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Lucinda Williams, CeCe Winans, Aimee Mayo & Tony Martin Among 2025 Nashville Songwriters Hall of Fame Nominees

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The Nashville Songwriters Hall of Fame has revealed the 12 songcrafters who are the nominees for the class of 2025.

In the contemporary songwriters category, this year’s nominees are Steve Bogard, Shawn Camp, Don Henry, Gordon Kennedy, Tony Martin, Aimee Mayo, Jim Rushing and Darrell Scott. The nominees for the contemporary songwriter/artists category are Jim Lauderdale, Gillian Welch & David Rawlings, Lucinda Williams and CeCe Winans.

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The 55th-anniversary Nashville Songwriters Hall of Fame Gala will be held Monday, Oct. 6, at Nashville’s Music City Center.

“Well-deserved congratulations to all the nominees in our contemporary categories,” Nashville Songwriters Hall of Fame executive director Mark Ford said in a statement. “We look forward in several weeks to announcing those who will be inducted this fall as members of our Class of 2025.”

Each of the nominees earned their first significant songs at least two decades ago. A total of two songwriters and one songwriter/artist will be elected in the contemporary categories by members of the Hall of Fame, along with other professional songwriters and artists who are prominently associated with Nashville, or who have written/co-written at least one original and significant Nashville song. Three additional songwriters will also be named to the Class of 2025, as a separate body of veteran voters will elect a veteran songwriter, veteran songwriter/artist and legacy songwriter (honoring a deceased songwriter), each of whom have earned their first significant songs at least three decades ago (nominees in these categories are not announced).

Bogard is known for writing songs including Marty Robbins’ “Touch Me With Magic,” George Strait’s “Carrying Your Love With Me,” Rascal Flatts’ “Prayin’ For Daylight” and Dierks Bentley’s “Long Trip Alone” and “Every Mile a Memory.”

Camp’s writing catalog includes Brooks & Dunn’s “How Long Gone,” Garth Brooks’s “Two Pina Coladas,” Josh Turner’s “Would You Go With Me” and “Firecracker,” Blake Shelton’s “Nobody But Me,” Strait’s “River of Love,” the Ricky Skaggs and Kentucky Thunder bluegrass hit “Sis Draper,” Billy Strings’s “Don’t Be Calling Me (at 4 AM),” and Willie Nelson’s “A Beautiful Time.”

Henry’s writing credits include “Class Reunion” (recorded by artists including John Conlee, The Oak Ridge Boys and Ray Charles), “Blue Highway” (T.G. Sheppard and Conlee), “All Kinds of Kinds” (Miranda Lambert) and the Grammy/CMA/ACM award winner “Where’ve You Been” (Kathy Mattea).

Kennedy is known as a writer on songs including the Grammy-winning “Change The World” (recorded by Wynonna and then by Eric Clapton). Kennedy also has more than a dozen songs recorded by Garth Brooks, including “You Move Me” and “Love Will Always Win” (with Trisha Yearwood), as well as songs recorded by Ricky Skaggs (“Return to Sender”) and Bonnie Raitt (“I Can’t Help You Now”). Gordon also co-wrote songs with his frequent writing collaborator Peter Frampton on songs for Frampton’s 2007 album Fingerprints. Gordon’s songs were also included in the Disney movie The Fox and the Hound 2.

Martin is known for songs such as the Strait-recorded “Baby’s Gotten Good at Goodbye,” Rascal Flatts’ “Banjo,” Lee Ann Womack’s “I’ll Think of a Reason Later,” Tim McGraw’s “Just to See You Smile,” Sara Evans’s “No Place That Far,” Joe Diffie’s “Third Rock From the Sun,” “Keith Urban’s “You Look Good in My Shirt,” Josh Turner’s “Time Is Love” and Dierks Bentley’s “Settle For a Slow Down.”

Mayo’s catalog of songs includes hits recorded by Tim McGraw (“My Best Friend”), Mark Wills (“Places I’ve Never Been”), and Lonestar (“Amazed,” which won the ACM’s song and single of the year and was nominated for a Grammy). Mayo was named BMI’s 2001 Country Songwriter of the Year. Other songs she’s contributed writing to are the Faith Hill/Tim McGraw classic “Let’s Make Love,” Martina McBride’s “This One’s For The Girls,” and Kenny Chesney’s “Bar at the End of the World” and “Who You’d Be Today.” Mayo is author of the memoir Talking to the Sky.

