Meghan Trainor at the Billboard Women in Music 2025 held at the YouTube Theater on March 29, 2025 in Los Angeles.
Gilbert Flores
Entertainment
DJ Snake Covers Billboard France Ahead of Two Major Concerts: ‘The Goal Is to Make History’
On May 10, DJ Snake is set to perform consecutively in two of the largest concert venues in France: the Stade de France (80,000 people) and then the Accor Arena (20,000 people). It’s an unprecedented feat for an artist accustomed to breaking records as he prepares to release his third studio album.
DJ Snake stands relaxed yet alert, his eyes sharp in front of the lens of Nabil Elderkin—a renowned director and photographer known, among other things, for his work with Travis Scott and The Weeknd. The artist is about to give a landmark concert at the Stade de France, titled The Final Show, followed by an after-party at the Accor Arena. An unprecedented feat for a DJ in France and a testament to his popularity in his home country, the event sold out in just three minutes.
More than a decade after his rise began, he is now one of the most influential ambassadors of the French electronic scene and ranks among the 100 most popular artists in the world on Spotify. Four of his singles have made it into the top 10 of the Billboard Hot 100.
“Paris is my city,” he declares at the start of the interview. He has a visceral connection to the capital that goes beyond simple geographical attachment. “It’s the city that taught me everything, really. Even musically—the strong influence of hip-hop in Paris, African music, Arabic music, French pop… That whole mix is what makes my music sound the way it does today.”
He found himself backed into a corner in the summer of 2012, after several years of DJing in the capital’s upscale clubs. Having already worked behind the scenes for artists like Lady Gaga (earning him a Grammy nomination), he felt limited in his artistic expression. So, he invested his savings into renting a recording studio and gave himself two months to make it as a solo artist. That risky bet turned out to be the launching point for a meteoric rise, beginning in 2013 with “Turn Down for What,” his collaboration with Lil Jon.
A Leading Figure of the French Electronic Music Scene
“With all humility, I don’t claim to represent France,” DJ Snake confides. “I represent a guy from Paris, who’s Franco-Algerian, and I just try my best to do interesting things.”
Yet with 13 billion streams on Spotify and four music videos surpassing one billion views on YouTube, DJ Snake undeniably carries the country’s colors on the international stage. “We have an incredible electronic scene that’s respected worldwide. Our older brothers did an extraordinary job—Daft Punk, Justice, Bob Sinclar, Martin Solveig, David Guetta, Madeon…”
The Stade de France, the largest venue in the country, marks the pinnacle of an unlikely journey: “It’s my destiny—to come from the very bottom, have an unconventional path, be a guy no one believed in at first, and end up at the top, at the Stade de France.”
More than just a concert, The Final Show represents a clear ambition for him: “The goal is really to make history.” When ticket sales opened, more than 500,000 people were in the queue at the same time. “We had planned a whole promo run—interviews, TV appearances, billboards in the streets of Paris… We had a full campaign ready, because never, ever, ever did I think I’d fill the Stade de France in three minutes.”
So the artist decided to extend the celebration: “I said to Julie, my manager, ‘Check if the Accor Arena is available.’ If it was, we’d throw the afterparty there. At least we’d have 20,000 people—20,000 lucky ones, 20,000 members of the Snake Army—with whom we could throw a massive event.” It was a winning bet: the Bercy venue also sold out.
DJ Snake
Supporting the New Generation
“You can come from a small suburb and do big things, with very little—just with drive, ideas, a group of friends, fun, and a lot of ambition,” says DJ Snake. “What I mean is, ‘Go for it, anything is possible.’ You’ve got a passport, you can travel—have fun, do what you need to do, and fight for your vision.”
The artist expresses confidence in the future of the new generation: “There are so many talented people, and I’m really not worried about the industry or the French scene. I think of someone like Trym, who’s bringing his hard techno vibe. His project is going to keep growing—Americans love it—and I think what he represents is really cool.”
The next step after his Stade de France triumph: launching a label dedicated to supporting new talent. “I think after my album, the goal is to start a new label and sign a lot of young artists. I want to give them a platform to express themselves.”
The Nomadic Spirit
While Paris remains his emotional home port, DJ Snake sees himself first and foremost as a citizen of the world. “I strangely feel at home everywhere,” he explains. “And I really have that nomadic thing. The nomadic spirit—it’s something that truly reflects who I am. It’s a rhythm I’ve had since I was young. I’ve always been on the move, I’ve always traveled.
