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NAQT VANE Brings the Newborn Vibes — Behind the ‘NV’ Concept EP & Deeper Bonds Forged by Touring: Interview

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On April 2, NAQT VANE released their new concept EP, NV. This is NAQT VANE’s first concept EP with its new lineup after welcoming Yunoa. The EP has a total of seven songs, including solo songs “C” and “O” by Yunoa and Harukaze and an “NV Series” of reinterpreted NAQT VANE songs. What kind of spirit and message have they poured into the “NV” concept EP? Billboard Japan talked at length with the two, hot off their nationwide tour, about this and about their thoughts on the tour.

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04/08/2025

You just finished your first nationwide tour as a team of two vocalists, performing eight shows in four cities. What did you think of it?

Harukaze: At first, I thought that it would feel like long, but once we actually started performing, it was over in the blink of an eye. We had a blast performing, and I still feel a little wistful that we’ve already finished all eight shows.

Yunoa: It went by so fast. It was my first time performing in a solo show from the very start, and my first time touring. So I was really nervous going in, but once we started, I had so much fun. I still can’t believe it’s over, and I’m looking forward to going out on tour again.

On the tour, you represented yourselves as the “sun and moon,” and you had different set lists for your daytime and nighttime shows. How do you feel about that contrast of your individual characters as sun and moon?

Harukaze: During this one meeting we had about the tour, the conversation turned to how to showcase the “pair” aspect of NAQT VANE, now that we have twin vocalists. We wrote down keywords that represented our own individuality and unique characters. One of the things that came up was this concept of “sun and moon,” and we thought that conveyed the concept the clearest. They stand in contrast with each other, but both are essential, and when you have the two of them together, something magical happens. They’re like us in all kinds of ways.

It’s been 10 months since you formed this new lineup, which features your contrasting characters, and now you’ve finished a tour. Have there been any changes during this time?

Harukaze: When we changed to a twin vocal lineup, I knew from the start that it would open up a new path before us. Now, after finishing the tour, we’ve become absolutely essential to each other. We each produced our sun and moon shows, and in both shows, there were parts where we were able to shine because of each other’s presence.

Yunoa: For me, the tour impressed on me again just how fun it is to sing with Harukaze. Also, I didn’t know that I could spend so much time with someone else while always being comfortable staying true to myself. It was such a fun experience. I discovered something new about myself, that I didn’t have any problem being with others. Now I want to always stay close to these people I love so much.

Now you’ve released the “NV” concept EP, which includes “C” and “O,” solo songs that Hiroyuki wrote for the tour. I’d like to start out by asking about these solo songs. Yunoa, how did you feel when you first heard the music Hiroyuki wrote for “C?”

Yunoa: Usually, when I’m working solo as Yunoa, I write my own lyrics, but with “C,” I thought about my own traits and features, wrote them down, and had the lyrics written based on them. There were several parts where the lyrics I received perfectly conveyed what I was thinking. I didn’t feel over-pressured by “C.”

What did you think of the title?

Yunoa: It’s the shape of a crescent moon. I really liked the simplicity of that.

Right. So the same is true for “O?”

Harukaze: It’s the shape of the sun. It forms a set with “C.” When I got the lyrics, I also felt like it had really captured the message that I was trying to convey. My life motto is “I want people to smile,” and that was reflected in the line “Give me a smile.” I didn’t get any instructions to sing in a certain key or in a certain way, but the song has a lot of technical parts which Hiroyuki has complimented me on in past recordings. There are two NAQT VANE anthems, “Beautiful Mess” and “VANE,” and it’s really easy to picture singing them along with audiences.

You use a lot of different vocal tones in your singing, don’t you?

Harukaze: I’d talked to Hiroyuki in the past about how whenever I go in to record vocals, I want to take on new challenges. On NAQT songs, I added twists at the end, or I envisioned different peoples’ vocal tones when I recorded the chorus. I’d think about trying to be a specific type of singer, or I’d try singing in a super low, older man’s voice. I tried out all kinds of different voices, like 15 different people. They’re all in there, and that whole process of including those playful elements in the recording process was a new challenge for me.

You also recorded newly reimagined NV versions of songs from your first album, this time with twin vocals. What song made a particular impact on you?

Yunoa: “Ditty – NV.” There’s a rap part in it that just slaps. It just busts out right from the start. It’s so fast, I can’t even mentally keep up with what I’m saying. You’ve got to hear it.

Harukaze: But you sound like you’re having so much fun in that part. You’re really vibing! It comes across so clearly. Part of it might be because the song itself is so fun.

