Toñita & Bad Bunny
Gabriel Hernández Solano
Brooklyn’s Caribbean Social Club, one of the last surviving Puerto Rican social clubs in the city, will host its second annual Toñita Fest on Sunday (June 22). The festival marks the club’s 51st anniversary and the legacy of María Antonia Cay — better known as Toñita — whose contributions over five decades have elevated her to a revered figure in Williamsburg’s Latin community.
The event will feature a lineup of artists representing a variety of styles, including bomba and plena, Afro-Caribbean group Daso and Grupo Cemi, Latin Grammy winner La Lulu, and salsa orchestra The Anonima Orchestra. Additionally, there will be a domino tournament paying tribute to the club’s roots. The festival, organized with the help of the nonprofit La Gesta Inc., builds on the success of last year’s inaugural event, which drew over 4,000 attendees from across the city.
Yet behind the exuberance of the festival lies a quiet reflection on what it means to preserve dwindling cultural spaces like Toñita’s amid the gentrification of Williamsburg. “It’s very important to bring people together from all walks of life,” she tells Billboard Español at the venue. “Whenever [the locals] come in, it’s like they’re at my home. They feel good and happy.”
In 1973, Toñita founded the Caribbean Social Club as a gathering spot for the Puerto Rican baseball team she managed. “The club started because the baseball league didn’t have a place to get together. Mommy created the space where that could be possible for us,” Toñita’s daughter, Sylvia Rosado, says.
Dominoes, beer and music shaped its laid-back atmosphere. Over time, the club grew into something much bigger — not just a place for intergenerational gatherings but a resource for addressing community needs like hunger and displacement.
“The amount of food that we’re cooking now daily — because we cook daily for the people who are less fortunate — is astounding,” Rosado added as she spoke about her mother’s ongoing impact. Fifty-one years later, those same elements endure, though Williamsburg’s demographic changes have significantly diminished cultural spaces like Toñita’s.
Toñita & Bad Bunny
Gabriel Hernández Solano
Although Toñita’s mission has always been centered around community, fame has recently found her. In 2022, superstar Bad Bunny visited the club on Residente’s recommendation. In 2025, Bunny name-dropped her in his song “NuevaYol” from his album Debí Tirar Más Fotos. She was also invited to celebrate the Puerto Rico-themed album on The Tonight Show Starring Jimmy Fallon alongside then co-host Bunny. Toñita’s reaction to the superstar’s recognition was, as always, understated: “It was immensely joyful, and I’m happy. I hope it can happen again,” she says.
Over the years, artists like Rauw Alejandro, J Balvin, Nicky Jam, and Guaynaa have also visited this iconic Williamsburg space, drawn by its authenticity and cultural significance. However, for Toñita, celebrity visits pale in comparison to the satisfaction of seeing her club continue to thrive decade after decade, expanding its legacy through events like Toñita Fest.
Giovanni González, the creator and director of Toñita Fest who also founded La Gesta, added: “This is one of the last social clubs left in Williamsburg. It’s a real effort to make this place thrive in such a small space. But just like Puerto Rico, size doesn’t matter — it’s the heart and energy of the people that make it what it is.”
Emerging Mexican singer-songwriter emjay, who will be performing in the U.S. for the first time at Toñita Fest, shared her excitement about being part of the event: “It’s a true honor. To be considered so that New York’s Latin community can get to know my music, and especially at such an incredible event like Toñita’s, is amazing.”
As Williamsburg continues to transform, Toñita’s Caribbean Social Club stays rooted in its purpose — but for how long? Toñita herself insists she doesn’t dwell on legacy, stating, “Memories are memories; I don’t place too much emphasis on them,” though her longevity speaks for itself. For this year’s attendees, the festival represents far more than just music or dominoes; it’s a reminder of the importance of preserving the spaces that keep Latin identity alive in New York.
Rauw Alejandro & Toñita
Gabriel Hernández Solano
Guayna & Toñita
Gabriel Hernández Solano
With his stadium-packing shows and massive hits including “Beautiful Crazy,” “When It Rains It Pours” and his rendition of Tracy Chapman’s “Fast Car,” it may seem obvious that music has been Luke Combs‘ passion his whole life.
But even as a sophomore at Appalachian University in Boone, North Carolina, Combs was already having to make tough choices when it came to following that passion.
During a recent episode of The Dog Walk With Eddie, Combs recalled that he had rushed at Kappa Alpha Order, but was quickly forced to make a decision between the fraternity and music, due to a scheduling conflict in which the frat’s “Big Brother” reveal was the same night as his a cappella group’s concert.
“On Big Brother reveal night we had a concert for the a cappella group, the same night that was gonna be at the same time,” he said, adding that he was “already kind of over” the process of pledging for a fraternity.
“Why does anyone really join a fraternity? To go to parties and meet chicks is kind of the deal, right?” Combs said. “So I tell the guys, ‘Hey, I really gotta do this concert tonight.’ Because there’s only like 12 people in the group; it’s not like there’s a thousand guys in the a cappella group. I’m like, ‘Your boy’s got solos. I can’t just not go,’ [but] they were like, ‘You’re either doing this or that.'”
