Entertainment
Miley Cyrus’ Magnifique Mash-Up of ‘The Climb’ & ‘We Can’t Stop,’ Plus More Highlights Inside Paris Spotify Concert

As fortunate fans spilled into the intimate and sweaty Maxim’s de Paris on Wednesday night (June 18), no one knew exactly what to expect. Vocals? For sure. Fashion? Absolutely. This is Miley Cyrus, after all.
But when the superstar combined two of her biggest hits – none other than “The Climb” and “We Can’t Stop” – into a special one-off medley, fans were floored. “We put this together just for all of you tonight,” shared Cyrus, in her first of two Mugler looks.
The special and career-spanning fusion – reminiscent of two distinct times in the pop star’s life – was fitting for an equally special evening. Cyrus hadn’t performed in Paris for over 10 years, and she made sure her grand return was well worth the wait. The evening’s set was for Spotify’s Billions Club Live, making Cyrus only the second artist, after The Weeknd, to ever earn a Billions Club concert. (As Spotify previously confirmed to Billboard, Cyrus’ Billions Club Live show was filmed to be released later this summer.)
Despite such a massive milestone, Cyrus stayed true to form and kept the setting and guest list rather intimate, with only a few hundred fans packed into Maxim’s downstairs venue. But unlike her famed Chateau Marmont sets in Los Angeles or her recent performance at an equally intimate New York space — all in support of her latest album, Something Beautiful — Wednesday night was perhaps the most wide-ranging setlist fans have enjoyed for some time.
Thanks to the nature of Spotify’s Billions Club Live, Cyrus’ set was a tight hour (including an outfit change) of her biggest hits on the platform — all of which, yes, have reached more than 1 billion streams. (On the pre-show playlist, deep cuts including “Cattitude” off her She Is Coming EP satiated superfans.)
“Being a part of the Billions Club is only a part of me – it’s an honor, but in no means is it holistic,” Cyrus said. “Each of you are a piece of a billion, and without each of you, the billion doesn’t even exist. That’s how important and crucial you are to the success in my life. The confidence and goals that I have achieved [is] because of you and your support. And I’ve never really been too interested in numbers because math is done from the mind, but true authentic beauty is from the heart.”
During her set, Cyrus demonstrated just how much of her heart has always been in her hits – and is likely what has pushed these in particular to become some of her biggest. During opener “Flowers,” she emphasized and riffed on the line “no regrets, baby” while holding up a bouquet of flowers gifted by a fan. And while introducing “The Climb,” she shared that the song is “inspired by the effort and the struggles that it takes to become the person you want to be. … I truly believe the most authentic version of yourself is deep within the struggle. … Everything in my life that I can stand here and be proud of at one point was towering over me like a mountain.” (The mere mention of a mountain elicited emphatic cheering.)
And before performing her Plastic Hearts hit “Angels Like You” accompanied by nothing more than a piano, Cyrus told her fans: “You are the earth angels that make my life heaven.” And in another unexpected twist, she performed the impassioned “Wrecking Ball” next while still backed by only keys.
After an outfit and hairdo change – from teased waves and a Mugler dress dripping with crystals to an updo with a Mugler crystal corset and suit jacket – Cyrus returned to the stage alongside her full backing band, which included a four-person string section and guitarist Maxx Morando. A front-row fan declared that Cyrus looked “super French,” to which Cyrus replied that they’ve actually been discussing what to name her current backing band, before concluding that “Super French” was the best idea they’ve heard yet.
Cyrus then closed the show with a one-two punch of Something Beautiful standouts: “End of the World” and “More to Lose.” Before performing the latter, she said, “A lot of my songs are about resilience, and I’m very proud of that,” noting that the theme of resilience is one not only personal to her and her music, but that is universally felt – and desperately needed right now.
Halfway through “More to Lose,” she turned to Morando and said she’s tired of crying and wanted to do something a bit more fun. The solution? “Easy Lover.” Cyrus performed the song with an extended outro, during which she strutted from one side of the small stage to the other, blowing kisses to fans who were within arm’s length before returning to its center to take a bow.