“Now, I’m able to absorb the vibe of a city quickly. It’s crazy what I’ve managed to develop—I’m just realizing it now.” Still, it’s a demanding balance: “Traveling is very inspiring—meeting people, connecting with artists, discovering different cultures… But the travel itself is exhausting. It’s a lot of pressure. I have a hard time creating while on tour. I need to stop and settle somewhere. I stepped back a bit from social media when I was touring more, because I was finishing my album and needed not to be constantly on the move.”
With “Disco Maghreb” in 2022, DJ Snake reached a form of personal fulfillment. The instrumental track with Algerian influences came from a deeply intimate place. “The impact of ‘Disco Maghreb’ was huge. It was unprecedented, and I really didn’t expect it. I was the first to be surprised,” he says. “It will still be played at weddings 20 years from now.
“Algeria gives me so much love. It’s really hard for me to walk down the street there, for example. That’s something I don’t experience anywhere else, even though I’m known pretty much worldwide.”
For him, the real victory lies in his ability to make traditional music resonate far beyond its original audience: “When I’m performing in Brazil, Mexico, Colombia, Taiwan or Japan, and I see people dancing to Algerian rhythms—that’s a cultural victory.”
DJ Snake
A New Album After Six Years of Waiting
DJ Snake is preparing to make his return with a new project, with the announcement coinciding with his show at the Stade de France. “It’s true that it went by quickly,” he admits, reflecting on the time since “Carte Blanche.” “I felt the need to offer a new chapter in my career. I had things to say, things to offer. With the Stade de France, I thought, ‘I think we’re going to make a great combo, Stade de France, album. We’re going to have fun.’
“It’s an album where I had fun. I pushed creativity to the max. Of course, it’ll still be DJ Snake, I’m not coming back with a funk album or a drum and bass album. There will be electronic sounds, there will be touching moments, and we’re going to have fun.”
This versatility is one of the artist’s signatures: “I release ‘Let Me Love You’ with Justin Bieber, the next month I drop a dubstep track called ‘Propaganda,’ which is super aggressive. Then I do something like ‘Magenta Riddim’ with Indian influences. After that, I can do a house track, I can do ‘Disco Maghreb’…. I really took people on a journey from left to right. But always with integrity and my vision. That’s why people have never seen me as an opportunist, because my approach has always been sincere.”
He embraces this diversity as an integral part of his identity: “When you’re in music, your art has to be solid, and it has to touch people. There has to be emotion, but it has to connect with the audience. I don’t understand artists who make the same song every time. They have a hit with something, and then they make five follow-ups with the same rhythm, the same guitar. I’d go crazy. That’s why I always need to reinvent myself and offer something different.”
In Search of Authenticity
In an electronic landscape where trends, particularly on social media, often overshadow creative choices, artistic independence is a fundamental principle for DJ Snake. “My vision is what matters the most to me. I’ve done everything to protect it and to maintain this independence, this freedom to navigate.”
For the producer behind global hits like “Let Me Love You” and “Lean On,” he says “the impact of TikTok” has changed electronic music, with consumption becoming increasingly rapid. “The industry has changed. The way entertainment, not just music, is consumed has made it so very little remains,” he observes.
“Since I was young, I’ve always been on the move, I’ve always traveled… We’ve met the biggest artists in the world, the biggest celebrities, visited the most beautiful places on the planet. But at some point, you go through all of that and you start to appreciate the simplest things.”
This quest for authenticity shows up both in his music and his creative approach: “My music is a reflection of my daily life, my life—it’s me, really. I translate what I feel. For sure, there will be simpler things than what I’ve done before.”
His side project, The Outlaw, under which he will perform at the Accor Arena, also allows him to return to his roots: “It was really about having total creative freedom, not worrying about my image, my status, or having to play all my pop hits all the time. It’s really a kind of outlet.” He shares that he aims to release an EP under The Outlaw in the coming months.
This article originally appeared on Billboard France.
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Entertainment
Jhené Aiko & Meghan Trainor Join ‘Hey A.J.!,’ New Disney Jr. Animated Series Inspired by a Super Bowl Champ
Jhené Aiko has joined the cast of Hey A.J.!, the upcoming Disney Jr. animated show based on a children’s books series written by retired NFL star Martellus Bennett, while Meghan Trainor will have a recurring role.
The music-filled family comedy series will follow a young girl named A.J., voiced by Amari McCoy (Marvel’s Spidey and His Amazing Friends), who “along with her stuffed bunny sidekick, uses her big imagination to make ordinary life moments extraordinary,” according to the Disney Jr. announcement.