Yunoa: It’s probably the most danceable song.

Harukaze: And it has a sense of playfulness. It’s so fast, and your rap part gets me fired up, too. I was surprised to see how much a song could change. The original was already playful, but having two people sing it instead of one makes it so much more exciting.

How did you feel after getting all seven songs ready for the release?

Yunoa: Really happy. I’ve been a member of NAQT VANE for less than a year, so it’s tremendously exciting to see my own name on a CD for the first time. Our new twin vocal lineup is used to its fullest, and we each have our own solo songs, so the EP highlights the qualities of both approaches. When I saw the samples of the finished EP, I was really impressed. The jackets are all unique variants, each with its own pattern, and each comes with a puzzle piece. The contents of the EP are so cute. There are so many special things about the CD, and more than anything I feel happy and a bit awed that so much is being done on my first ever CD.

Harukaze: I think the new EP packs in the true essence of NAQT VANE. This may be how some people discover us. We want to show our new lineup, and I hope that the EP is a breath of fresh air for everyone preparing for a new beginning [this spring]. The “NV” means both “NAQT VANE” and “New Version,” but it has another meaning, too: “Newborn Vibes.” Vibes are a really important part of the project, so we want to share these new vibes with all our VANEs.

What kind of “New Versions” do you see for the future?

Yunoa: We want to get bigger and bigger. We want more people to discover NAQT VANE. Everyone says we’re at our best in our live shows, so I want everyone to come see us perform live. We want to play in even bigger venues, filling domes.

Harukaze: We want to play at huge venues, and we also want to perform around the world. Our overseas fans send us messages asking when we’ll perform in their countries, so I hope we can really extend our overseas reach and perform in different countries, bringing out each of our own best qualities.

Do you have any closing message for your overseas listeners?

Yunoa: I think there are a lot of people in countries like the U.S. who share the same vibes as us. I’m sure they’d love us if they heard us, so please give us a listen. Then come to our show and go crazy on the dance floor.

Harukaze: When I was in high school, I spent three and a half years living in Vancouver, Canada, and then I went to university for four years in L.A. My dream is to return to Canada and America to put on shows. When I go back, I want to give back to all my old friends and all the people who’ve supported me. We’re going to be communicating more with our overseas listeners, so I hope everyone checks out what we have to say!

This interview by Atsuo Nagahori first appeared on Billboard Japan

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No ‘Good’ Deed Goes Unpunished for Ariana Grande’s Glinda in Final ‘Wicked: For Good’ Trailer

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In the final trailer for Wicked: For Good, Ariana Grande‘s character learns that a big price comes with being Glinda the Good.

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Released on Wednesday (Sept. 24) — about two months before the Wicked sequel finally premieres in theaters on Nov. 21 — the preview shows how the blonde leading lady wrestles with her new role as Oz’s spokeswoman, as Cynthia Erivo‘s Elphaba attempts to expose the Wizard’s evil agenda while living in hiding. At first, Glinda is “obsess-ulated” with the gorgeous gown, tiara and mechanical flying bubble her public-facing life affords her — but everything quickly comes crashing down when she realizes that she’s on the wrong side of history, and that she just might be too late to save her former schoolmate from the wrath of Oz’s brainwashed citizens.

“I’m a public figure now, people expect me to …,” Glinda tells Elphaba at one point, with Dorothy’s fallen house and the Yellow Brick Road visible in the background.

“Lie?” the green-skinned witch cuts in, to which Glinda says defensively, “Be encouraging.”

Grande’s character is less sure of herself when she is confronted by Jonathan Bailey’s Fiyero, who accuses, “You can’t resist this.”

“Who could?” Glinda asks, to which the Winkie prince replies, “You know who could.”

Arriving one year after the first Wicked hit theaters and shattered movie-musical box-office records, For Good will serve as the film adaptation of the second act of the Broadway musical on which the live-actions are based. The soundtrack will also drop on Nov. 21, complete with two brand new songs sung by Grande and Erivo.

As revealed when the tracklist dropped a week prior to the new trailer, the title of Glinda’s bonus song is “The Girl in the Bubble,” while Elphaba’s added balled is called “No Place Like Home.”

Watch the final trailer for Wicked: For Good above.


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Priscilla Presley Says That Leaving Elvis Presley Was ‘The Only Way to Survive’ in New Memoir ‘Softly, As I Leave You: Life After Elvis’

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Priscilla Presley was with Elvis Presley for around 14 years before they split; however, the pair had known each other for years before they wed in 1967.

