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Roger Nichols, Grammy-Nominated Co-Writer of ‘We’ve Only Just Begun,’ Dies at 84

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Roger Nichols, best-known for co-writing such Carpenters hits as “We’ve Only Just Begun,” “Rainy Days and Mondays” and “I Won’t Last a Day Without You” with lyricist Paul Williams, died on May 17. He was 84.

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Williams confirmed Nichols’ death in an extended, and deeply affectionate, post on Instagram. Williams didn’t list a cause of death, though he reported the basic circumstances of the death. “Roger Nichols passed away peacefully four days ago, at home with his beautiful family …his wife Terry and the daughters he was so proud of, Claire and Caitlin at his side.” (See full text of Williams Instagram post below.)

Nichols signed as an artist to A&M Records in 1968, a year before Karen and Richard Carpenter were signed to the Los Angeles-based label. His debut album Roger Nichols and the Small Circle of Friends was produced by Tommy LiPuma, engineered by Bruce Botnick, and featured session contributions from Van Dyke Parks, Randy Newman and Lenny Waronker. Although the album failed to crack the Billboard 200, A&M co-founder Herb Alpert thought there was something there and recommended that Nichols be hired by A&M’s publishing company as a staff songwriter. It was during this period that he was introduced to Williams.

That was a characteristically astute call on Alpert’s part. Williams and Nichols were one of the hottest pop songwriting teams of the early 1970s.

Williams and Nichols took off as songwriters in the fall of 1970, when they had two songs in the top 15 on the Billboard Hot 100 at the same time. On the charts dated Oct. 17 and 24, Carpenters’ version of “We’ve Only Just Begun,” a ballad which had originated as “soft-sell” commercial for Crocker-Citizens National Bank, was in the top five (on its way to a No. 2 peak). Three Dog Night’s “Out in the Country” was holding at its No. 15 peak.

The Carpenters smash, an instant standard, was lushly romantic. The Three Dog Night hit was a fresh-sounding mix of pop, rock and folk. Having two simultaneous hits by two different acts in two different styles caught the industry’s attention. “We’ve Only Just Begun” went on to receive two Grammy nominations – for song of the year and best contemporary song — at the first live Grammy telecast in March 1971. (It lost both awards to Paul Simon’s “Bridge Over Troubled Water.”) The Carpenters’ recording of the song was voted into the Grammy Hall of Fame in 1998.

Williams and Nichols continued writing songs for the Carpenters, including “Rainy Days and Mondays,” a superb and remarkably adult ballad which reached No. 2 (it took Carole King’s letter-perfect “It’s Too Late” to keep it out of the top spot), “Let Me Be the One” (another first-rate ballad that the duo never got around to releasing as a single), and “I Won’t Last a Day Without You,” a 1972 album track that was finally released as a single in 1974, when it climbed to No. 11.

Barbra Streisand covered “I Won’t Last a Day Without You” on her ButterFly album later in 1974. On her following album, Lazy Afternoon, she recorded another Williams-Nichols song, “I Never Had It So Good.” Both of those albums went gold.

Art Garfunkel recorded a tender Williams-Nichols song, “Traveling Boy,” for his first solo album, 1973’s Angel Clare, which made the top 10 on the Billboard 200. The song was released as the third single from the album, and bubbled under the Hot 100.

Nichols also had some successes with other collaborators. He teamed with William Lane to write “Times of Your Life,” which Paul Anka recorded in 1975. Like “We’ve Only Just Begun,” this song was also adapted from a popular TV commercial – for Kodak. Anka’s recording reached No 7 on the Hot 100 in February 1976.

Nichols retired soon afterwards, but his songs live on. R.E.M. covered “Out in the Country” as a B-side for their 2003 single “Bad Day.” Rumer covered “Traveling Boy” on her 2012 album Boys Don’t Cry.

Nichols was honored during Florida Chapter Presents The Recording Academy Honors 2006 at Loews Miami Beach Hotel in Miami.

