Project – West Album, Brett Kissel (Independent*Universal)
Dallas Smith, Dallas Smith (Big Loud*Universal)
WINNER: Complicated, Josh Ross (Universal)
Nobody’s Born With a Broken Heart, MacKenzie Porter (Big Loud*Universal)
Going Home, Tyler Joe Miller (Independent*The Orchard)
South Asian Music Recording of the Year
WINNER: “The Brownprint,” AP Dhillon (Republic *Universal)
“COOLIN,” Chani Nattan, Inderpal Moga & Jazzy B (Warner)
“Love Like That,” Jonita Gandhi (Warner)
“Tauba Tauba” (From Bad Newz), Karan Aujla (T-Series)
“Arul,” Yanchan, Produced & Sandeep Narayan (Independent)
Classical Album of the Year (Solo Artist)
Signature Philip Glass, Angèle Dubeau & La Pietà (Analekta*Naxos/The Orchard)
Messiaen, Barbara Hannigan (Alpha Classics*Naxos)
WINNER: freezing, Emily D’Angelo (Deutsche Grammophon*Universal)
Butterfly Lightning Shakes the Earth, India Gailey (Red Shift*Believe)
Williams Violin Concerto No. 1; Bernstein Serenade, James Ehnes (Pentatone*Naxos/The Orchard)
Classical Album of the Year (Small Ensemble)
Known To Dreamers: Black Voices in Canadian Art Song, Canadian Art Song Project (Centrediscs*Canadian Music Centre/Naxos)
Rituæls, collectif9 (Analekta*Naxos/The Orchard)
East is East, Infusion Baroque (Leaf*Naxos)
Marie Hubert: Fille du Roy, Karina Gauvin (ATMA*Universal)
Kevin Lau: Under a Veil of Stars, St. John–Mercer–Park Trio (Leaf*Naxos)
Classical Album of the Year (Large Ensemble)
Ispiciwin, Luminous Voices (Leaf*Naxos)
Alikeness, Newfoundland Symphony Orchestra Sinfonia, conducted by/dirigé par Mark Fewer featuring Aiyun Huang, Deantha Edmunds and Mark Fewer (Leaf*Naxos)
Sibelius 2 & 5, Orchestre Métropolitain, conducted by/dirigé par Yannick Nézet-Séguin (ATMA*Universal)
Schoenberg: Pelleas und Melisande & Verklärte Nacht, Orchestre symphonique de Montréal, conducted by/dirigé par Rafael Payare (Pentatone*Naxos/PIAS)
WINNER: Messiaen: Turangalîla-Symphonie, Toronto Symphony Orchestra, conducted by/dirigé par Gustavo Gimeno featuring Marc-André Hamelin and Nathalie Forget (Harmonia Mundi)
Jazz Album of the Year (Solo)
WINNER:Montreal Jazz Series 1 (Échanges Synaptiques), André Leroux (Disques BG*Believe)
The Head of a Mouse, Audrey Ochoa (Chronograph*Fontana North)
Portrait of Right Now, Jocelyn Gould (Independent)
Slice of Life, Larnell Lewis (Independent)
The Antrim Coast, Mark Kelso (Modica)
Jazz Album of the Year (Group)
Time Will Tell, Andy Milne and Unison (Sunnyside*AMPED)
Reverence, Carn Davidson 9 (Independent)
Harbour, Christine Jensen Jazz Orchestra (Justin Time*F.A.B./Nettwerk)
WINNER: Gravity, Jeremy Ledbetter Trio (Independent)
Jaya, Raagaverse (Independent)
Vocal Jazz Album of the Year
Oh Mother, Andrea Superstein (Cellar*La Reserve)
WINNER: Hello! How Are You?, Caity Gyorgy (La Reserve*The Orchard)
Winter Song, Kellylee Evans (Independent)
Wintersongs, Laila Biali (Independent/Believe)
Magpie, Sarah Jerrom (TPR*Outside In)
Instrumental Album of the Year
Disaster Pony, Disaster Pony (Independent*The Orchard)
Distant Places, Eric Bearclaw (Independent)
Ginger Beef, Ginger Beef (Independent)
WINNER: memory palace, Intervals (Independent*Believe)
