Entertainment
Publishing Briefs: El DeBarge Signs With Reservoir, Plus a Pop-Punk Hitmaker Moves to Artist House

Welcome to Publishing Briefs, our semimonthly bulletin of recent signings, deals and doings in the wide world of music publishing. Since we last spoke, Primary Wave bought a stake in a Notorious catalog, Eslabon Armado frontman Pedro Tovar inked a deal with Kobalt, reggaetón star Ryan Castro signed with Warner Chappell, BMI said it will no longer charge an application fee when new songwriters seek to join, Sevdaliza signed her first-ever publishing pact with Sony Music Publishing, Word Collections launched a royalty collection service, and Joaquina signed a global deal with WCM.
Caught up? Here’s what else is going on:
Reservoir Media signed a new publishing deal with five-time Grammy-nominated R&B artist El DeBarge. The agreement covers his solo catalog and hits from his time with the family group DeBarge, along with future projects. El DeBarge’s career began in the 1980s when Berry Gordy signed him and his siblings to Motown Records, leading to hits like “You Wear It Well,” “Time Will Reveal,” “Love Me in a Special Way” and “All This Love.” His solo career took off in 1986 with the hit “Who’s Johnny,” which reached No. 3 on the Hot 100, and he continued to release successful albums, including 1994’s Babyface-assisted Heart, Mind and Soul. Over the years he has collaborated with legends like Dionne Warwick, Quincy Jones, Al Green and the Isley Brothers. “I’ve been a fan of DeBarge and El in particular since I was 16 years old, so I’m incredibly humbled to welcome him and his evergreen hits to the Reservoir family,” said Reservoir evp of A&R and catalog development Faith Newman. “His music has touched generations, and we are excited to work with him to further amplify his incredible catalog.”
Billy Steinberg and his son Ezra Steinberg signed new global publishing deals with Sony Music Publishing. This expands SMP’s partnership with Billy, which began in 1992, and introduces Ezra to SMP’s roster. Their works will be under Steinberg Music, their newly formed company. The elder Steinberg’s latest deal with SMP covers his newer catalog, including hits like “I’ll Stand by You” by The Pretenders and “Give Your Heart a Break” by Demi Lovato. This move consolidates his newer catalog with his original SMP catalog, featuring Hot 100 No. 1s like Madonna’s “Like a Virgin,” Cyndi Lauper’s “True Colors” and The Bangles’ “Eternal Flame,” among others. Billy was inducted into the Songwriters Hall of Fame in 2011. Brian Monaco, president and global chief marketing officer of SMP, expressed excitement about expanding their partnership with Billy — “an extraordinary songwriter whose music speaks to all generation” — and welcoming Ezra. “Representing Billy’s catalog continues to be one of our greatest privileges and we are honored that he’s entrusted us to champion these treasured songs,” he said.
SMP president and head of US A&R Katie Welle, Ezra and Billy Steinberg, and chairman/CEO Jon Platt
Artist House signed award-winning songwriter and producer Sam Hollander to an exclusive global administration deal. Known for hits with Panic! At The Disco, Weezer, Katy Perry, Fitz and the Tantrums, Cobra Starship, One Direction and more, Hollander is “one of the best topliners of the last 20 years and one of the highest-quality people you’ll ever meet,” said Artist House co-founder Gregg Wattenberg. In the early 2000s, Hollander gained recognition as one-half of the production duo S*A*M and Sluggo, alongside Dave Katz. Together, they played a key role in shaping the pop-punk sound of Fueled By Ramen’s golden era. His work has also appeared in films and TV, and he notably held the No. 1 spot on the Billboard Rock Songwriters Chart for nine weeks. In 2022, Hollander released his memoir, 21 Hit Wonder, providing an insider’s look at his journey through the industry. Hollander, with 23 U.S. Top 40 hits to his name, said joining Artist House “feels like coming home,” adding that “their vision for the future of the music business and their dedication to revitalizing the New York songwriter community align perfectly with my passion for this city’s rich musical legacy.”