He was nominated for the Songwriters Hall of Fame on Nov. 12, for the class that will be inducted on June 12. He wasn’t elected (the competition is fierce every year), but the ballot listed the five songs that are probably his most famous and enduring: “We’ve Only Just Begun,” “Rainy Days and Mondays,” “I Won’t Last a Day Without You,” “Out in the Country,” “Times of Your Life”

In a comment on Williams’ Instagram post, Nichols’ daughter Claire wrote, “My mom, Terri, and my sisters, Caroline and Caitlin, are all so proud of the man he was, and are in awe of the legacy he leaves.”

Here’s the full text of Williams’ Instagram post announcing Nichols’ death.

“The first song, Roger Nichols and I wrote was called “it’s hard to say goodbye. “… Sadly, we hit the nail on the head. Roger Nichols passed away peacefully four days ago, at home with his beautiful family …his wife Terry and the daughters he was so proud of, Claire and Caitlin at his side. They were his dream come true. His greatest joy

“Roger was my writing partner and my music school… a collaborator
for years and a friend for life. I was an out of work actor looking for a career in music when I was signed by A&M records publishing. They were looking for a lyricist for Roger Nichols. An industrial strength, lucky break that changed my life.

“We wrote almost every day for several years. He was as disciplined as he was talented. I had the attention span of a sea otter… I was ready for a break after three hours and Roger would plunge ahead for another four or five. The words were born of the beauty in his completed melodies.
I wrote what I heard, note for note…word for word. The lyrics waiting in the emotion already in his music. He made it easy.

“After many wonderful productive years, I wanted us to write songs for movies. He had another dream. He said I wanna go fishing … wanna go back to Montana. He smiled and said something about having a family and maybe making a home by a nice little river… it was clear that he was already gone. A few years ago, I visited him and met Terry and the girls at the house by the river …and I knew he found his dream.

“One last story. Roger was really excited when his daughter Caitlin was getting married last September. He chuckled and asked, “can you picture me wheeling down the aisle in my wheelchair, holding my daughter’s hand?”

“Of course, I said yes then …. and right now Roger, I can picture thousands of proud dads and their beautiful daughters that walked down the aisle to your gorgeous music or danced their father and daughter dance to We’ve only just begun… picture them standing and applauding what you brought to their lives and to mine. You brought love and beauty into this world, and we will never forget you.

In gratitude with much love… Paul”

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Tim Dillon Fired From Riyadh Comedy Festival for Saudi Slavery Remarks: ‘They Didn’t Like That’

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Tim Dillon will not be traveling to the Riyadh Comedy Festival next month. The California comedian and host of The Tim Dillon Show podcast says he was fired from the Oct. 8 Saudi Arabia festival for comments he made about the country on Joe Rogan‘s podcast.

Besides losing a $375,000 payday (an amount Dillon confirmed to Rogan), he also lost a nearby warm-up gig in Dubai two nights before his Riyadh appearance after mixing up the Arab emirate with Abu Dhabi (the rival cities are both part of the United Arab Emirates).

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“I mixed them up — apparently this is a big deal over there. This is a real problem,” he said on a recent episode of his podcast. “This is not a malicious slander. It’s a mistake.”

The Riyadh Comedy Festival — which mostly takes place at the Bakr Al-Sheddi Theatre and ANB Arena from Sept. 25 to Oct. 9, features a number of top tier comedians including Dave Chappelle, Bill Burr, Gabriel Iglesias, Aziz Ansari, Kevin Hart, Jeff Ross, Chris Distefano, Tom Segura, Jo Koy, Sam Morril, Hannibal Buress, Andrew Schultz, Sebastian Maniscalco, Whitney Cummings, Jimmy Carr, Louis CK, Pete Davidson, Russell Peters and Chris Tucker.

“Supposedly, MBS is a fan of mine,” Dillon said two weeks ago on the Joe Rogan Experience podcast, referring to Saudi head of state Mohammed Bin Salman.