Confluencias, Melón Jimenez & Lara Wong (Independent)
Blues Album of the Year
WINNER: This Old Life, Big Dave McLean (Cordova Bay*Fontana North)
New Orleans Sessions, Blue Moon Marquee (Independent)
YEAH!, David Gogo (Cordova Bay*Fontana North)
Samantha King and the Midnight Outfit, Samantha King & The Midnight Outfit (Independent)
One Guitar Woman, Sue Foley (Stony Plain*Fontana North)
Traditional Roots Album of the Year
Hemispheres, Inn Echo (Independent)
WINNER: Retro Man … More and More (Expanded Edition), Jake Vaadeland, Jayward*The Orchard Domino!, La Bottine Souriante (LABE*Sony/The Orchard)
The Road Back Home (Live), Loreena McKennitt (Independent*Universal)
At The End of the Day, Sylvia Tyson (Stony Plain*Fontana North)
Contemporary Roots Album of the Year
Anniversary, Abigail Lapell (Outside)
For Eden, Boy Golden (Six Shooter*The Orchard)
Things Were Never Good If They’re Not Good Now, Donovan Woods *End Times*The Orchard)
Pathways, Julian Taylor (Howling Turtle*ADA)
WINNER: Strange Medicine, Kaia Kater (acronym*The Orchard)
Adult Alternative Album of the Year
WINNER: Inuktitut, Elisapie (Bonsound*Sony/The Orchard)
Revelation, Leif Vollebekk (Secret City*F.A.B.)
Healing Power, Terra Lightfoot (Sonic Unyon*Universal)
We were born here, what’s your excuse?, The Secret Beach (Victory Pool*The Orchard)
Never Better, Wild Rivers (Nettwerk*F.A.B./Nettwerk)
Alternative Album of the Year
When a Thought Grows Wings, Luna Li (In Real Life*AWAL)
WINNER: Verbathim, Nemahsis (Independent)
Magpie, Peach Pit (Columbia*Sony)
What’s The Point, Ruby Waters (Independent*Dine Alone)
Water The Flowers, Pray for a Garden, Valley (Universal)
Rock Album of the Year
Pages, Big Wreck (Sonic Unyon*Universal)
Vices, JJ Wilde (Black Box)
Grief Chapter, Mother Mothe (Warner)
WINNER: Set Your Pussy Free, NOBRO (Dine Alone*The Orchard)
Heaven :x: Hell, Sum 41 (Rise/BMG*Universal)
Metal/Hard Music Album of the Year
WINNER: Beyond the Reach of the Sun, Anciients (Season of Mist*The Orchard)
PowerNerd, Devin Townsend (InsideOutMusic*Sony)
Fire, Kittie (Sumerian*Virgin)
The Fear of Fear, Spiritbox (BMG*Universal)
ULTRAPOWER, Striker (Independent)
Adult Contemporary Album of the Year
Roses, Aphrose (Independent)
Boundless Possibilities (Celeigh Cardinal, Independent)
Transitions, Kellie Loder (Independent*Warner)
Songs of Love & Death, Maddee Ritter (Independent*Universal)
WINNER: Lovers’ Gothic, Maïa Davies (acronym)
Pop Album of the Year
bleeding heart, Alexander Stewart (FAE*The Orchard)
if this is it…, Jamie Fine, Universal)
Anywhere But Here, Preston Pablo (31 East*Universal)
Shawn, Shawn Mendes (Island*Universal)
WINNER: THINK LATER, Tate McRae (RCA*Sony)
Dance Recording of the Year
“UH HUH,” DijahSB (Never Worry*The Orchard)
WINNER: “No Time,” Interplanetary Criminal & SadBoi (Room Two*Columbia)
Give in to you, REZZ, Virtual Riot & One True God (Monstercat)
“Call Me When,” So Sus (Independent)
“FOUL TASTE,” WAWA (Independent)
Underground Dance Single of the Year
WINNER: “Bamboo,” Ciel (Independent)
“Keepsake,” Destrata (Independent)
“Distant Memories,” Hernan Cattaneo, Hicky & Kalo (Independent)
“La Vérité,” Jesse Mac Cormack, Charlie Houston & Brö (Secret City*F.A.B)
