Tech
Haunted no more: Season 4 of The Bear confronts its ghosts

Since its debut in 2022, The Bear has been a haunted show. The ghosts aren't paranormal visitors but a collection of regrets, fears, and traumas as diverse as the series' many characters. Each individual is trailed by a destructive shadow, ready to sabotage any progress toward being a less dysfunctional person.
Sometimes the haunting is an attempt at a pressure-relieving punchline; sometimes it's just a gut-punch. Either way, the way characters grapple with their never-quite-buried losses deftly teach the audience something about the trajectory of heartbreak, the punishing nature of anxiety, depression, and addiction, and what it takes to heal.
Still, Season 3 pushed the conceit of haunting to its limit, leaning into a repetitive emotional deadlock over the course of 10 episodes. The audience watched as chef Carmy Berzatto, played by Jeremey Allen White, remained stuck in his head, and mired in memories of working for an abusive boss.
But Season 4 delivers the audience from this psychological spiral, and not just for Carmy.
Beyond Carmy's determined effort to make space for other people's feelings — hell, even their existence — numerous characters get a meaningful chance to confront the ghosts that haunt them.
An avoidant Syd (Ayo Edebiri) makes the decision (and the phone call) she's been dreading. Richie (Ebon Moss-Bachrach) figures out his place in his own family as Tiff (Gillian Jacobs) marries Frank (Josh Hartnett). He also gets the chance to tell Carmy about the guilt he felt when Mikey (Jon Bernthal) died by suicide. Donna (Jamie Lee Curtis) makes a tearful apology to Carmy for decades of parental neglect, among other regrets.
Opportunities like these become key to the characters' healing, masterfully revealing how recovery from addiction, trauma, and emotional damage is possible.
Kassi Diwa-Kite, a licensed marriage and family therapist at BetterHelp who has watched all four seasons of The Bear, told Mashable that the series' latest outing "absolutely" felt less haunted. She says that's primarily because the characters are slowly embracing their personal and professional identities, which requires self-awareness and emotional regulation they didn't previously possess. She adds that the characters develop a curiosity about themselves and the patterns they seek to break that ultimately empowers them.
As a result, "that hauntedness has to start sliding away because they're coming more into themselves," says Diwa-Kite.
Not every character goes on the same journey as Carmy, Syd, Donna, and Richie. Mashable's Belen Edwards makes the convincing case that Season 4 failed Tina (Liza Colón-Zayas), who is mostly seen trying to cook a certain pasta dish in under three minutes.
Whether or not this makes for critically-acclaimed television is also a concern. Some critics felt Season 4 still stalled in terms of narrative momentum and lacked urgency, even if it was an improvement on the show's third installment.
Yet watching key players each chart a unique, if not straightforward, path toward happiness and redemption remains special to behold. It all happens in a world absent of therapy- and wellness-speak, too. There's nothing wrong with those conventions; they help countless people inch toward recovery every day. Still, there's something simple and relatable about Carmy's refrain throughout Season 4: "I'm trying."
After three seasons of focusing only on what he can accomplish in the kitchen, Carmy slogs through being fully present in his life, visibly uncomfortable with finding and saying the words people need to hear. He stutters and staggers, but manages to make progress.
Carmy shows up on Claire's (Molly Gordon) doorstep months after having literally ghosted her early in their romantic relationship. Pressed on why he became so fearful of intimacy, he finally blurts out an apology.
When Carmy realizes in a separate scene that it took weeks for him to meet his newborn niece, he more calmly summons an apology to his sister Sugar (Abby Elliott) for failing to show up.
Diwa-Kite particularly appreciated Carmy's arc in Season 4 because the character begins to make the connections that have long eluded him: He escaped to culinary school after growing up with an absent father and a mother addicted to alcohol, then found himself in an abusive professional relationship. Now that he wants a different future, it might not look pretty or feel easy.
"Recovery from trauma is going to be clumsy."
– Kassi Diwa-Kite, licensed marriage and family therapist at BetterHelp
"Recovery from trauma is going to be clumsy," Diwa-Kite says, noting that she appreciated how the show depicts Carmy's process. "Just let it be messy. That's where the healing is happening."
While Season 4 is full of moments in which characters makes more fulfilling, grounded choices, there is perhaps none as beautiful as the scene that unfolds when Richie and Tiff's daughter, Eva (Annabelle Toomey), hides under a large table during the celebration of her mother's marriage to Frank.
Afraid to dance with Frank in front of an audience of adults, she refuses to come out. Soon every major character — and some minor ones, too — find themselves under the table with Eva, sharing their fears, one-by-one. Carmy admits that his is the "opposite of chaos," and math. Richie gets a chuckle by saying his fear is artificial intelligence, specifically the Singularity. Frank confesses that he's afraid of heights.
On it goes like that, as many adults with a history of trauma reassure a little girl about whom they care deeply that it's normal to feel fear.
"There was so much healing that you could see among all of those adults."
– Kassi Diwa-Kite, licensed marriage and family therapist at BetterHelp
"There was so much healing that you could see among all of those adults," Diwa-Kite says.
The episode, entitled "Bears," is an unexpected bookend to Season 2's "Fishes," which depicted another family gathering that couldn't be more different.
"Fishes" was a tense hourlong observation of family dysfunction and the toll that it takes on everyone it touches. "Bears" demonstrates how loving relationships, even when they're imperfect, can sustain people who otherwise feel broken, and can possibly achieve generational healing.
"If this were a real girl, imagine the core memory that was created for her in that moment," Diwa-Kite says of Eva. "She will remember that forever. She will draw on that experience forever."
The impromptu community that came together for Eva during that scene echoes an overarching theme of Season 4: People heal in community and through the relationships they've built, Diwa-Kite says.
None of this means that Season 5 will be easy-going for any of the characters.
Indeed, the final episode of Season 4 was fraught as Carmy, Syd, and Richie spent a half-hour arguing, in close-ups, over Carmy's imminent departure from the restaurant. Carmy says he wants to learn who he is when he's not trying to escape his pain. Richie and Syd, though, suspect he's running away — again.
Whether or not Carmy will truly find himself might seem like a gamble. But, then again, Carmy spent the season repairing the relationships that matter most to him rather than severing those ties, and seems more than ready to instead walk away from his proverbial ghosts.
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Tech
Anthropic reportedly cut OpenAI access to Claude