Dillon was reportedly fired from the festival for claiming that Saudi Arabia relies on slave labor — a controversial take on the country’s foreign laborers laws that some groups, including Human Rights Watch, have criticized as “slavery-like.” Legally, slavery was abolished in the Kingdom in the 1960s.

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Dillon said the slavery jokes were a misunderstanding with his Saudi hosts, saying on his podcast, “I was defending them for having slaves. I literally said, ‘Slaves are hard workers and for the most part agreeable.’ But they didn’t like that.”

“You can literally support somebody too much,” he added. “In life, this happens. Too many compliments; too much support — and then they turn on you.”

He clarified his comments further, noting, “If i was a slave — not that I want to be one, but if I was and I built this really nice thing, I might say to my slave children, ‘Daddy built that,'” concluding, “Apparently this got to the people in Saudi Arabia and they were unhappy about it.”

The Riyadh Comedy Festival opens Sept. 25 with performances by Burr, Maz Jobrani and Andrew Santino and Bobby Lee from the Bad Friends podcast. More here.

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Wilson Phillips, Kenny Loggins & More to Perform at Charity Concert Honoring Brian Wilson & The Beach Boys

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Wilson Phillips, Kenny Loggins, David Pack of Ambrosia and more are set to perform at a charity concert celebrating the music of Brian Wilson and The Beach Boys on Saturday, Sept. 27 at the Granada Theatre in Santa Barbara.

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Wilson Phillips features two of Wilson’s daughters, Carnie and Wendy Wilson, as well as Chynna Phillips, the daughter of John and Michelle Phillips. The concert will also feature Brian Wilson’s grandchildren, so it will spotlight three generations of the Wilson family.

The concert, dubbed An All-Star Tribute to the Music of Brian Wilson & Songs of The Beach Boys, will feature the Folk Orchestra of Santa Barbara. Other guest performers are expected to include The Honeys; former members of The Beach Boys and the Brian Wilson Band; and keyboardist Don Randi (The Wrecking Crew); with appearances by Rosemary Butler (Jackson Browne), Ken Stacey (Elton John), Hunter Hawkins (Kenny Loggins), Carly Smithson (American Idol), Alisan Porter (The Voice) and poet Stephen J. Kalinich. These acts will be backed by The Tribe Band, who will perform an array of Beach Boys favorites.

The show begins at 7:30 p.m. Here’s a link for tickets. VIP packages are also available.

Proceeds will be donated to Adam’s Angels, a local group of volunteers, and the Surfrider Foundation of Santa Barbara, dedicated to the protection and enjoyment of the world’s oceans and beaches.

Brian Wilson died on June 11 at age 82. He was the third member of the fabled group to pass, following brothers Dennis in 1983 at age 39 and Carl in 1998 at age 51.

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AI Artist Xania Monet, Diddy Sentencing Looms, Ticketmaster Lawsuit & More Music Law News

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THE BIG STORY: If you needed another clear sign that artificial intelligence is seeping into every aspect of American cultural life, here’s one: An AI artist just signed a record deal, the hallowed milestone of success for any emerging musician.

As first reported by Billboard last week, Xania Monet — the avatar of a woman named Telisha Jones who writes her own lyrics but uses Suno to create the music — inked a record contract worth millions. The deal has quickly become the talk of the industry, including from stars who have spoken out, including Kehlani, who said: “I don’t respect it.”

But…what exactly is a label buying here? It remains unclear the extent to which you can secure intellectual property rights to AI-generated songs, raising hurdles for monetizing them. And platforms like Suno are still facing trillion-dollar infringement lawsuits that essentially claim the technology itself is illegal. For more, go read our full story.

You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.