And after showing off her outfit one last time, Cyrus seamlessly disappeared behind thick red velvet curtains, as if bringing her “End of the World” lyric to life: “Let’s go to Paris, I don’t care if we get lost in the scene.”
As the wide-eyed expressions across the room proved, there’s hardly a better scene to get lost in.
Entertainment
Myke Towers & Quevedo Set Charts Ablaze With ‘Soleao’

Myke Towers and Quevedo propel “Soleo” to the top of Billboard’s Latin Airplay chart as the song jumps a spot to No. 1 on the list dated Aug. 9.
Their first collab, “Soleao” (which translates to “sunny” in English), was released May 20 on One World International/Warner Records/Warner Latina. It leads the way in its ninth chart week, after an 11% growth in audience impressions, to 9.1 million, across U.S. panel-contributing Latin radio stations in the tracking week of July 25-31, according to Luminate.
Towers claims his 15th Latin Airplay champ, and third consecutively of 2025, after one-week rulers “Otra Noche,” featuring Darell (February), and “Degenere,” featuring Benny Blanco (May).
Further, Towers adds to his satchel of wins as he accomplishes a third trio of No. 1s in a single year. Rewind to 2021, when (after landing two early chart-toppers, for that matter) the Puerto Rican delivered a streak of three straight No. 1s: “Bandido,” with Juhn; “Pareja del Año,” with Sebastián Yatra; and “Bésame,” with Luis Fonsi, that June, August and November, respectively. In 2024, Towers replicated the success with another trio of consecutive No. 1s: “Borracho y Loco,” with Yandel; “La Falda”; and “La Capi,” between that February and May.
Meanwhile, Quevedo makes a comeback to No. 1 on Latin Airplay. He previously led, for four weeks, with “Bzrp Music Sessions, Vol. 52,” with Bizarrap, in 2022.
Beyond its Latin Airplay coronation, “Soleao” likewise lifts 2-1 on Latin Pop Airplay. There, Towers tallies a third No. 1 and Quevedo, his first. Further, the song adds a second week atop Latin Rhythm Airplay.
Banda Carnaval Ignites Regional Mexican Airplay: Elsewhere on the Latin charts, Banda Carnaval secures its eighth No. 1 on Regional Mexican Airplay, and second of the year, as “Ya La Hice” bounds 9-1 with 6.6 million audience impressions, up 47%, in the tracking week. The act’s “Pude” led for a week in March.
“We are deeply grateful to our fans for taking ‘Ya La Hice’ to No. 1 on Billboard’s Regional Mexican Airplay chart,” Banda Carnaval tells Billboard. “This song represents a very special moment for us, and seeing it connect with people in this way fills us with pride and emotion. Thank you to everyone who has made it their own, to the composers for this great story, and to our team who continues to believe in our music. Let’s go all the way with Síganme Tirando!”
“Ya La Hice” earns Greatest Gainer honors, awarded to the song with the largest week-over-week increase in impressions at the format. Leading the charge during the tracking period are Univision stations, with standout support from KSCA-FM Los Angeles, KLNO-FM Dallas, and WOJO-FM Chicago.
Entertainment
Ice Cube’s ‘War of the Worlds’ Film Has a 0% Rating on ‘Rotten Tomatoes’ & Cube’s Son Is Weighing In

Ice Cube‘s latest movie is off to a slow start on review aggregator Rotten Tomatoes. According to 15 critics (and counting), War of the Worlds so far has a zero percent rating on the Tomatometer scale, while thousands of moviegoers have given it at 14 percent rating on the Popcornmeter.