“WTP,” Suray Sertin (Altered States*Universal)
Electronic Album of the Year
Honey, Caribou (Merge*F.A.B)
Union, ÈBONY (Independent*ADA)
Love, Care, Kindness & Hope, Fred Everything (Lazy Days*Prime Direct)
Timeless, Kaytranada (RCA*Sony)
WINNER: This But More, Priori (NAFF*One Eye Witness)
Rap Single of the Year
“People,” Classified (Independent)
“Double The Fun,” Haviah Mighty (Independent)
WINNER: “SHUT UP,” Jessie Reyez (FMLY/Island*Universal)
“BBE,” Snotty Nose Rez Kids (Sony)
Hier encore, Souldia & Lost (Disques 7ième Ciel)
Rap Album/EP of the Year
96 Miles From Bethlehem, Belly (SALXCO*Universal)
Luke’s View, Classified (Independent)
The Flower That Knew, DijahSB (Lowly)
See You When I See You…, Dom Vallie (Awesome*The Orchard)
WINNER: RED FUTURE, Snotty Nose Rez Kids (Sony)
Traditional R&B/Soul Recording of the Year
Limbo, Aqyila (Sony)
The Worst, Benita (Independent*Believe)
Cyan Blue, Charlotte Day Wilson (Independent*The Orchard)
Halfway Broken, Luna Elle (Hot Freestyle*Independent)
WINNER: VELVET SOUL, THEHONESTGUY (Independent*Believe)
Contemporary R&B Recording of the Year
WINNER: Bloom, Aqyila (Sony)
Noire, Avenoir (Independent*LISTEN TO THE KIDS)
FOR THE BOY IN ME, Dylan Sinclair (Five Stone*The Orchard)
LOONY, LOONY (Independent*AWAL)
Eastend Confessions, Zeina (Artist Partner Group)
Reggae Recording of the Year
WINNER: Born to Be Free, Exco Levi (Independent)
FALLBACK, King Cruff & Runkus (Tuff Gong*Universal)
Destiny, Lee “Scratch” Perry & Bob Riddim (Independent)
Sky’s The Limit, Skystar (Independent)
Rise, Tonya P (Independent)
Children’s Album of the Year
Shun Beh Nats’ujeh: We Are Healing Through Songs, Kym Gouchie (Independent)
WINNER: Penny Penguin, Raffi & Good Lovelies (Independent*Universal)
Riley Rocket: Songs From Season One, Riley Rocket and Megablast (Independent)
Buon Appetito, Walk off the Earth & Romeo Eats (Golden Carrot*The Orchard)
Maestro Fresh Wes Presents: Young Maestro “Rhyme Travellers”, Young Maestro (Independent)
Comedy Album of the Year
Wonder Woman, Courtney Gilmour (Comedy Records*Downtown)
WINNER: Honourable Intentions, Debra DiGiovanni (Independent)
Popcorn, Ivan Decker (Independent)
Sad Witch, Jess Salomon (Independent)
Down With Tech, Nathan Macintosh (Comedy Records*Downtown)
Traditional Indigenous Artist or Group of the Year
WINNER: New Comings, Black Bear Singers (Independent)
Winston & I, Brianna Lizotte (Independent)
Travelling Home, Cree Confederation (Independent)
REZilience, Northern Cree (Independent)
Ostesihtowin-“Brotherhood”, Young Spirit (Independent)
Contemporary Indigenous Artist or Group of the Year
Precious Diamonds, Adrian Sutherland (Independent)
Boundless Possibilities, Celeigh Cardinal (Independent)
WINNER: Brown Man, Sebastian Gaskin (Ishkōdé*Universal)
RED FUTURE, Snotty Nose Rez Kids (Sony)
Pretty Red Bird, Tia Wood (Sony)
Francophone Album of the Year
Aliocha Schneider, Aliocha Schneider (Les Disques Audiogramme*Sony/The Orchard)
Demain il fera beau, Fredz (La Taniere*Believe)
Toutes les rues sont silencieuses, Jay Scøtt (Disques 7ième Ciel*Believe)
Abracadabra, Klô Pelgag (Secret City*F.A.B.)