Raleigh Music Publishing and the ICM Crescendo Music Royalty Fund have partnered to acquire a majority interest in the Cal Mann publishing catalog, which includes such songs as Chubby Checker’s “Let’s Twist Again,” The Dovells’ “Bristol Stomp” and House of Pain’s “Jump Around.” The latter song is in the Mann catalog through sampling Mann’s co-written song, “Popeye the Hitchhiker,” also by Checker. Terms of the deal were not disclosed. The acquired catalog includes over 200 songs in all, according to the announcement. Besides the above songs, Mann also was involved in writing songs for Elvis Presley Bobby Rydell, Pat Boone and Charlie Grace, among others. Raleigh Music Group co-president Peter Raleigh expressed excitement about the partnership, highlighting the potential for new opportunities through sync placements and creative initiatives to “introduce these classics to new audiences.” –Ed Christman
Sony Music Publishing UK signed singer-songwriter Freya Ridings to an exclusive global publishing deal, covering her future works, including her upcoming third studio album. Ridings rose to fame in 2018 with “Lost Without You,” earning a BRIT nomination and leading to her debut album. Her sophomore release, Blood Orange, featured hits like “Castles” and “Weekends” and helped her accumulate nearly 4 million monthly Spotify listeners. Sony Music Publishing UK president David Ventura lavished praise upon Ridings’ songwriting and voice, calling it a long-awaited partnership. “For almost a decade, I have been trying to work with Freya, simply because her songwriting and voice are hypnotizing,” he said. “After all this time, it is exciting to have the opportunity to finally be in her team. Freya’s songwriting is inspired – she has many things to write about and her work ethic is incredible.” For her part, Ridings said “it’s been a dream of mine since 19 to sign” with Sony.
Concord Music Publishing has signed Nashville-based singer-songwriter Zachary Knowles, with the deal including all Knowles’ future works. In 2021, Knowles released his debut album, tendency to be a loner, and this past July issued his latest EP Look Mom, No Hands. “When I first met Zachary, I felt an instant creative connection,” said Melissa Spillman, vp of A&R at CMP. “He is a multi-faceted songwriter and artist who can create great music in so many different genres, and I am thrilled to have him join the Concord family.” –Jessica Nicholson
Melody Place signed singer-songwriter Melody Federer as the first standalone writer under its publishing arm, Melody Place Publications. Melody Place president Sandy McGraw, who has long admired Federer’s work, highlighted her innovative songwriting and said he’s thrilled to have her on board. Federer will play a key role in artist development, collaborating with artists like Katharine McPhee. Federer has worked with major artists such as Pink, Michael Bublé, and Kelly Rowland, and co-written with legends like Burt Bacharach. Federer has also released solo material, including “This Town” and “The Wonder Years,” featured on “Elton John’s Rocket Hour” radio show. Her latest release is the indie-pop track “Knocked Up.”
Centricity Music, an indie Christian music company, signed indie-rock/alt-pop artist and California native John Allan to a recording and publishing contract. Allan’s music is inspired by artists including The National, Gang of Youths and The Killers, and he’s set to release his debut single via Centricity later this month. “People are going to believe something about God based on what the song is saying,” said Allan, who released a pair of EPs in 2022. “I really believe it’s about stewarding what He’s planted and chasing the idea until it’s healthy enough to thrive in someone else’s life.”
Last Publishing Briefs: Reservoir Makes a ‘Key’ Move in Egypt
Entertainment
No ‘Good’ Deed Goes Unpunished for Ariana Grande’s Glinda in Final ‘Wicked: For Good’ Trailer

In the final trailer for Wicked: For Good, Ariana Grande‘s character learns that a big price comes with being Glinda the Good.
Released on Wednesday (Sept. 24) — about two months before the Wicked sequel finally premieres in theaters on Nov. 21 — the preview shows how the blonde leading lady wrestles with her new role as Oz’s spokeswoman, as Cynthia Erivo‘s Elphaba attempts to expose the Wizard’s evil agenda while living in hiding. At first, Glinda is “obsess-ulated” with the gorgeous gown, tiara and mechanical flying bubble her public-facing life affords her — but everything quickly comes crashing down when she realizes that she’s on the wrong side of history, and that she just might be too late to save her former schoolmate from the wrath of Oz’s brainwashed citizens.
“I’m a public figure now, people expect me to …,” Glinda tells Elphaba at one point, with Dorothy’s fallen house and the Yellow Brick Road visible in the background.
“Lie?” the green-skinned witch cuts in, to which Glinda says defensively, “Be encouraging.”
Grande’s character is less sure of herself when she is confronted by Jonathan Bailey’s Fiyero, who accuses, “You can’t resist this.”
“Who could?” Glinda asks, to which the Winkie prince replies, “You know who could.”
Arriving one year after the first Wicked hit theaters and shattered movie-musical box-office records, For Good will serve as the film adaptation of the second act of the Broadway musical on which the live-actions are based. The soundtrack will also drop on Nov. 21, complete with two brand new songs sung by Grande and Erivo.
As revealed when the tracklist dropped a week prior to the new trailer, the title of Glinda’s bonus song is “The Girl in the Bubble,” while Elphaba’s added balled is called “No Place Like Home.”
Watch the final trailer for Wicked: For Good above.
