Doechii performs at Osheaga 2025 in Montreal.
Charlotte Rainville @jailli
Morgan Wallen’s I’m the Problem spends a sixth week in a row at No. 1 on the Billboard 200 albums chart (dated July 5), earning 177,000 equivalent album units in the United States in the week ending June 26 (down 5%), according to Luminate. The album debuted at No. 1 on the chart dated May 31 and has yet to cede the top slot.
With 177,000 units earned, Problem nets the largest total for an album in its sixth week on the chart since Adele’s 25 earned 363,000 in its sixth week (Jan. 16, 2016-dated chart).
Also in the top 10 of the latest Billboard 200, Benson Boone lands his highest-charting album and biggest week by units earned as his new album American Heart debuts at No. 2 with 61,000 equivalent album units earned. Karol G notches her third top 10-charting album with the No. 3 arrival of Tropicoqueta, and the KPop Demon Hunters soundtrack enters at No. 8. The latter marks the first soundtrack released in 2025 to reach the top 10, and the highest-debuting soundtrack of the year.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 5, 2025-dated chart will be posted in full on Billboard‘s website on July 1. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of I’m the Problem’s 177,000 equivalent album units earned in the week ending June 19, SEA units comprise 168,500 (down 4%, equaling 220.51 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a sixth week), album sales comprise 7,500 (down 19% — it holds at No. 7 on Top Album Sales) and TEA units comprise 1,000 (up 3%).
Benson Boone bounds in at No. 2 with his sophomore full-length studio album, American Heart, earning 61,000 equivalent album units in its first week. It’s the singer-songwriter’s second top 10, highest-charting set and biggest week ever by units earned. His previous biggest week, in both metrics, came when his last album, Fireworks & Rollerblades, skated in at No. 6 with 58,000 units earned (April 20, 2024-dated chart).
Of the 61,000 equivalent album units earned by American Heart, SEA units comprise just over 30,000 (equaling 40.29 million on-demand official streams of the set’s songs — it debuts at No. 5 on Top Streaming Albums), album sales comprise nearly 30,000 (it debuts at No. 1 on Top Album Sales; it’s Boone’s largest sales week) and TEA units comprise 1,000.
American Heart was released as a 10-song standard album and was available via streaming services and to purchase as a widely available digital download, CD, deluxe CD boxed set with a T-shirt (sold via Boone’s webstore), two cassette variants and seven vinyl variants.
The new album was preceded by a pair of top 30-charting hits on the Billboard Hot 100 songs chart: “Sorry I’m Here for Someone Else” and “Mystical Magical.” The cuts had climbed to new peaks on the most recently published Hot 100 (dated June 28), bumping 31-27 and 30-28, respectively. Meanwhile, Boone’s breakout hit “Beautiful Things,” from Fireworks & Rollerblades, continues to chart highly — it ranked at No. 10 on the June 28 Hot 100. Aside from one week during the holidays, the track, which peaked at No. 2 in March 2024, has not left the weekly top 40 since it debuted more than a year ago, on the Feb. 3, 2024-dated chart.
In the lead-up to the release of American Heart, Boone was a guest on NBC’s The Tonight Show Starring Jimmy Fallon (June 4), performed on CBS’ American Music Awards (May 26) and made his debut on NBC’s Saturday Night Live (May 3). Boone’s American Heart North American arena tour kicks off on Aug. 22. Before that, he’ll play a series of festival dates in America and beyond during July.
Karol G notches her third top 10-charting set on the Billboard 200 as Tropicoqueta debuts at No. 3 with 57,000 equivalent album units earned. It follows her two top 10s achieved in 2023: MAÑANA SERÁ BONITO (BICHOTA SEASON) (No. 3 that August) and MAÑANA SERÁ BONITO (No. 1 for one week, March).
Of the new release’s 57,000 units earned, SEA units comprise 54,500 (equaling 74.64 million on-demand official streams of the set’s 20 songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 2,000 and TEA units comprise about 500.
The album was announced on June 9 and arrived via streaming services and as a digital download for purchase on June 20. The set was preceded by the Hot Latin Songs-charting hits “Si Antes Te Hubiera Conocido” (No. 1 for 14 weeks in 2024 — Karol G’s longest run at No. 1) and “Latina Foreva” (No. 3 debut and peak on the June 7, 2025, chart). They reached Nos. 32 and 74, respectively, on the all-genre Hot 100.
Four former No. 1s are next up on the latest Billboard 200, as SZA’s SOS holds at No. 4 (47,000 equivalent album units earned; down 1%), Wallen’s One Thing at a Time is steady at No. 5 (37,000; down 7%), Sabrina Carpenter’s Short n’ Sweet is a non-mover at No. 6 (35,000; down 12%) and Kendrick Lamar’s GNX rises 8-7 (31,000; down 8%).