One review in particular, from Variety‘s Peter Debruge knocked the film for essentially doubling as a commercial for Amazon, writing, “Even with a Prime subscription, you have to sit through two minutes of ads to watch 90 more of what amounts to a feature-length commercial for all things Amazon,” while another from The Telegraph‘s Ed Power wasn’t really into all the screen time Cube got, saying, “It is silly, shoddy and features far too much of rapper-turned-leading man Ice Cube staring at a computer screen while looking as if he’s working through a reasonably urgent digestive ailment.”
An adaptation of H. G. Wells’ classic 1898 novel The War of the Worlds, this version is an Amazon Prime production directed by Rich Lee and also starring Eva Longoria. Cube plays Will Radford, a surveillance expert at the Department of Homeland Security, and most of the movie takes place on his computer screen as he deals with a hacker and an alien invasion while trying to keep his family out of harm’s way.
The synopsis on Prime Video reads as follows: “A gargantuan invasion is coming with this fresh take on the legendary novel of the same name. Renowned actress Eva Longoria is joined by iconic rapper and actor Ice Cube, along with Michael O’Neill and Iman Benson, for a thrilling out-of-this-world adventure that is filled with present-day themes of technology, surveillance, and privacy.”
Cube’s son, actor O’Shea Jackson Jr., replied to a tweet on X of a video clip from the movie in which an Amazon Prime delivery person tells Cube’s character to cop a USB from Amazon, so he can deliver it via Prime Air with a drone. “I truly can’t believe this adaptation of War Of The Worlds is actually a real film with a real budget and Ice Cube is actually in it,” a fan posted, with Jackson replying that the movie was “Shot during the pandemic. Released 5 years later.”
Billboard has reached out to Ice Cube’s team for comment.
Entertainment
Cara Lewis Group Hires Ashley Ventura, Who Will Bring Bhad Bhabie & More to the Agency

Cara Lewis Group (CLG) has hired agent Ashley Ventura, who will bring her clients to the independent agency.
“CLG is an obvious fit for her talents,” said founder/CEO Cara Lewis in a statement. “The entire Cara Lewis Group team is thrilled to have her as a valued addition. We look forward to continuing our mantra of artist development, creating stars and long lasting careers.”
Ventura has worked as an agent in the hip-hop and R&B space for more than five years, previously working at MAC Agency. A press release announcing her hire described her as a “proven” leader and “one of the newest, most exciting agents in the industry.”
“I’m thrilled to be joining the Cara Lewis Group and to continue pushing culture forward alongside such a respected team,” added Ventura. “This new chapter marks an exciting step in my journey, and I’m looking forward to building with incredible artists and creating what’s next.”
Ventura will be bringing a number of talented artists to the CLG roster, including hip-hop icon French Montana and reality TV star and rapper Bhad Bhabie. Her other clients include Atlanta rapper Anycia, Bay Swag, Bktherula, Gashi, K Camp and Kentheman, all of whom are following her to CLG.
CLG’s roster currently includes Eminem, Travis Scott, Khalid, Don Toliver, Clipse, The Roots, Russ, Jill Scott, Ludacris, Ice Spice, BIA and Erykah Badu. Lewis is one of the most successful independent agents in hip-hop, having spent more than 20 years at William Morris as a partner, where she built the urban-pop division before joining CAA’s music department.
-
Entertainment5 months ago
New Kid and Family Movies in 2025: Calendar of Release Dates (Updating)
-
Tech5 months ago
The best sexting apps in 2025
-
Tech6 months ago
Every potential TikTok buyer we know about
-
Tech5 months ago
iOS 18.4 developer beta released — heres what you can expect
-
Politics6 months ago
DOGE-ing toward the best Department of Defense ever
-
Tech6 months ago
Are You an RSSMasher?
-
Politics6 months ago
Toxic RINO Susan Collins Is a “NO” on Kash Patel, Trashes Him Ahead of Confirmation Vote
-
Politics6 months ago
After Targeting Chuck Schumer, Acting DC US Attorney Ed Martin Expands ‘Operation Whirlwind’ to Investigate Democrat Rep. Robert Garcia for Calling for “Actual Weapons” Against Elon Musk