Entertainment
Priscilla Presley Says That Leaving Elvis Presley Was ‘The Only Way to Survive’ in New Memoir ‘Softly, As I Leave You: Life After Elvis’

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Priscilla Presley was with Elvis Presley for around 14 years before they split; however, the pair had known each other for years before they wed in 1967.
The time in between and following Priscilla and Elvis’ divorce was a tough spot for Priscilla, and one she wasn’t super open about — that is, until now. In her new memoir Softly, As I Leave You: Life After Elvis, the actress shares the difficult but inspiring journey beyond the walls of Graceland post-split with the King, choosing to put herself and her daughter, Lisa Marie Presley, first.
A hardcover version of the book is now on sale and can be purchased now on Amazon for $22.38, while paperback will run you $32. A Kindle version retails for $15.99. If you’re a superfan of Priscilla and the Presley family, you can also snag a signed version of the memoir via Barnes & Noble for $32. The piece makes a great gift for the avid Elvis collector in your life. If you’d rather listen to the memoir, we won’t judge, you can do so with Audible via a subscription which costs $7.95 a month, a price tag less than a physical copy.
Softly, As I Leave You: Life After Elvis
A new memoir by Priscilla Presley.
If you didn’t know, Priscilla met Elvis when she was just 14 and he was 24. The singer was serving in the U.S. Army in 1959 in Germany. The pair remained romantically connected for years, even with distance between them and in 1967, they were wed in a simple and very secret ceremony in Las Vegas. While their separation in 1973 was painful for Priscilla, this novel highlights why it was so important for the Naked Gun star to leave.
It seems that Priscilla lost touch with herself throughout her relationship with Elvis. Leaving allowed her to find herself again. Through the book, we are treated to snippets of Priscilla’s life pre- and post-Elvis and how she had to reinvent herself a second time as the single mother after the performer’s death in 1977.
Today, we are taken through how Priscilla was able to transform Graceland into an international destination and helped guide the development of Elvis Presley Enterprises, turning the King’s legacy into a full-on business. If you are an Elvis fan, this gives readers a unique perspective on his life, as told by his ex-wife. It also gives Priscilla’s story more context for those who aren’t too familiar with her life and career.
Entertainment
Calvin Harris’ Ex-Business Manager Denies $22M Fraud Claims: ‘Categorically False’

Calvin Harris‘ former longtime business manager is firing back against bombshell fraud claims, saying he never stole from anybody and that the Scottish DJ willingly agreed to invest in his Los Angeles real estate development project.
Thomas St. John, an entertainment industry-focused accountant who runs the eponymous firm Thomas St. John Group, is currently wrapped up in thorny arbitration proceedings with his former client Harris (Adam Wiles). He’s accused of abusing his access to Harris’ accounts in order to fund his side venture: the construction of a recording studio and office space complex in Hollywood.
Harris claims that St. John tricked him into investing $22.5 million in the project, known as CMNTY Culture Campus, which he says turned out to be a “complete boondoggle” that he “has not received a single penny in return for” — while suggesting that St. John pocketed much of the money for himself.
However, a representative for St. John says in a new statement that the allegations are “categorically false.” The rep denies that St. John engaged in any self-dealing, adding that Harris is one of nine above-board investors who “knowingly signed investment agreements” to get involved in CMNTY Culture.
“Not a single dollar has been misappropriated, all investor entitlements remain intact, and the project continues to advance within the normal entitlement timeline,” says St. John’s rep in the Tuesday (Sept. 23) statement. “We will continue to take every necessary step to set the record straight and to ensure that these malicious, bad-faith attacks are recognized for what they are: entirely without merit.”
While CMNTY Culture was initially designed to house a recording studio and office space, St. John has since shifted the plans and is now developing a residential apartment complex on the same tract of land in Hollywood. According to his rep, the project is proceeding apace and “is expected to approach a $1 billion valuation” upon completion.
“While the entitlement process has naturally taken longer than initially projected due to unprecedented interest, macroeconomic conditions and significant city red tape, it remains firmly within its promised schedule and is now on the verge of securing final entitlements, an important milestone that will unlock substantial value,” adds St. John’s rep.
Thomas St. John Group has offices in Los Angeles, London, Amsterdam and Stockholm. The management firm’s U.S. arm recently filed for bankruptcy, citing hundreds of thousands of dollars in unpaid rent in L.A. and multiple pending legal actions.
One creditor listed in the firm’s bankruptcy papers is Philip Lawrence, a songwriter and producer who made his name collaborating with Bruno Mars. Lawrence used to be a client of St. John’s and at one point invested $10 million from the sale of his catalog into CMNTY Culture Campus, according to court filings in Lawrence’s own personal bankruptcy case.
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