Other top stories this week…

BLIGE CASE TOSSED – A federal judge dismissed a lawsuit against Universal Music Group claiming Mary J. Blige’s enduring 1992 hit “Real Love” infringed the oft-sampled 1973 funk song “Impeach the President” by the Honey Drippers, which has been used by Run-DMC, Dr. Dre, Doja Cat and many others over the years. The judge said the two songs were so different that nobody would hear the earlier song: “The songs do not sound the same.”

DIDDY SENTENCING – Attorneys for Sean “Diddy” Combs urged a federal judge to sentence him to just 14 months in prison on his prostitution convictions, asking him to reject the kind of “draconian” punishment sought by prosecutors. Because the star has already served 13 months in jail since he was arrested, that sentence would see him released almost immediately: “It is time for Mr. Combs to go home.”

LETTERS OF SUPPORT – To help make that argument, Diddy’s lawyers filed dozens of letters from supporters, pleading with the judge to show lenience toward the rapper when he sentences him next month. They came from Diddy’s mother and kids, from ex-girlfriend Yung Miami and from an executive at hip-hop label Quality Control Music — among many others.

SUNO SUIT 2.0 – Separate from the Xania Monet situation, the major record labels filed an amended version of their copyright lawsuit against the AI music firm, adding new allegations that the company illegally “stream-ripped” songs from YouTube to train its models. That’s a hugely important new claim: In a separate such lawsuit against Anthropic, a federal judge ruled this summer that AI training itself is likely a legal “fair use” but that using pirated works to do it could lead to many billions in potential damages.

FTC, YEAH YOU KNOW ME – The Federal Trade Commission filed a lawsuit against Live Nation and Ticketmaster accusing the concert giants of advertising misleading ticket prices and allowing scalpers to buy up tickets and resell them at inflated prices. The case came months after the agency sued a ticket broker that allegedly used thousands of fake Ticketmaster accounts to buy and resell tickets to Taylor Swift concerts and other events — and two years after Live Nation was hit with a sweeping monopoly lawsuit by the U.S. Department of Justice.

HYPE VID SETTLEMENT – Mike Tyson settled a lawsuit claiming he illegally used the Jay-Z, DMX and Ja Rule song “Murdergram” in an Instagram video promoting his boxing match against Jake Paul. The case was filed by Ty Fyffe, a producer and co-writer of the 1998 track who claimed that Tyson had willfully infringed his copyrights by using the song in a training video ahead of his much-hyped fight with Paul.

LOSE YOUR … CASE? – Meta urged a federal judge to dismiss a lawsuit from Eight Mile Style, a music publisher that owns hundreds of Eminem songs, which claims the social media giant made “Lose Yourself” and other iconic tracks available to billions of users. In the motion, Facebook’s lawyers argued the case was “remarkably short on specifics” about actual infringing material: “Fanciful estimates are not a substitute for well-pleaded facts,” the company wrote.

NEVER MEANT TO CAUSE YOU ANY PAIN – The Prince estate asked a judge to dismiss a lawsuit by the late singer’s Purple Rain co-star Apollonia (Patty Kotero) that claims the estate is trying to “steal” her name, arguing it has no intention of forcing her to change her name — and has repeatedly told her as much. The filing did say, however, that Apollonia secured her own trademarks during “the chaotic period following Prince’s death.”

SEX TAPE LEAK CASE – Colombian pop star Beéle was hit with a lawsuit alleging invasion of privacy and sexual cyberharassment from ex-girlfriend Isabella Ladera, claiming he is responsible for leaking their sex tape. Beéle’s reps have denied that he was the source of the leak and said the singer is “also a victim,” but Ladera’s lawsuit placed the blame squarely on him: “Only two people had the videos, and Ladera had already erased them almost a year and a half before.”

MEGAN THEE PLAINTIFF – Lawyers for Megan Thee Stallion argued in court filings that the social media personality DJ Akademiks must reveal whether Tory Lanez sent him a confidential DNA testing report during the singer’s criminal case. The filings came amid discovery in a defamation case against Milagro Gramz, a gossip blogger and ardent online defender of Lanez.

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