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In Canada: Justin Bieber Beats Out Travis Scott for No. 1 on Billboard Canadian Albums Chart

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Justin Bieber‘s new album, Swag, is dominating the Billboard charts in Canada.

On the Billboard Canadian Albums chart, Swag debuts at No. 1 — knocking Morgan Wallen’s I’m The Problem down to No. 2, after it spent eight weeks at the top. Swag marks Bieber’s first full-length project since Justice in 2021, which also peaked at No. 1 on the Canadian Albums chart and notched five weeks in the top spot.

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The second project from rapper Travis Scott‘s label showcase Jackboys, dubbed Jackboys 2, is at No. 1 on the U.S. Billboard 200 albums chart, but debuts at No. 2 in Canada behind Bieber.

Bieber’s surprise album, released July 11, also grabs 17 spots on the Billboard Canadian Hot 100, dated July 26, in its first week. Of the 21-song album, two tracks cracked the top 10 on the Canadian Hot 100: “Daisies” at No. 2 and “Yukon” at No. 8. In his home country, Bieber boasts 38 top 10 career hits — most recently “Stay” with The Kid LAROI, which spent 12 weeks at the top in 2021.

While Swag leans into Bieber’s pop and R&B roots, the project prioritizes experimental production and instrumentation. While he worked with longtime collaborator Harv, Swag includes influences from songwriters and producers Carter Lang, Dijon, mk.gee and Eddie Benjamin — to name a few. Canadian R&B star Daniel Caesar, who was featured on Bieber’s 2021 No. 1 hit “Peaches,” is credited as a writer and producer on “Devotion,” which debuts at No. 50 on the chart.

Though he said he was coming for No. 1, Drake‘s “What Did I Miss?” moves down from No. 2 to No. 7, while “Nokia” sits at No. 39. Alex Warren’s “Ordinary” remains at No. 1 for its 15th week.

Read more on the Canadian charts here.

SOCAN Sues Festival d’été de Québec (FEQ) Over Licensing Fees: Report

Festival d’été de Québec (FEQ) is being sued by the Society of Composers, Authors and Music Publishers of Canada (SOCAN) for copyright infringement and failure to pay royalties for approximately three years.

SOCAN, which is responsible for granting licences and collecting royalties on licensed music in Canada, claims in the lawsuit filed in federal court that since at least July 2022, the festival’s organizers “have failed to obtain a license from SOCAN and have not paid any royalties or submitted any report forms to SOCAN.”

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The court claim for copyright infringement, which was filed July 3 (the same day the festival began), cites The Festival international d’été de Québec Inc. and BLEUFEU as defendants in the case.

“Bleufeu and Festival d’été de Québec operate FEQ, one of Canada’s largest music festivals, drawing a total attendance of 1.4 million over 11 days and generating tens of millions in revenue each year,” SOCAN writes in a statement on their website. “While Festival d’été de Québec is a registered charity, the performances it presents are virtually indistinguishable from those of its for-profit competitors, and Canadian law still requires it to pay licensing fees for those performances.”

On Saturday (July 12), FEQ released a statement to Canadian Press that “fair remuneration, in accordance with the highest industry standards,” is one of the festival’s core values.

The organizers questioned SOCAN’s motives for “filing legal proceedings in the middle of the festival, despite discussions that had been ongoing until very recently” and that “proceeding in English, in the context of a Quebec cultural event, seems inappropriate and disconnected from the reality of the community.” FEQ said it had a different interpretation of the law from SOCAN and that other comparable organizations shared the same interpretation.

On Tuesday (July 22), SOCAN released another statement on its website, “On Fair Compensation for Music Creators from Canadian Festivals.” In it, the organization said the timing was driven by legal constraints, and that the claim had to be filed by July 6 in order to include all performances from the 2022 festival.

The page includes a Q&A about SOCAN license fees, along with how and to whom they are distributed. Festivals are required by the Copyright Board of Canada to pay license fees to SOCAN in the amount of 3% of ticket sales and the equivalent of 3% of the amount paid to performers for free concerts, the organization wrote.

“All entities, regardless of tax status, must pay license fees for commercial live performances in public of musical works. The Copyright Act provides a limited exception in some cases for charitable organizations — but this doesn’t apply when admission is charged or when the performers, technicians, producers, vendors, or others working at the concert are paid.”

Aside from FEQ, SOCAN confirms in the statement that they are also pursuing other proceedings “infringing festival performances.”

One of Canada’s biggest music festivals, FEQ, concluded on Sunday, July 13, after 11 days of programming. This year’s iteration boasted popular artists from across the genre spectrum, including Avril Lavigne, Simple Plan, Shania Twain, Def Leppard, Slayer and Benson Boone. 

Canadian Woman Dies at Weekend 1 of Belgium’s Tomorrowland Music Festival

A Canadian woman has reportedly died after attending the Tomorrowland music festival on Friday (July 18).

The unnamed 35-year-old “became unwell on the festival grounds” at the event’s opening night in Boom, Belgium, a small city outside of Antwerp, according to a statement from Tomorrowland spokeswoman Debby Wilmsen to the Canadian Press.

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She “received first aid on site,” and was taken to the University Hospital of Antwerp, where she later died on Saturday morning (July 19).

“This morning, we were saddened to learn of her death. Our thoughts are with her family, friends, and loved ones,” said Wilmsen.

Currently, Belgian authorities are investigating the woman’s death at one of the world’s largest electronic music festivals.

Global Affairs Canada said it is aware of reports that a Canadian woman had died in Belgium, but would not release information due to privacy considerations.

The news comes after Tomorrowland’s main stage was destroyed by fire on July 16, casting doubt on whether the festival would go on. The following day, the festival opened as scheduled with an alternative stage still under construction.

Tomorrowland draws electronic music enthusiasts from all over the world. This year’s event features DJs including David Guetta, Martin Garrix, Eric Prydz, Sofi Tukker, Lost Frequencies and Charlotte de Witte.

Tomorrowland runs across two weekends, July 18-20 and July 25-27, and is expecting about 400,000 attendees this year.

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Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

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Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.

Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).

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“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”

The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.

“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.

Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.

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Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”

“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”

He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”

The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.

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Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

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Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.

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Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.

The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.

The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.

Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.

Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.

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AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

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THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.

As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”

But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”

DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”

LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.

SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.

FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.

HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.

LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.

NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”

SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”

MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.

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