The soundtrack to the Netflix animated film KPop Demon Hunters debuts at No. 8 with 31,000 equivalent album units earned. It’s the highest-debuting soundtrack of 2025 and the first to bow in the top 10 this year. Of the set’s starting sum, SEA units comprise 27,000 (equaling 37.48 million on-demand official streams of the set’s tracks — it debuts at No. 10 on Top Streaming Albums), album sales comprise 3,000 (it debuts at No. 18 on Top Album Sales; it was only available to purchase as a standard download album) and TEA units comprise 1,000.
The last soundtrack to debut in the top 10 was the Wicked film soundtrack on the Dec. 7, 2024-dated chart, at No. 2. The Wicked soundtrack went on to spend eight weeks in the top 10, with four of those on 2025-dated charts (in January). Until this week, Wicked was the only soundtrack to spend time in the top 10 of the Billboard 200 in 2025.
KPop Demon Hunters premiered on June 20 on Netflix alongside its soundtrack. In the tracking week ending June 22, KPop Demon Hunters debuted at No. 6 on Netflix’s Top 10 Movies in United States chart.
Closing out the top 10 of the latest Billboard 200, Wallen’s chart-topping Dangerous: The Double Album is steady at No. 9 (30,000 equivalent album units earned; down 5%) and PARTYNEXTDOOR and Drake’s former leader $ome $exy $ongs 4 U is stationary at No. 10 (29,000; down 6%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Osheaga has a knack for booking budding superstars right as they blow up. Last year, it was Chappell Roan. This year, it was Doechii.
The Grammy-winning, Florida-born rapper took the stage on the first night of the Montreal music festival on Friday (Aug. 1), and it felt like a star-making performance. The Killers headlined the mainstage, but unlike Chappell Roan, who played for 40,000 people at 3:30 in the afternoon last year, Doechii did have the honor of closing out the festival on the secondary Forest Stage.
Her set was pushed back slightly to start at 10:10 p.m., meaning she was the final performer of the night before the noise curfew at 11 p.m. And for those who wanted to catch both acts, The Killers made it easy by playing their belt-along favorite “Mr. Brightside” as their first song and packing the first hour of their two-hour, 9:10 p.m. set with hits.
Doechii’s stage set was decked out to fit her Swamp Princess persona, covered in greenery and a large, elevated swampy platform for her to stand on. The crowd was packed in, so the fans stuck at the back still had a visual feast. “I look good from the nosebleeds,” she rapped from her 2025 hit “Nosebleeds,” and this show proved it.
Doechii performs at Osheaga 2025 in Montreal.
Charlotte Rainville @jailli
For a full hour, Doechii kept the energy up. She rapped a mile a minute, all live with almost no reliance on a backing track. She showed off her full skill set, from pure hip-hop to sung R&B/pop hooks, and comedic banter to thought-out stagecraft. She brought unbridled charisma, taking time to dance and twerk and show off some vogue moves as well. She showed off a reverence for classic hip-hop, rapping over Wu-Tang’s “C.R.E.A.M.,” and later screaming over a distorted guitar sample — almost veering towards nu-metal. She showed she can do it all.
The audience stayed captivated, rapping along and matching her energy throughout. It was Doechii’s first time in Canada, and you could tell she was impressed by the reaction. “As an artist, you can get so much hate and negativity,” she said. “Then you go out in real life and see your real fans.”
She took some time to thank her gay fans, her female fans, and the fans who brought their boyfriends. “If your boyfriend hates female rappers, then leave him immediately,” she said.
Seeing all the phones out, she seized her moment. “Ya’ll can’t be scared to stand up for what you believe in, you can’t be scared to say what matters,” she said. “Free Palestine.”
Doechii performs at Osheaga 2025 in Montreal.
Charlotte Rainville @jailli
Doechii broke out her biggest hit, the Billboard Hot 100 top-10 charting “Anxiety,” and thanked all her fans for streaming it. The “Somebody That I Used To Know” sampling song is a bit of an outlier in her catalogue, but it’s a viral TikTok favourite, and she’s found a way to fit it perfectly into her set. After playing the song, she thanked Gotye for approving the sample.
The true highlight of the set was “Denial Is a River.” The song, which features Doechii rapping with her internal monologue, took on a whole new call-and-response dimension with fans chanting along to every word.
It felt like she was still just getting started when, midway through the next song, the beat cut out. “F— that, they cut me off!” she yelled. She put her thumbs down, inciting the crowd to boo, then threw her hands up. “Whatever,” she said, walking off the stage.
Unfortunately, Osheaga has a hard 11 p.m. noise curfew. It’s clear the next time she’s back, she’ll have to have a longer headliner-length set.