Pub Royal, Les Cowboys Fringants (Les Disques de La Tribu*Propagande/Believe)
Contemporary Christian/Gospel Album of the Year
elenee., Elenee (Independent)
My Foundation, Jordan St. Cyr (Independent*The Orchard)
WINNER: Restore, Ryan Ofei (Independent*Platoon/Believe)
Miracle in the Making, Tehillah Worship (Independent)
Hymns Alive (Live), Toronto Mass Choir (Independent*Believe)
Global Music Album of the Year
Aarambh, Abby V (Sufiscore)
Kanzafula, Ahmed Moneka (Lulaworld*Independent)
Malak, Didon (Electrofone*Independent)
WINNER: Dankoroba, Djely Tapa (Independent*Believe)
Niebla, Ramon Chicharron (Independent*Believe)
Classical Composition of the Year
WINNER: Angmalukisaa, Deantha Edmunds (Independent*Leaf/Naxos)
the fog in our poise, Gabriel Dharmoo (Centrediscs*Canadian Music Centre/Naxos)
L’écoute du perdu : III. « Voix jetées », Keiko Devaux (ATMA*Universal)
Dark Flowe, Linda Catlin Smith (Redshift*Independent)
String Quartet No. 4 “Insects and Machines”, Vivian Fung, (Independent)
Entertainment
No ‘Good’ Deed Goes Unpunished for Ariana Grande’s Glinda in Final ‘Wicked: For Good’ Trailer

In the final trailer for Wicked: For Good, Ariana Grande‘s character learns that a big price comes with being Glinda the Good.
Released on Wednesday (Sept. 24) — about two months before the Wicked sequel finally premieres in theaters on Nov. 21 — the preview shows how the blonde leading lady wrestles with her new role as Oz’s spokeswoman, as Cynthia Erivo‘s Elphaba attempts to expose the Wizard’s evil agenda while living in hiding. At first, Glinda is “obsess-ulated” with the gorgeous gown, tiara and mechanical flying bubble her public-facing life affords her — but everything quickly comes crashing down when she realizes that she’s on the wrong side of history, and that she just might be too late to save her former schoolmate from the wrath of Oz’s brainwashed citizens.
“I’m a public figure now, people expect me to …,” Glinda tells Elphaba at one point, with Dorothy’s fallen house and the Yellow Brick Road visible in the background.
“Lie?” the green-skinned witch cuts in, to which Glinda says defensively, “Be encouraging.”
Grande’s character is less sure of herself when she is confronted by Jonathan Bailey’s Fiyero, who accuses, “You can’t resist this.”
“Who could?” Glinda asks, to which the Winkie prince replies, “You know who could.”
Arriving one year after the first Wicked hit theaters and shattered movie-musical box-office records, For Good will serve as the film adaptation of the second act of the Broadway musical on which the live-actions are based. The soundtrack will also drop on Nov. 21, complete with two brand new songs sung by Grande and Erivo.
As revealed when the tracklist dropped a week prior to the new trailer, the title of Glinda’s bonus song is “The Girl in the Bubble,” while Elphaba’s added balled is called “No Place Like Home.”
Watch the final trailer for Wicked: For Good above.
Entertainment
Priscilla Presley Says That Leaving Elvis Presley Was ‘The Only Way to Survive’ in New Memoir ‘Softly, As I Leave You: Life After Elvis’

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Priscilla Presley was with Elvis Presley for around 14 years before they split; however, the pair had known each other for years before they wed in 1967.
The time in between and following Priscilla and Elvis’ divorce was a tough spot for Priscilla, and one she wasn’t super open about — that is, until now. In her new memoir Softly, As I Leave You: Life After Elvis, the actress shares the difficult but inspiring journey beyond the walls of Graceland post-split with the King, choosing to put herself and her daughter, Lisa Marie Presley, first.