Rushing is known for contributing writing to songs including Charley Pride’s “Hope You’re Feelin’ Me (Like I’m Feelin’ You),” Doyle Lawson & Quicksilver’s 1993 IBMA song of the year winner “Little Mountain Church House,” Ricky Skaggs’ “Canjun Moon” and “Thanks Again,” Garth Brooks’ “American Honky-Tonk Bar Association,” and the 1993 IBMA song of the year winner “Lonesome Standard Time,” (also a hit for Kathy Mattea).

Scott’s catalog of hits includes songs recorded by Travis Tritt (“It’s a Great Day to Be Alive”), Sara Evans (“Born to Fly”), The Chicks (“Long Time Gone”), Patty Loveless (“You’ll Never Leave Harlan Alive”), Darin & Brooke Aldridge (“Cumberland Plateau”), Blue Highway (“Bleeding For a Little Piece of Mind”) and the Zac Brown Band/Chris Cornell collaboration “Heavy Is The Head.” Scott was named the 2000-2001 NSAI songwriter of the year and the 2002 ASCAP country songwriter of the year.

In the 1990s, Lauderdale saw his songs recorded by artists including Mark Chesnutt (“Gonna Get a Life”), Patty Loveless (“Halfway Down,” as well as Loveless’ George Jones collaboration “You Don’t Seem to Miss Me”), and the Strait-recorded hits “We Really Shouldn’t Be Doing This” and “What Do You Say to That.” In the Americana realm, Lauderdale has released 37 albums and won two Grammy accolades for bluegrass album of the year (for Lost in the Lonesome Pines and The Bluegrass Diaries), as well as earning bluegrass hits including “Mighty Lonesome” and “One Blue Mule.” Lauderdale was honored with the Americana Music Association’s lifetime achievement award in 2016.

Welch and Rawlings have shared a musical and songwriting partnership that goes back at least three decades. Since their debut project in 1996, the two have released songs in a variety of genres, including “Orphan Girl,” “Elvis Presley Blues” and “455 Rocket” (which also became a hit for Mattea), and “Tear My Stillhouse Down” (which became a bluegrass hit for The Nashville Bluegrass Band). Dailey & Vincent recorded a version of “By The Mark,” which was named the 2009 SPBGMA (Society for the Preservation of Bluegrass Music of America) bluegrass song of the year. “When A Cowboy Trades His Spurs For Wings” was recorded by Tim Blake Nelson and Willie Nelson for the film The Ballad of Buster Scruggs and was nominated for an Oscar for best original song. Welch and Rawlings received the AMA’s lifetime achievement award for songwriters in 2015.

Williams earned her breakthrough hit with “Changed the Locks” in 1988, which reached No. 16 on Billboard’s Mainstream Rock chart and became a hit for Tom Petty nearly a decade later. Williams’ “Passionate Kisses” also became a top 5 Country Airplay hit for Mary Chapin Carpenter in 1993, and earned Williams a Grammy for best country song. She also earned Americana Music Honors and Awards nominations for songs including “Are You Alright?” and “East Side of Town.” She earned the 2011 Americana Music Honors & Awards lifetime achievement award for songwriting and earned a BMI troubadour award in 2022. Williams was inducted into the Austin City Limits Hall of Fame in 2021.

Winans started out as part of the luminous gospel music group the Winans Family, before joining musical forces with her brother BeBe Winans to form a duo. Their song “Addictive Love,” co-written by CeCe, earned a GMA Dove Award for contemporary Gospel song of the year in 1992. In 1995, Winans launched her solo career. Her song “Hallelujah Praise” won a 2004 GMA Dove Award for contemporary Gospel song of the year, while in 2009 she was nominated for a Dove Award for “Waging War.” In 2021, her song “Believe For It” won a Grammy for best contemporary Christian performance/song and the 2022 GMA Dove Award for song of the year. Winans has also written songs including “Let Them Fall In Love,” “Pray,” “Say A Prayer,” “Slippin’,” and “Well Alright.” Winans was inducted into the 2015 Gospel Music Hall of Fame in 2015, and has stars on the Hollywood Walk of Fame and Music City Walk of Fame.

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Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

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Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.

Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).

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“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”

The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.

“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.

Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.

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Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”

“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”

He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”

The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.

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Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

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Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.

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Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.

The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.

The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.

Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.

Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.

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AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

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THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.

As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”

But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”

DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”

LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.

SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.

FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.

HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.

LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.

NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”

SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”

MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.

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