When he was forced by his potential fraternity brothers to choose, it seems his decision was quickly made.
“I was like, ‘Well, I’m doing that, dude. I’m out,’” Combs said. Reflecting on it, he said, “It was tough, but I made the right choice. … I ended up here … but I would have loved to do both. … There was no wiggle room.”
Though he added in the interview that he held “no hard feelings” after having made the decision, he noted, “I was just like, ‘I kind of already sing and I’m already kinda good at that. All I’m doing with you guys is paying to be your friend, which I already have a lot of friends anyways.’ It just didn’t line up.”
Of course, pursuing music has paid off for Combs. He just released his new song “Back in the Saddle,” and has had three top 10 hits on the all-genre Billboard Hot 100 (so far). Four of his albums have reached the pinnacle of the Top Country Albums chart, while he’s garnered 18 No. 1 Country Airplay hits. After spearheading his Growin’ Up and Gettin’ Old Tour, Combs is playing shows in 2025 including Austin City Limits Music Festival in Austin, and his own Bootleggers Bonfire event, slated for October.
Teyana Taylor revealed on Wednesday (Aug. 6) that she’ll be undergoing emergency surgery after a noncancerous growth was discovered on her vocal cords.
The rapper-actress shared the health update to her Instagram Story, but promised that while she’ll need to cancel some upcoming appearances, like an upcoming podcast with Michelle Obama, her Escape Room album rollout is going to continue with the project scheduled to arrive on Aug. 22.
“I’ve been quietly dealing with some vocal challenges for a while now. And after a lot of back and forth with my doctors, I’ve been told I need vocal surgery immediately,” she wrote. “They found a noncancerous growth on one of my cords that’s been messing with my voice and causing real discomfort. Thankfully, we caught it & it’s treatable—but it does mean I need to pause and give myself time to fully heal.”
The 34-year-old continued: “That honestly breaks my heart. I don’t take lightly what it means to show up for y’all. I’ve poured so much of myself into this next chapter—especially the Escape Room, which is still dropping August 22! So no worries there. It’s the most personal body of work I’ve ever created. and the timing… it’s not lost on me. Just as I was getting ready to finally share this with you, life handed me my own unexpected ‘escape room’—one I didn’t ask for, but one I now have to find my way out of with patience, rest, and faith.”
Even amid the health battle, Taylor says she put her “whole heart into this music, this film, this rollout. And when I return, it’ll be with even more fire, more purpose, and the best version of me. Thank you for rocking with me through it all.”
Escape Room is set to boast 22 tracks, including her previously released “Bed of Roses” and “Long Time” singles and skits from Issa Rae and Lala Anthony.
The project serves as Spike Tee’s first LP since 2020’s The Album, which reached No. 8 on the Billboard 200 and No. 6 on Top R&B/Hip-Hop Albums.
2025 is shaping up to be another busy campaign for the Harlem native, who is starring in Paul Thomas Anderson’s One Battle After Another film alongside Leonardo DiCaprio and Sean Penn, due out later this year.
One of the most beloved bands of the early 2000s wasn’t even a real band.
When the Lindsay Lohan and Jamie Lee Curtis-starring Freaky Friday remake premiered in 2003, moviegoers were introduced to the teen garage band Pink Slip, led by Lohan’s Anna and her two besties Maddie (Christina Vidal) and Peg (Haley Hudson). Their song “Take Me Away” — originally released by Australian alt-punk band Lash in 2001 — was introduced in the film during a garage rehearsal, before Pink Slip takes the House of Blues stage for their big Wango Tango audition and Lohan and Curtis’ body-swap switch-back.
Now, Pink Slip and “Take Me Away” are back in Freakier Friday, Disney’s 23-years-in-the-making sequel that hits theaters on Friday. This time around, Lohan’s Anna is still pals with Maddie and Peg, but she’s left Pink Slip behind to focus on her life as a mom to Harper (Julia Butters) and music manager to gen Z pop superstar Ella (Maitreyi Ramakrishnan). But the band finds its way back together in the film, starting with Anna’s karaoke-fueled bachelorette party and concluding, once again, on a big Los Angeles stage, this time upgrading to The Wiltern for the musical grande finale.
Ahead of the sequel’s release, Billboard caught up with the three women behind Pink Slip — Lohan, Vidal and Hudson — as well as film producer Kristin Burr (credited with reuniting all five of the original Pink Slip bandmates for Freakier Friday) and music producer Suzy Shinn (who channeled her previous work with pop/rock heavyweights like Weezer, Panic! at the Disco, Fall Out Boy and Katy Perry into a revamped recording of “Take Me Away” and three different versions of brand-new song “Baby,” a centerpiece of the movie’s new mother-daughter storyline between Lohan and Butters).
Below, find Billboard‘s oral history of the epic Pink Slip reunion for Freakier Friday.
–Additional reporting by Lyndsey Havens
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