It seems OpenAI has been caught with its hands in the proverbial cookie jar. Anthropic has reportedly cut off OpenAI’s access to Anthropic’s APIs over what Anthropic is calling a terms of service breach.
As reported by Wired, multiple sources claim that OpenAI has been cut off from Anthropic’s APIs. Allegedly, OpenAI was using Anthropic’s Claude Code to assist in creating and testing OpenAI’s upcoming GPT-5, which is due to release in August.
According to these sources, OpenAI was plugging into Claude’s internal tools instead of using the chat interface. From there, they used the API to run tests against GPT-5 to check things like coding and creative writing against Claude to compare performance. OpenAI allegedly also tested safety prompts related to things like CSAM, self-harm, and defamation. This would give OpenAI data that it could then use to fine-tune GPT-5 to make it more competitive against Claude.
Unfortunately for OpenAI, this violates Anthropic’s commercial terms of service, which ban companies from using Anthropic’s tools to build competitor AI products.
“Customer may not and must not attempt to access the Services to build a competing product or service, including to train competing AI models or resell the Services except as expressly approved by Anthropic,” the terms read.
OpenAI responded by saying that what the company was doing was an industry standard, as all the AI companies test their models against the competing models. The company then went on to say that it respected Anthropic’s decision but expressed disappointment in having its API access shut off, especially considering that Anthropic’s access to OpenAI’s API remains open.
A spokesperson told Wired that OpenAI’s access would be reinstated for “benchmarking and safety evaluations.”
It’s not the first time this year that Anthropic has cut off API access. In June, the company cut off Windsurf’s API access after rumors that it was being sold to OpenAI. That deal ultimately fell through, but Anthropic’s cofounder, Jared Kaplan, told TechCrunch at the time that “it would be odd for us to be selling Claude to OpenAI.”
Anthropic has also tweaked its rate limits for Claude, which will take effect in late August, with one of the reasons being that a small number of users are violating the company’s policy by sharing and reselling accounts.
Disclosure: Ziff Davis, Mashable’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems.
Tech
Amazon is toying around with putting ads in Alexa+

It’s the end of another quarter, which means it’s time for yet another earnings call with concerning ideas for generating more revenue. This time around, it's Amazon CEO Andy Jassy, who told shareholders on Thursday that there’s “significant financial opportunity” in delivering ads through Alexa+, the company’s new AI-powered voice assistant.
“I think over time, there will be opportunities, you know, as people are engaging in more multi-turn conversations to have advertising play a role — to help people find discovery and also as a lever to drive revenue,” Jassy said, per the investor call transcript.
Since launching earlier this year, Alexa+ has reportedly reached millions of users. Unlike the original Alexa, which mostly turns off lights and sets timers, Alexa+ is designed to be more conversational, context-aware, and AI-driven. It can help you plan your date night, entertain your kids, and even dabble in basic image and video generation — all under the banner of your $14.99/month Prime subscription.
But so far, Amazon Alexa has been an ad-free experience. It's also more than 10 years old, and it doesn't make money; thus, it's been deemed a "colossal failure" by those within the company.
Of course, Amazon isn’t alone in trying to figure out how to make AI pay for itself. Both Google and OpenAI have explored ad integration in their AI products as a way to generate revenue. OpenAI CEO Sam Altman, in particular, has made a notable pivot: once firmly against advertising in his chatbot, he’s since reversed course, possibly opening the door for ads in future versions of ChatGPT.
Whatever the motivation, injecting ads into Alexa+ would mark a major shift in both user experience and Amazon’s strategy, especially given the assistant’s long history of being expensive to maintain and hard to monetize. Ad-supported Alexa+ could be Amazon’s attempt to finally turn its once-money-burning smart assistant into a revenue machine, without hiking the subscription fee (at least for now).
Alexa+ is still new, and what an ad-supported experience would actually look like remains unclear. According to Jassy, the idea is to frame ads as helpful, something to assist customers in discovering products they might be interested in buying.
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