Doechii performs tonight (Aug. 2) at Lollapalooza in Chicago, where she’s teased a special guest. If Osheaga was anything to go by, her set will likely be all over social media soon.
This article originally appeared on Billboard Canada.
Olivia Rodrigo was joined by surprise guest Weezer during her headlining set at Lollapalooza 2025.
On Friday (Aug. 1), the 22-year-old pop superstar made her debut on the second day of the Chicago music festival at Grant Park. Toward the end of her evening set, she surprised the crowd by inviting Weezer to join her on stage.
In a fan-captured video on TikTok, Rodrigo shared with the crowd that Weezer was the first band she ever saw live.
“You always remember your first concert. It’s a very, very special moment,” the “Drivers License” singer said. “I remember my first concert. It was a very memorable night. I watched this incredible band and I am so over the moon, because that incredible band is actually here tonight to play a few songs. Will you please say hello to Weezer?”
Weezer then joined Rodrigo for performances of their classic hits “Buddy Holly” and “Say It Ain’t So,” both from the group’s 1994 self-titled album. She played guitar and harmonized alongside frontman Rivers Cuomo during the collaboration. Check out clips from the performances here and here on X.
This marked Weezer’s first Lollapalooza performance since they headlined alongside Widespread Panic in 2005.
This isn’t the first time Rodrigo has brought out surprise guests during her recent festival appearances. She recently invited David Byrne onstage at New York’s Governors Ball to perform Talking Heads’ 1983 hit “Burning Down the House,” and welcomed The Cure’s Robert Smith at this year’s Glastonbury Festival to perform “Friday I’m In Love” and “Just Like Heaven.”
During her Lolla set on Saturday, Rodrigo opened with “Obsessed” and “Ballad of a Homeschooled Girl,” and also performed hits including “Driver’s License,” “Traitor,” “Bad Idea, Right?” and “Love Is Embarrassing.”
The Chicago festival continues Saturday (Aug. 2) with headliners Rüfüs Du Sol and TWICE, followed by closers Sabrina Carpenter and A$AP Rocky on Sunday.
Kelly Osbourne is paying tribute to her father, Ozzy Osbourne, just days after his funeral.
On Friday (Aug. 1), the 40-year-old TV personality shared an NSFW photo on her Instagram Story in memory of the rock legend, who passed away on July 22 at the age of 76.
The outdoor image featured a beautiful display of purple flowers arranged to spell out “Ozzy F—ing Osbourne,” set beside a serene pond surrounded by a rolling hill and trees.
In a second post, Kelly shared a heartfelt clip from The Osbournes, the MTV reality series that aired from 2002 to 2005. The snippet shows Ozzy lying in bed with his wife, Sharon Osbourne, offering words of wisdom.
“Listen, all you got to worry about is getting through today,” the Black Sabbath frontman says. “That’s all you got to worry about.”
Just days earlier, Kelly attended her father’s funeral procession in his hometown of Birmingham, England, where fans flooded the streets to pay their respects. Sharon, along with Ozzy’s other children — Aimeé and Jack — laid flowers at the Black Sabbath Bridge, which had been covered with tributes from mourners.
Shortly after Ozzy’s passing, Kelly posted another emotional tribute to her Instagram Story on July 24. “I feel unhappy I am so sad,” she wrote. “I lost the best friend I ever had,” the Fashion Police alum added, along with a heartbroken emoji. Her words echoed lyrics from Black Sabbath’s ballad “Changes,” which she and her father released as a duet in 2003.
Ozzy Osbourne died at age 76, just weeks after performing his final concert. His family confirmed the news in a joint statement. “It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” they wrote. “He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time.”
Just a month before his death, Kelly had honored her dad on Father’s Day with an Instagram post that included a slideshow of Ozzy spending time with her young son, Sidney, whom she shares with fiancé Sid Wilson.
“Happy Father’s Day daddy,” she wrote at the time. “I love you more than anyone or anything in the world! I am so proud to be your daughter and Beyond honored to watch you be the best #Papa in the world to my son!”
New Kid and Family Movies in 2025: Calendar of Release Dates (Updating)
The best sexting apps in 2025
Every potential TikTok buyer we know about
iOS 18.4 developer beta released — heres what you can expect
DOGE-ing toward the best Department of Defense ever
Are You an RSSMasher?
Toxic RINO Susan Collins Is a “NO” on Kash Patel, Trashes Him Ahead of Confirmation Vote
After Targeting Chuck Schumer, Acting DC US Attorney Ed Martin Expands ‘Operation Whirlwind’ to Investigate Democrat Rep. Robert Garcia for Calling for “Actual Weapons” Against Elon Musk