A hardcover version of the book is now on sale and can be purchased now on Amazon for $22.38, while paperback will run you $32. A Kindle version retails for $15.99. If you’re a superfan of Priscilla and the Presley family, you can also snag a signed version of the memoir via Barnes & Noble for $32. The piece makes a great gift for the avid Elvis collector in your life. If you’d rather listen to the memoir, we won’t judge, you can do so with Audible via a subscription which costs $7.95 a month, a price tag less than a physical copy.
Softly, As I Leave You: Life After Elvis
A new memoir by Priscilla Presley.
If you didn’t know, Priscilla met Elvis when she was just 14 and he was 24. The singer was serving in the U.S. Army in 1959 in Germany. The pair remained romantically connected for years, even with distance between them and in 1967, they were wed in a simple and very secret ceremony in Las Vegas. While their separation in 1973 was painful for Priscilla, this novel highlights why it was so important for the Naked Gun star to leave.
It seems that Priscilla lost touch with herself throughout her relationship with Elvis. Leaving allowed her to find herself again. Through the book, we are treated to snippets of Priscilla’s life pre- and post-Elvis and how she had to reinvent herself a second time as the single mother after the performer’s death in 1977.
Today, we are taken through how Priscilla was able to transform Graceland into an international destination and helped guide the development of Elvis Presley Enterprises, turning the King’s legacy into a full-on business. If you are an Elvis fan, this gives readers a unique perspective on his life, as told by his ex-wife. It also gives Priscilla’s story more context for those who aren’t too familiar with her life and career.
Entertainment
Calvin Harris’ Ex-Business Manager Denies $22M Fraud Claims: ‘Categorically False’

Calvin Harris‘ former longtime business manager is firing back against bombshell fraud claims, saying he never stole from anybody and that the Scottish DJ willingly agreed to invest in his Los Angeles real estate development project.
Thomas St. John, an entertainment industry-focused accountant who runs the eponymous firm Thomas St. John Group, is currently wrapped up in thorny arbitration proceedings with his former client Harris (Adam Wiles). He’s accused of abusing his access to Harris’ accounts in order to fund his side venture: the construction of a recording studio and office space complex in Hollywood.
Harris claims that St. John tricked him into investing $22.5 million in the project, known as CMNTY Culture Campus, which he says turned out to be a “complete boondoggle” that he “has not received a single penny in return for” — while suggesting that St. John pocketed much of the money for himself.
However, a representative for St. John says in a new statement that the allegations are “categorically false.” The rep denies that St. John engaged in any self-dealing, adding that Harris is one of nine above-board investors who “knowingly signed investment agreements” to get involved in CMNTY Culture.
“Not a single dollar has been misappropriated, all investor entitlements remain intact, and the project continues to advance within the normal entitlement timeline,” says St. John’s rep in the Tuesday (Sept. 23) statement. “We will continue to take every necessary step to set the record straight and to ensure that these malicious, bad-faith attacks are recognized for what they are: entirely without merit.”
While CMNTY Culture was initially designed to house a recording studio and office space, St. John has since shifted the plans and is now developing a residential apartment complex on the same tract of land in Hollywood. According to his rep, the project is proceeding apace and “is expected to approach a $1 billion valuation” upon completion.
“While the entitlement process has naturally taken longer than initially projected due to unprecedented interest, macroeconomic conditions and significant city red tape, it remains firmly within its promised schedule and is now on the verge of securing final entitlements, an important milestone that will unlock substantial value,” adds St. John’s rep.
Thomas St. John Group has offices in Los Angeles, London, Amsterdam and Stockholm. The management firm’s U.S. arm recently filed for bankruptcy, citing hundreds of thousands of dollars in unpaid rent in L.A. and multiple pending legal actions.
One creditor listed in the firm’s bankruptcy papers is Philip Lawrence, a songwriter and producer who made his name collaborating with Bruno Mars. Lawrence used to be a client of St. John’s and at one point invested $10 million from the sale of his catalog into CMNTY Culture Campus, according to court filings in Lawrence’s own personal bankruptcy case.
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