Grammy-nominated artist Aiko will voice A.J.’s mom Siggi, while Super Bowl champion-turned-children’s author Bennett will voice A.J.’s dad Marty. Also joining the cast: Juliet Donenfeld (Star Wars: Young Jedi Adventures) as A.J.’s best friend Jessie, Innocent Ekakitie (Bunk’d) as Jazz, and David Mitchell (Phineas and Ferb) as A.J.’s bunny sidekick Theo. Grammy-winning singer/songwriter Trainor will have a recurring role playing Jessie’s mom.
The casting news was announced Friday morning (Aug. 8) at the “Disney Jr. Let’s Play!” fan celebration, taking place throughout the weekend at Disney California Adventure Park in Anaheim, California.
Other Disney Jr. news coming out of Friday’s fan event: The new series Cars: Lightning Racers, inspired by the Disney and Pixar Cars film series, will see Owen Wilson and Larry the Cable Guy reprising their roles as Lightning McQueen and Tow Mater, respectively; Marvel’s Avengers: Mightiest Friends will debt as the first preschool Avengers series, following Spidey and Iron Man-specific shows; and two new Mickey & Minnie’s Holiday Songs musical specials will arrive this year timed to Halloween and Christmas.
“Our shows are often a child’s very first connection to the world of Disney, sparking the songs they sing, the characters they adore, and the adventures they want to live again and again,” Ayo Davis, president of Disney Branded Television, said at Friday’s event. “Today’s announcements build on that leadership, expanding the worlds kids already love and introducing new multiplatform stories that will capture the hearts of the next generation.”
As fellow moms of two, Aiko and Trainor are surely no strangers to children’s television. Aiko is mom to 16-year-old Namiko (whom she shares with her R&B singer ex O’Ryan) and 2-year-old son Noah (with her rapper boyfriend Big Sean), while Trainor has 4-year-old son Riley and 2-year-old son Barry with actor husband Daryl Sabara.
Hey A.J. — produced by Surfing Giant Studios, with Bennett, Jeff “Swampy” Marsh and Michael Hodges serving as executive producers — will debut in 2026 on Disney Jr., followed by a Disney+ release.
Entertainment
MGK Got Songwriting Assist From Ex Megan Fox on ‘Lost Americana’ Track About the Most Tragic Love Story of All Time
MGK and Megan Fox may no longer be engaged, but former “twin flame” couple are still making beautiful music together. Just check the songwriting credits for rapper-turned-pop-punk-rocker Kelly, whose new album, Lost Americana, features a track titled “Orpheus” credited to co-writers Kelly and Fox.
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The gentle piano and strings ballad opens with MGK sighing, “We grew a tree back in the garden/ With a celestial seed that fell down to us from the stars/ The sun rose high and killed our shadows/ There’s more to see under the light than in the dark.” The lyrics allude to the tragic Greek myth of Orpheus and Eurydice via lines about an undying love that cannot be.
“Somewhere in a different realm, we’re still together/ Somehow, I’ll find my way to you again/ Shipwrecked, but I hold hopes of buried treasure,” MGK sings on the song in which he vows, “I won’t let you love me, but I can’t let you leave me/ It’s a tragedy, and we’ve all seen that scene.”
In the Greek myth, musician Orpheus loses wife Eurydice to a snake bite and travels to the underworld to plead with Hades for her return. The god of the depths offers to let Eurydice return to life if Orpheus agrees not to look back at her until they’re both above ground again. When his anxiety about their return overwhelms him, Orpheus looks back and loses Eurydice forever.
Similarly, the song that appears to chronicle the on-and-off couple’s tumultuous, drama-filled love affair, which seemingly ended for good when they split just before Fox gave birth to their daughter, Saga Blade, in March of this year. It also seems to be a call back to the poem “Prove it, Orpheus” from Fox’s 2023 book of poems Pretty Boys Are Poisonous, which fans at the time suspected was about the singer.
In it, she wrote, “And when they ask you what is your biggest regret/ Don’t writ it in a song/ Cut yourself open and write it in blood.”
The “celestial seed” reference in the song also seems like a call-back to a mini-controversy that erupted around the time of the baby’s birth when MGK announced the good news by writing, “She’s finally here!! our little celestial seed.” Kelly later clarified that of course they didn’t name their daughter Celestial Seed, but it’s unclear at this point if the song writing preceded the tweet or if Kelly leaned into the misunderstanding on the track as a wink.
At press time it was also unclear if the former couple worked on the song together, or if Fox’s songwriting credit is tied to her earlier poem; a spokesperson for Kelly had not returned a request for clarification on the credit at press time.