The time in between and following Priscilla and Elvis’ divorce was a tough spot for Priscilla, and one she wasn’t super open about — that is, until now. In her new memoir Softly, As I Leave You: Life After Elvis, the actress shares the difficult but inspiring journey beyond the walls of Graceland post-split with the King, choosing to put herself and her daughter, Lisa Marie Presley, first.

A hardcover version of the book is now on sale and can be purchased now on Amazon for $22.38, while paperback will run you $32. A Kindle version retails for $15.99. If you’re a superfan of Priscilla and the Presley family, you can also snag a signed version of the memoir via Barnes & Noble for $32. The piece makes a great gift for the avid Elvis collector in your life. If you’d rather listen to the memoir, we won’t judge, you can do so with Audible via a subscription which costs $7.95 a month, a price tag less than a physical copy.

Softly, As I Leave You: Life After Elvis

Buy Now on amazon $22.38 $22.38
Buy Now at Barnes & noble $32 $32
Buy Now on audible $7.95 a month $7.95 a month

A new memoir by Priscilla Presley.


If you didn’t know, Priscilla met Elvis when she was just 14 and he was 24. The singer was serving in the U.S. Army in 1959 in Germany. The pair remained romantically connected for years, even with distance between them and in 1967, they were wed in a simple and very secret ceremony in Las Vegas. While their separation in 1973 was painful for Priscilla, this novel highlights why it was so important for the Naked Gun star to leave.

It seems that Priscilla lost touch with herself throughout her relationship with Elvis. Leaving allowed her to find herself again. Through the book, we are treated to snippets of Priscilla’s life pre- and post-Elvis and how she had to reinvent herself a second time as the single mother after the performer’s death in 1977.

Today, we are taken through how Priscilla was able to transform Graceland into an international destination and helped guide the development of Elvis Presley Enterprises, turning the King’s legacy into a full-on business. If you are an Elvis fan, this gives readers a unique perspective on his life, as told by his ex-wife. It also gives Priscilla’s story more context for those who aren’t too familiar with her life and career.

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Calvin Harris’ Ex-Business Manager Denies $22M Fraud Claims: ‘Categorically False’

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Calvin Harris‘ former longtime business manager is firing back against bombshell fraud claims, saying he never stole from anybody and that the Scottish DJ willingly agreed to invest in his Los Angeles real estate development project.

Thomas St. John, an entertainment industry-focused accountant who runs the eponymous firm Thomas St. John Group, is currently wrapped up in thorny arbitration proceedings with his former client Harris (Adam Wiles). He’s accused of abusing his access to Harris’ accounts in order to fund his side venture: the construction of a recording studio and office space complex in Hollywood.

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Harris claims that St. John tricked him into investing $22.5 million in the project, known as CMNTY Culture Campus, which he says turned out to be a “complete boondoggle” that he “has not received a single penny in return for” — while suggesting that St. John pocketed much of the money for himself.

However, a representative for St. John says in a new statement that the allegations are “categorically false.” The rep denies that St. John engaged in any self-dealing, adding that Harris is one of nine above-board investors who “knowingly signed investment agreements” to get involved in CMNTY Culture.

“Not a single dollar has been misappropriated, all investor entitlements remain intact, and the project continues to advance within the normal entitlement timeline,” says St. John’s rep in the Tuesday (Sept. 23) statement. “We will continue to take every necessary step to set the record straight and to ensure that these malicious, bad-faith attacks are recognized for what they are: entirely without merit.”

While CMNTY Culture was initially designed to house a recording studio and office space, St. John has since shifted the plans and is now developing a residential apartment complex on the same tract of land in Hollywood. According to his rep, the project is proceeding apace and “is expected to approach a $1 billion valuation” upon completion.

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“While the entitlement process has naturally taken longer than initially projected due to unprecedented interest, macroeconomic conditions and significant city red tape, it remains firmly within its promised schedule and is now on the verge of securing final entitlements, an important milestone that will unlock substantial value,” adds St. John’s rep.

Thomas St. John Group has offices in Los Angeles, London, Amsterdam and Stockholm. The management firm’s U.S. arm recently filed for bankruptcy, citing hundreds of thousands of dollars in unpaid rent in L.A. and multiple pending legal actions.

One creditor listed in the firm’s bankruptcy papers is Philip Lawrence, a songwriter and producer who made his name collaborating with Bruno Mars. Lawrence used to be a client of St. John’s and at one point invested $10 million from the sale of his catalog into CMNTY Culture Campus, according to court filings in Lawrence’s own personal bankruptcy case.

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