The majority of the songs on the album were written solely by Kelly or Kelly with Emma Rosen, or the pair with LP co-producer Nick Long. However, Third Eye Blind’s Stephan Jenkins gets a co-writing credit on “Starman,” which interpolates the entire chorus to 3EB’s breakout 1997 single, “Semi-Charmed Life.”
MGK has been on a full-court press blitz for Lost Americana, with his hometown of Cleveland preparing to celebrate its favorite son with the annual MGK Day celebration this weekend. Events from Friday through Sunday (Aug. 8-10) include the XXCon gathering at Jacobs Pavilion featuring an acoustic performance, DJ set from Emo Night Brooklyn and a celebration of the album tonight. The party will continue on Saturday with a Now That’s What I Call Brunch party with music by Bobby Booshay, a street league skateboard takeover and a bar crawl. Sunday will kick off with a Harley-Davidson city ride ending at the MGK Day Community and Arts Festival and celebrity basketball game; click here for the full roster of events.
Entertainment
Steven Tyler Accuser Says Age-of-Consent Argument Won’t Save Him From Child Sexual Assault Trial
A woman suing Aerosmith singer Steven Tyler over accusations that she was almost his “child bride” in the 1970s is urging a judge to deny the star’s efforts to dismiss her sexual assault lawsuit.
In court papers filed Wednesday in Los Angeles court, attorneys for Julia Misley argue that Tyler — whom they claim “groomed” and “manipulated” her as a teenager — cannot rely on the laws of Massachusetts to escape a case she filed in California.
“Defendant, as plaintiff’s guardian, used his wealth and celebrity status to sexually assault plaintiff as a child for multiple years in multiple states, including California,” Misley’s lawyers said. “Thus, it was defendant who chose California law to apply, not plaintiff.”
Misley (formerly Holcomb) sued Tyler in 2022, claiming she was the unnamed person he referred to in his memoir as a “teen bride” he almost married. They claim he abused his fame to win control over her — including signing an agreement with her parents to take legal guardianship — and sexually assault her for three years starting in 1973, when she was just 16 years old.
With a trial looming in October, Tyler has argued that the case must be dismissed. His lawyers say the pair lived together in Boston, where the legal age of consent is 16; he also says the statute of limitations in Massachusetts has long since expired.
But in this week’s response, Misley’s lawyers say that argument is clearly flawed — claiming he cannot hide behind laws in other states when he lives in California and some of the alleged misconduct took place in that jurisdiction.
“Now, as a California resident, defendant believes that he should not be liable despite never raising the defenses he relies upon,” her lawyers write in Wednesday’s filing. “This failure is fatal to his attempts to escape liability [and] plaintiff respectfully requests the court deny defendant’s motion in its entirety and allow this case to be decided by a jury.”
An attorney for Tyler did not immediately return a request for comment on Friday.
Misley’s allegations against Tyler were not new. She made similar accusations in a 2011 article published by the anti-abortion website LifesiteNews, and she made the same claims in 2020 during an appearance on Fox News.
But in 2022, she took her allegations to court — accusing Tyler of using his “power as a well-known musician and rock star” in order to “gain access to, groom, manipulate, exploit” her.
The lawsuit repeatedly cited Tyler’s own memoir (Does the Noise in My Head Bother You?), in which he explicitly referenced a relationship with an underage girl. “She was 16, she knew how to nasty, and there wasn’t a hair on it,” Tyler wrote in the book passage that’s quoted in the lawsuit. “I was so in love I almost took a teen bride.”
The lawsuit alleged that Tyler convinced Misley’s parents to grant him guardianship over her — an accusation that also came with quotes from his memoir: “I went and slept at her parents’ house for a couple of nights and her parents fell in love with me, signed paper over for me to have custody, so I wouldn’t get arrested if I took her out of state.”
In Tyler’s motion to dismiss the case, filed in June, he didn’t deny the basic facts. But his lawyers characterized the pairing as a consensual “romantic relationship” between a man “in his mid-twenties at the time” and a woman “between the ages of 16 and 19.”
“Plaintiff and Tyler lived together in Boston, Massachusetts, where the legal age of consent was (and remains) 16. Plaintiff has never lived in California,” Tyler’s lawyers wrote. “However, five decades after the fact, plaintiff sued in California claiming that her relationship with Tyler, part of which occurred prior to her turning 18, constitutes ‘childhood sexual assault.’”
“Under Massachusetts law at the time, the age of consent was 16, and as such, plaintiff and Tyler’s relationship was legal,” they wrote.
If Tyler’s motion is denied, the case is currently scheduled to go to trial on Oct. 1.
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